Allan – Page 24 – Shows I've Seen

Monstrous Regiment – Play – Latitude Theatre

Elevator Thoughts (aka Tweet): Monstrous Regiment play adaptation (by Christopher Hainsworth) of Terry Pratchett’s Discworld novel. Directed by Christopher Kidder-Mostrom. Latitude Theatre’s historic first show ever! A group of monstrous/misfit army underdogs defy traditional gender roles. Unexpected reveal at the end. #girlPower #igor #vampire #troll #Discworld

Synopsis from the Theatre: From the pages of the Discworld(TM) novels, comes a story filled with loyalty, love, monsters, and mayhem. Borogravia is at war. Again. When Polly Perks’ brother goes missing in action, she disguises herself as a young man, enlists in the army and heads to the front lines in search of her sibling. But all is not as it seems, and Polly soon learns that she isn’t the only one in this band of “brothers” protecting secrets. Making their way to the front, this misfit company might just overcome insurmountable odds to become unlikely victors. A wickedly funny look at the absurdities of war and ambiguities of identity.

Reviewed Performance: 5/18/23 – Opening night and debut show of Latitude Theatre’s inception!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: No, but you’d probably appreciate it more if you read the book. I haven’t read the book and I was still able to follow the story.

Defined Plot/Storyline: Yes

Was This the First Time I Attended a Production of this Show: Yes

Equity Actors: 0

Total Number of Actors: 11

Length (Including Any Intermission): 3 hours-ish , which was a bit too long

Intermission: Yes

Theatre Company: Latitude Theatre

Venue: Isaac Studio at Taproot Theatre

Venue Physical Address: 212 N 85th St, Seattle, WA 98103

Price: Cheap

Dates: May 18 to June 4, 2023

Seating: General Admission

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video by James Murphy of Trainman Photography

Cast and Production Team: See after pictures and video below

@showsiveseen "Monstrous Regiment" #play adaptation (by Christopher Hainsworth) of Terry Pratchett's #Discworld novel. Directed by Christopher Kidder-Mostrom. Latitude Theatre's historic first show ever! A group of monstrous/misfit army underdogs defy traditional #gender roles. Unexpected reveal at the end. Photos by James Murphy. Review: showsiveseen.com/5577 #girlPower #igor #vampire #troll #theatre ♬ original sound – Shows I've Seen

The evil Prince Heinrich (Rowan Gallagher, center) is captured by members of the Monstrous Regiment (Jacq Babb, Ali Kidder-Mostrom, Steven Sterne, L-R) in the stage adaptation of Terry Pratchett’s *Monstrous Regiment* adapted by Christopher Hainsworth, directed by Christopher Kidder-Mostrom No playing at the Isaac Studio Theatre, produced by Latitude Theatre.

Sergeant Jackrum (Steven Sterne, right) prepares the members of the Monstrous Regiment for the realities of war in Latitude Theatre’s production of Terry Pratchett’s *Monstrous Regiment* adapted by Christopher Hainsworth.

Polly (Lola Rei Fukushima, center) holds her own sparring against Corporal Strappi (David Elwyn, right) under the watchful eye of Sergeant Jackrum (Steven Sterne, left) in Latitude Theatre’s production of Terry Pratchett’s *Monstrous Regiment* adapted by Christopher Hainsworth, directed by Christopher Kidder-Mostrom.

Role	Name
Polly Perks	Lola Rei Fukushima
Igor	Ali Kidder-Mostrom
Maladict	Jacq Babb
Carborundum	Kirsten Traylor-Thorson
Tonker	Leah Sainz-Jones
Lofty	Annabel Klein
Wazzer	Emily Fortuna
Sgt Jackrum	Steven Sterne
Lt Blouse, Barman	Jonathan Swindle
Cpl Strappi, Sgt Towering, Gen Froc	David Elwyn
Handsome Young Man, Death, Lord Rust	Rowan Gallagher
Polly (Understudy)	Annabel Klein
Maladict/Lt Blouse (Understudy)	Skye Farrell
Igor/Carborundum/Tonker/Lofty/Wazzer (Understudy)	Jacqueline Alves
Strappi, et al/Death, et al (Understudy)	Alex Hogue
—	—
Director	Christopher Kidder-Mostrom *
Assistant Director	Hannah Lund
Playwright	Terry Pratchett
Set Designer	Rhys Strohmayer
Set Builder	Benji Strohmayer, Niclas Brown, Alex Hogue
Costume Designer	Ali Kidder-Mostrom
Costume Assistants	Jane Ryan, Jennifer Nielsen
Lighting Designer	Gwyn Skone
Sound Designer	Amber Granger
Composer	Charlie Sandford
Props Designer	Jennifer Nielsen
Stage Manager	Sam Williamson
Assistant Stage Manager	Alex Hogue
Fight Choreographer	Stacey Bush
Fight Captain	Kirsten Traylor-Thorson
Dialect Coach	Rowan Gallagher

*Member of the Stage Directors and Choreographers Society, a national theatrical labor union

Free Ticket – How to Break – Village Theatre

Leave a comment tagging your favorite live theatre venue or theatre company and why. I’ll choose a winner after 5/23 11:59 PM.

Post your comment submission on my Facebook, Instagram, or Twitter. This is a free SINGLE ticket for any section B seat to any of the remaining How to Break musical performances at Village Theatre in EVERETT, Washington. The production run ends this weekend. Read my review at showsiveseen.com/4676 #theatre

Lydia and the Troll – Musical – Seattle Repertory Theatre

Elevator Thoughts (aka Tweet): Lydia and the Troll musical by Justin Huertas at Seattle Repertory Theatre. Origin story of the Fremont troll w/ a timeless message to love yourself and to cherish the life you live.

Synopsis from the Theatre: Lydia is struggling to find her voice. As a Black woman on the brink of breaking through the music industry, her dreams of being a record producer feel just out of her reach. But when a mysterious stranger offers her a chance to level up, Lydia embarks on a thrilling journey of self-discovery to take back what is hers. Inspired by the fantasy and folklore of Seattle’s landmarks, playwright and composer Justin Huertas (Lizard Boy) conjures up fresh Pacific Northwest magic through a riveting electronic/pop score and multi-media landscape in this world-premiere musical.

Reviewed Performance: 5/10/23 – Opening Night

Type: Musical

World Premiere: Yes

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes, consisting of only two people. Most of the music sounded synthesized.

Recommendation: See it, especially if you enjoy Justin Huertas’ works

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it was good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 5

Total Number of Actors: 5

Length (Including Any Intermission): 1.5 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Neon Trim Lighting: I always love modern clean lines in design. The neon trim lighting accented the stage nicely. The multicolored light show during certain numbers was particularly dazzling.
“Black Hair” Song: The powerful “Black Hair” song was my favorite number in this musical because of the message to cherish the cards you were dealt in life because it could always be worse. While “Black Hair” was referring to African American hair, I feel like it could also be applied to other races as well. I know Asians sometimes bleach their hair blonde (I’m guilty of this) because of colonialism and colorism.
Puppetry: As I mentioned in my Wolf Play review. I’m usually not a fan of puppetry. But again, this was not your typical furry Muppets or Avenue Q variety. The puppetry was more shadow effects on a white backdrop against bright projected lights. The audience actually rarely saw the actual puppets but only their shadows. I liked that the puppeteers were shortly showcased during one of the final chase scenes where they were visible on-stage without the backdrop obscuring them.
Favorite Line(s):
- “I always leave a person better than I found them” – It reminded me of the TV show Dollhouse.
- “Do Over” – The couple occasionally said this before performing a funny bit where they pretended to rewind life like a VHS tape.

Rant(s)

Background Crew Visibility: I’m not sure if it was because of my vantage point on the side of the balcony but it felt like the stagehands and the puppeteers were sometimes too visible. In particular, I could see the stagehands or puppeteers via the “Pepper’s Ghost” effect from glass reflections.

Other Musing(s) and Observation(s)

Troll Sizes: Why was the final troll huge, but the earlier trolls were not?
Troll Voice: Why did the female trolls have normal voices, but the male troll did not?
Seattle References: There were some Seattle references throughout the show like Columbia City Theatre (which I still have never attended!), Aurora Ave, and obviously the Fremont Troll. I thought there would be more references though. Maybe the references went over my head, especially since I’m not from the PNW.
Running Song: The crowd went wild during the running song. Did I miss an inside joke? Major FOMO here.

Theatre Company: Seattle Repertory Theatre

Venue: Leo Kreielsheimer Theater at Seattle Repertory Theatre

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price: Medium to Expensive

Ticket Affordability Options:

Dates: May 5 to June 4, 2023

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also a lot of street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Other Video +/- Pictures: See pictures in video and under video by Bronwen Houck

Cast and Production Team: See after pictures and video below

@showsiveseen "Lydia and the Troll" #musical by @Justin Huertas w/ Steven Tran & Ammenah Kaplan at Seattle Rep. Staring @Sarah Russell & @Janet Krupin. Origin story of the Fremont #troll w/ a timeless message to love yourself & to cherish the life you live. Photos by Bronwen Houck. Review: showsiveseen.com/5328 #theatre ♬ original sound – Shows I've Seen

Janet Krupin in *Lydia and the Troll* at Seattle Rep. Photo by Bronwen Houck.

Sarah Russell in *Lydia and the Troll* at Seattle Rep. Photo by Bronwen Houck.

Adam Standley and Janet Krupin in *Lydia and the Troll* at Seattle Rep. Photo by Bronwen Houck.

Sarah Russell and Adam Standley in *Lydia and the Troll* at Seattle Rep. Photo by Bronwen Houck.

Janet Krupin and Sarah Russell in *Lydia and the Troll* at Seattle Rep. Photo by Bronwen Houck.

Role	Name
Jane	Janet Krupin
Lydia	Sarah Russell
Pete	Adam Standley
Puppeteer	Guy Garrison, Sophia Franzella
—	—
Jane, Lydia (Understudy)	Esther Okech
Pete, Puppeteer (Understudy)	Ricky Spaulding
—	—
Writer, Composer, and Lyricist	Justin Huertas
Co-Creator and Director	Ameenah Kaplan
Additional Music, Music Production, and Musical Supervision	Steven Tran
Lighting Designer	Robert J. Aguilar
Sound Designer	Erin Bednarz
Hair/Wig & Makeup Designer	Cherelle D. Guyton
Scenic & Projections Designer	Bryce Cutler
Costume Designer	Danielle Nieves
Puppet Creator	Guy Garrison
Associate Music Director & Conductor	Elisa Money
Stage Manager (May 5 – 28)	Jessica C. Bomball
Stage Manager (May 31 – June 4)	Stina Lotti
Assistant Stage Manager	Malie Fujii
Conductor/Keys/Guitar	Elisa Money
Drummer	Scot Sexton
Music Assistant & Copyist	Daniel Arthur
Music Consultant	Aaron Norman
Projections Programmer	Ben Goldberg
Stage Management Apprentice	Rosemary Lisa Jones
A2	David Misner
Head Audio	Evan Rees
Directing Apprentice	Daira Miranda Rodriguez
Wig Build	Shelby Rogers
Wig Run Crew	KD Schill
Lighting Apprentice	Mel Williams
Stage Management Apprentice	Max Zamorano

The Actors and Stage Managers employed in this production are Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Sunday in the Park with George – Musical – SecondStory Rep

Elevator Thoughts (aka Tweet): Sunday in the Park with George musical by Stephen Sondheim and James Lapine at a packed SecondStory Repertory. Directed by Harry Turpin & music directed by John Allman starring Brian Pucheu & Jacqueline Tardanico. Story centered around Georges Seurat’s famous painting.

Synopsis from the Theatre: Inspired by the painting, A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat, Sunday in the Park with George, Stephen Sondheim and James Lapine’s stunning masterpiece, merges past and present into beautiful, poignant truths about life, love and the creation of art. One of the most acclaimed musicals of our time, this moving study of the enigmatic painter, Georges Seurat, won a Pulitzer Prize and was nominated for an astounding ten Tony Awards, including Best Musical.

Reviewed Performance: 5/12/23

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Not really. The lack of a strong storyline reminded me of Stephen Sondheim’s Assassins (which I also saw at SecondStory Repertory or Company musicals.

Live Band/Orchestra: Yes

Recommendation: See it if you like Stephen Sondheim’s signature style and if you’re okay with no extensive plot.

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 15

Length (Including Any Intermission): 2.5 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

Leading Actors: Brian Pucheu (George) and Jacqueline Tardanico (Dot/Marie) were well-cast leads in this performance. Brian delivered his lines with a genteel speaking voice. Jacqueline singing voice was strongly projected yet controlled with a beautiful slight vibrato.
Semi-transparent Canvas: Brian “painted” while facing the audience without the canvas obscuring his face or body. This was possible because the canvas was a semi-transparent curtain. See one of the pictures at the end of this review.
Favorite Characters: The two Celeste characters (Savannah Lynn and Daire Byrne) were delightful especially in their interactions with the soldier (Graham Arthur Blair). Also, as an arguably unsophisticated American (my favorite food is McDonald’s french fries), I identified with the unsophsticated American tourists exploring France (played by Kristie “Kiki” Werner and James Webster).

Rant(s)

Stephen Sondheim: As I mentioned in my Into the Woods review, I’m not a huge a fan of Sondheim’s works, which is probably blasphemous to mention on a theatre website! What can I say? The emperor has no clothes!

Other Musing(s) and Observation(s)

Sondheim Elements: Naturally, this show reminded me of elements from Sondheim’s other musicals. When Brian Pucheu (George) scatted “bum bum bum” in a staccato manner while painting, it reminded me of the judge doing the same thing as Sweeney Todd shaved him. Also, act one’s ending was so conclusive that the audience might think the show has ended similarly to how the audience might feel that at the end of Into the Woods act one. Side note, it would have been better if Sunday in the Park with George act one ended at a cliffhanger during Dot’s reveal to George.

Theatre Company: SecondStory Repertory

Venue: SecondStory Repertory

Venue Physical Address: 7325 166th Ave NE Ste F250, Redmond, WA 98052

Price: Cheap

Dates: May 5 to 28, 2023

Seating: General Admission

Parking: Free lot or free garage parking provided by the Redmond Town Square outdoor mall where the theatre company rents.

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https://www.secondstoryrep.org/product-page/sunday-in-the-park-with-george

Other Video +/- Pictures: See pictures in video and under video by Michael Brunk

Cast and Production Team: See after pictures and video below

@showsiveseen "#Sunday in the Park with George" #musical by Stephen #Sondheim & James Lapine at a packed SecondStory Repertory. Directed by @Harry Turpin & music directed by John Allman starring Brian Pucheu & @Jacqueline Tardanico. Story centered around #GeorgesSeurat's famous #painting. Photos by Michael Brunk. Review: showsiveseen.com/5460 #StephenSondheim #theatre ♬ original sound – Shows I've Seen

Name	Role
Brian Pucheu	George
Jacqueline Tardanico	Dot/Marie
Max Lopuszynski	Franz
Cece Leavitt	Old Lady/Blair
Graham Arthur Blair	Soldier/Alex
Savannah Lynn	Celeste 1/Waitress
Daire Byrne	Celeste 2/Elaine
Kristie (Kiki) Werner	Mrs/Nurse/Harriett
Stacie Hart	Yvonne/Naomi
Britt Boyd (called)	Freida/Betty
Don Zheng	Louis/Billy Webster
Doug Fahl	Jules/Bob Greenberg
James Webster	Mr/Lee Randolph
Miles Wingett	Boatman/Charles Redmond
Juliette Haroon	Louise
—	—
James Lapine	Writer
Stephen Sondheim	Composer and Lyricist
Michael Starobin	Orchestrator
Harry Turpin	Director
John Allman	Musical Director
Tatiana Boggs	Assistant Music Director
Valerie Reid	Stage Management
Mark Chenovick	Production Design
Beth Moursund	Sponsor

Wolf Play – ACT Theatre

Elevator Thoughts (aka Tweet): Wolf Play at ACT Theatre by Hansol Jung directed by Rosa Joshi. Interesting story about a ~~lesbian~~ queer couple, unconventional adoption, parenting, betrayal, & boxing. Novel puppetry. #LGBT #LGBTQ

Synopsis from the Theatre: When an online adoption process goes sideways, the young boy caught in the middle launches himself into a lone wolf’s journey to find a pack he can call his own. From South Korean playwright Hansol Jung, one of the most imaginative story tellers in the field, comes a wild new play employing puppetry, boxing, and crackling dialogue to tell the affecting story of trust, love, identity, and the families we choose and unchoose.

Reviewed Performance: 5/11/23 Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Yes

Recommendation: See it, especially if you’re a(n) (aspiring) gay parent or if you like watching on-stage puppetry. This was not your typical furry Muppets or Avenue Q puppetry though! Read more below.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not, but it was good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 5

Length (Including Any Intermission): 2 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Puppetry: I usually don’t like puppetry on-stage (and thankfully only the main character was a puppet), but I’ll admit that the puppetry design/presentation in this play was unique. Throughout the show, Morgan Gwilym Tso portrayed a child (Wolf) as a life-sized non-furry puppet. A side benefit was that it let the theatre avoid casting a child actor, which can be problematic.
Courtroom Scene: They lowered poles from the ceiling to simulate a boxing ring in the courtroom.
~~Lesbian Moms~~LGBTQ Parents (Updated 5/21): This play showcases an LGBTQ couple with a lipstick female (Robin) and a more butch non-binary person (Ash) who was originally born a female. Ash was a boxer with a beard and hairy armpits! I originally described them as a “lesbian couple” since that’s how Concord Theatricals (the organization that licensed the play performing rights to ACT Theatre) described them. But a reader messaged me that “queer couple” is more accurate.

Rant(s)

Opening Monologe : The play started slow with a monologue but eventually hit its stride. I suggest cutting or shortening the monologue. You want to hook the audience at the very beginning.

Other Musing(s) and Observation(s)

eBay Adoptions: The premise is that a ~~lesbian~~ queer couple adopts a child online from a family who changed their mind about raising an adopted kid. It’s like a how one might adopt a dog at the shelter and later decide to give it away to another family because the dog pees on the carpet. I never really considered people might actually commit this atrocity in real life until this play. Sadly, it probably happens more than we realize.

Theatre Company: ACT Theatre

Venue: Allen Theatre at ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium

Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.

Dates: May 5 to 21, 2023 – Opening night was only 5/11 and they’re already ending the production 5/21! Have ACT Theatre runs always ended this early? I remember the same thing for History of Theatre.

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

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Other Video +/- Pictures: See pictures in video and under video by Jim Bennett

Cast and Production Team: See after pictures and video below

@showsiveseen "#Wolf #Play" at @ACT Theatre Seattle by Hansol Jung directed by Rosa Joshi. Interesting story about a #lesbian couple, unconventional #adoption, #parenting, betrayal, & #boxing. Novel #puppetry. Ends this weekend! Photos by Jim Bennett. Review: showsiveseen.com/5408 #theatre #LGBT ♬ Follow Through – Devin Kennedy

Puppet designed by Amanda Villalobos in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

S. Franco setting sights on their opponent in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

S. Franco throws a punch as Vahishta Vafadari and Morgan Gwilym Tso cheer in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Actor Morgan Gwilym Tso and puppet howl like wolves in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Vahishta Vafadari kicks Xander DeAngeles for being rude in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Vahishta Vafadari and Xander DeAngeles blow up balloons in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Aaron Blakely holds puppet in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Aaron Blakely, Morgan Gwilym Tso and puppet in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Vahishta Vafadari, Morgan Gwilym Tso, and puppet in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Role	Name
Wolf	Morgan Gwilym Tso
Ash	S. Franco
Robin	Vahishta Vafadari
Ryan	Xander DenAngeles*
Peter	Aaron Blakely*
Wolf (Understudy)	Koo Park
Ash/Robin (Understudy)	Ayodele Ngozi Tushinde
Ryan (Understudy)	Darius Sakui
Peter (Understudy)	Christopher Clark
—	—
Director	Rosa Joshi
Playwright	Hansol Jung
Assistant Director	Dylan Tomas Nieves
Scenic Designer	Andrea Bush
Costume Designer	Christine Tschirgi
Lighting Designer	Connie Yun^
Sound Designer	Meghan Roche
Puppet Designer	Amanda Villalobos
Puppet Coach	Annett Mateo
Intimacy & Fight Choreographer	Helen Roundhill
Boxing Coach	Laura Wright
Assistant Lighting Designer	Thorn Michaels
Stage Manager	Tori Thompson
Production Assistant	Michelle Chesley

*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States