Preview Post – Something’s Afoot – Musical – The 5th Avenue Theatre

Something’s Afoot musical opening night at The 5th Avenue Theatre. Performing until 3/24/24. Stay tuned for my full review! #mystery #whodunit #AgathaChristie

Final Full Review (Posted 3/17/24): showsiveseen.com/8205

Tickets: https://www.5thavenue.org/shows/2023-2024/something-s-afoot/

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Sunset Boulevard – Concert Musical – Review – Showtunes Theatre Company

@showsiveseen @Andrew Lloyd Webber's "Sunset Boulevard" concert musical at Cornish Playhouse by Showtunes Theatre Company. Powerful excentric #diva portrayal from @billieville. Rich tenor from @Matthew Kacergis. #Epic songs followed by long applauses. #Glorious string section/score. Tragically beautiful story. I'm downloading the soundtrack! Review: showsiveseen.com/7875 Director: @kitchenskelly Music Director: Nathan Young Stage Manager: Aaron Alonso #sunsetBoulevard #showsiveseen #theatre #NormaDesmond #hollywood #AndrewLloydWebber ♬ original sound – The Kennedy Center

Elevator Thoughts (aka Tweet): Sunset Boulevard concert musical at Cornish Playhouse by Showtunes Theatre Company. Powerful excentric diva portrayal from Billie Wildrick. Rich tenor from Matthew Kacergis. Epic songs followed by long applauses. Glorious string section/score. Tragically beautiful story. I’m downloading the soundtrack!

Recommendation
See it, especially if you enjoy musicals performed as concerts.


Synopsis from the Theatre: The plot revolves around Norma Desmond, a faded star of the silent screen era, living in the past in her decaying mansion on the fabled Los Angeles street. When young screenwriter Joe Gillis accidentally crosses her path, she sees in him an opportunity to make her return to the big screen, with romance and tragedy to follow.

Attended Performance Date: Opening Night 2/3/24 – Keep your eyes peeled for my preview posts if you want earlier notification of shows I’ve seen. Get your tickets now since this show’s entire run is only 4 performances!

Type: Musical performed as a concert

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? N/A – There was no set since this was a musical performed as a concert.

Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’ve either seen original the film or seen the full non-concert production of the original musical. However, I haven’t seen either and I still enjoyed this production. It just required a little more imagination than usual.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes, a 25-person orchestra

Equity Actors: 5

Total Number of Actors: 23

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Absolutely!

Other Rave(s) Not Mentioned Above

  • Favorite Lines:
    • Something like “If I lose my car, it’s like having my legs cut off.” What a poignant testament to American life especially in LA!
    • “There’s nothing tragic about being 50, not unless you try to be 25.”
  • Epic Songs: This musical was filled with epically-performed songs. I’m definitely downloading the soundtrack! The audience went wild with long applause and some standing ovation after the following memorable songs.
    • “New Ways to Dream”
    • “With One Look” – What a hook!
    • “Sunset Boulevard”
    • “As If We Never Said Goodbye”
  • Score and Strings: Andrew Lloyd Webber’s score allowed the orchestra string section to shine. The glorious overture reminded me of the high-quality orchestras that 5th Avenue Theatre is known for.
  • Norma Desmond: It was a joy to watch Billie Wildrick dramatically portray the excentric melancholic diva Norma Desmond, clinging to sanity and delusional fantasy.
  • Costumes: Despite this show being a concert version of a musical, Norma Desmond was still decked in glamourous statement pieces.
  • Universal Themes: This beautifully tragic story was filled with several relatable themes. Norma Desmond painfully, desperately grasped for her youth and the glory of her past life. In an effort to preserve her sanity, she desperately clung to lies from others or lies from herself. Joe Gillis (played by Matthew Kacergis) struggled with the allure of riches and selling out. This show was a painfully alluring depiction of the human experience.

Rant(s)

  • Microphones: Sometimes, the microphones turned on a couple milliseconds too late. Additionally, I think some of the cast was also not mic’ed. I’m not sure if it was because of sound board operation or because they didn’t have the budget for more microphones.

Other Musing(s) and Observation(s)

  • Career Continuity: Let this show be a cautionary tale to those temporarily taking a career sabbatical! When you come back, the workforce won’t welcome you with open arms.
  • Memory Play: Norma Desmond’s introduction scene exhibited a fantastical element that reminded me of the memory play genre.
  • Andrew Lloyd Webber: I try to attend shows with a blank slate knowing as little about the premise as possible. In fact, I typically only read the synopsis immediately before publishing my review. Throughout this musical, I kept thinking how it reminded me of The Phantom of the Opera like with the vibrato. Everything clicked when I discovered Andrew Lloyd Webber wrote Sunset Boulevard. Speaking of The Phantom of the Opera, I definitely prefer Sunset Boulevard more. It doesn’t help that Phantom strikes me pumpkin-spiced basic.
  • Showtunes Theatre Company Production Runs: It’s such a shame that Showtunes Theatre Company performances are typically only 1-2 weekends. But I it makes sense since musicals in concert format aren’t very mainstream.

Theatre Company: Showtunes Theatre Company

Venue: Cornish Playhouse

Venue Physical Address: 201 Mercer St, Seattle, WA 98109

Price: Cheap to Medium

Tickets: https://www.showtunestheatre.org/sunsetboulevard

Dates: February 3 to February 11, 2024

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Preview Post – Sunset Boulevard – Concert Musical – Showtunes Theatre Company

Sunset Boulevard concert musical opening night by Showtunes Theatre Company at the Cornish Playhouse. Don’t wait for my full review to buy tickets. There’re only 3 more performances left ending on 2/11/24! #sunsetBoulevard #showsiveseen #theatre #NormaDesmond #diva #hollywood

Final Full Review (Posted 02/10/24): https://www.showsiveseen.com/7875

Tickets: https://www.showtunestheatre.org/sunsetboulevard

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Black Nativity – Musical – Review – Intiman Theatre

Elevator Thoughts (aka Tweet): Langston Hughes’ Black Nativity musical by Intiman Theatre & The Hansberry Project. Black church worship service Christmas pageant complete w/ a collection plate offertory & a hot gospel choir. Second act included an Xmas hymn singalong. Refreshing change of pace from Seattle’s homogeneity. “Amen and tell that!”

Recommendation
See it, especially if you’re looking for a religious-themed Christmas show. It’s also a great way to get your feet wet in the black church experience.


Synopsis from the Theatre: Langston Hughes’ Gospel Song-Play returns to Intiman Theatre in an all-new, reimagined production. The Christmas story gets a soulful retelling with actors, dancers, soaring vocalists, and a rousing city-wide gospel choir. The poetry and vision of Langston Hughes combines with gospel renditions of your favorite carols, and you’ll have the chance to raise your voice and sing-along. A stirring experience for families of all backgrounds and beliefs that shares the importance of hope and community.

Attended Performance Date: Opening Night 12/14/23 – Keep your eyes peeled for my preview posts for earlier notification of shows I’ve seen.

Type: Concert-like Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with the story of Jesus’ birth and if you were once entrenched in Christian church culture.

Defined Plot/Storyline: Mostly no. Obviously, the story of Jesus’ birth was a storyline, but the church service portion of the show had no storyline.

Live Band/Orchestra: Yes, plus a 16-person gospel choir

Equity Actors: 5

Total Number of Actors: 5 main actors, plus 5 dancers, plus a couple of choir members

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably

Other Rave(s) Not Mentioned Above

  • Favorite Songs: I was pleasantly surprised to hear the choir perform “Jesus Oh What a Wonderful Child” in the style of Mariah Carey’s classic version. Towards the end of the second act, they also sang tried and true non-Christmas gospel choir favorites like “Total Praise” and “Hallelujah, Salvation, and Glory.” It took me back to my high school choir days in a Christian academy near Louisiana.
  • Star of Bethlehem: Kearia Keke Duncan gracefully danced in a beautiful golden angel costume during “The Night that Christ was Born.” The scene was very moving.
  • Young Singers: Maya Michelle, Sa’Nia, and another young singer (comment on my social media if you know her name) sang a Christmas song (was it “Oh Holy Night?”) acapella with tight harmonies. I actually originally wasn’t expecting much from young high schoolers. But color me impressed with these promising up-and-coming artists.

Rant(s)

  • Second Act Transition (Slight Spoiler): The second act weirdly began with a cheesy premise where the performers broke the fourth wall in an effort to involve the audience in a singalong. It would have felt less awkward if they 1) removed the intermission, 2) removed the cheesy fourth wall lines at the beginning of the second act 3) and immediately involved the audience after the last song of the first act. I think this would have portrayed a more organic, professional transition.

Other Musing(s) and Observation(s)

  • Collection Plate: Can I just say that it was a great idea (for the theatre at least) to pass around collection plates like we were really at church? I’m cheap and I was even inspired to give some money!
  • Felicia Loud: She was listed in the program, but she didn’t perform on opening night. I’m so curious to hear what I missed since she was great in The Amen Corner. I hope she’s okay…
  • Audience: Just like in Beautiful at Village Theatre, the audience just wasn’t “giving” during certain moments.
  • Difference from the Original Production: I’m curious how different this production is compared to the original. This show feels like it would allow for a much wider breadth of artistic license compared to traditional theatre shows. For all I know, it could be unrecognizable from the original production!

Theatre Company: Intiman Theatre

Venue: Broadway Performance Hall at Seattle Central College

Venue Physical Address: 1625 Broadway, Seattle, WA 98122

Price: Medium to expensive

Tickets: https://intiman.my.salesforce-sites.com/ticket#/events/a0S2I000015DT0dUAG

Ticket Affordability Options: The ticketing website offers honor code discount options for students, military, industry, … or anybody. There are also 20 free rush tickets 1 hour before each performance.

Dates: December 12 to December 30, 2023

Seating: Assigned Seating

Parking: It’s Capitol Hill … so good luck. Try to take the bus. I think the cheapest parking lots are 1815 Harvard Ave, Seattle, WA 98122 and 1815 Harvard Ave E, Seattle, WA 98122, which are sometimes even cheaper than street parking. I paid $14 parking on the street!

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Other Video +/- Pictures: See pictures under video and in video by Joe Moore.

@showsiveseen #LangstonHughes "Black #Nativity" #musical by @Intiman Theatre & The Hansberry Project. #BlackChurch worship service #Christmas pageant complete w/ a collection plate offertory & a hot #gospel #choir. 2nd act included an #Xmas hymn singalong. Refreshing change of pace from Seattle's homogeneity. "Amen and tell that!" Photos: Joe Moore. Review: showsiveseen.com/7712 #theatre #showsiveseen #church ♬ Jesus Oh What a Wonderful Child – Mariah Carey
Choir and Cast of Black Nativity (2023). Photo by Joe Moore.
Dancers Kearia Keke Duncan, Alvedo, Iverson Harding, & DaeZhane Day. Photo by Joe Moore.
Makayla McGhee, Shaunyce Omar, DaeZhane Day, Esther Okech, Kearia Keke Duncan. Photo by Joe Moore.
Dancer Kearia Keke Duncan. Photo by Joe Moore.
Rontrell J. Brimmer and Choir. Photo by Joe Moore.
Choir and Dancers of Black Nativity (2023). Photo by Joe Moore.
Dancers DaeZhane Day and Iverson Harding. Photo by Joe Moore.
RoleName
NarratorShaunyce Omar*
Narrator / Elder / ShepherdYusef Seevers*
Narrator / Old WomanFelicia Loud*
Narrator / Mary / WomanEsther Okech*
Narrator / Joseph / Man / ShepherdJarron A. Williams*
DirectorValerie Curtis-Newton***
Artistic DirectorJennifer Zeyl**
Managing DirectorWesley Frugé
CreatorLangston Hughes
Music DirectorSam L. Townsend Jr
ChoreographerVania C. Bynum
Scenic DesignerJennifer Zeyl**
Costume DesignerDanielle Nieves**
Lighting DesignerRobert Aguilar**
Sound DesignerMatt Starritt**
Stage ManagerPhillip Randall*
Assistant DirectorSteve Sneed
Assistant Lighting DesignerChih-Hung Shao
Assistant Stage ManagerMadelyn Salvucci*
Poster DesignerCade Roach
Band Leader, KeyboardDotcy Isom Ill
BassArthur Nelson
2nd KeyboardChandler Williams
DrumsPhilip Winston
ChoirSadiaa J. Alexander
Lulu Austin
Gena Brooks
Rontrell J. Brimmer
Tommie Burton
Sherri L. Charleston
Jamila Clemens
Dana Jackson
Jasmine Gartrell-Hall
Javonne Gartrell-Hall
Deneen Grant
Josephine Howell
Maya Michelle
Antwoine D. Parmer
Samara Reign
Sa’nia
Dancers Alvedo
Daezhane Day
Kearia Keke Duncan
Iverson Harding
Makayla McGhee
* Member of Actors’ Equity Association
** Member of United Scenic Artists USA 829, IATSE
*** Member of the Stage Directors and Choreographers Society

Snowed In – Musical – Review – ArtsWest

Elevator Thoughts (aka Tweet): Corinne Park-Buffelen’s and Mathew Wright’s Snowed In lite holiday show at ArtsWest. Intimate Xmas musical revue with clever songs between sketches. Cozy set with warm lights.

Recommendation
See it if you’re looking for a lite Christmas show.


Synopsis from the Theatre: ArtsWest has sent four incredible artists on a cozy retreat to write the most perfect holiday show the world has ever seen. But when a blizzard hits and tensions rise, the crumpled up notebook pages start to pile up even faster than the snow. Will they finish the show in time? Or will they have to rely on a sprinkle of holiday magic to pull the whole thing off? Inspired by classic holiday TV specials and musicals about putting on a musical, witness the birth of a new Seattle theater tradition as four of the city’s most beloved musical theater stars take you on a journey of song, dance, friendship, family, and the true meaning of the holidays. Featuring original music by Rich Gray, Corinne Park-Buffelen, and David Taylor Gomes & original musical arrangements by Riley Brule, Aaron M. Davis Norman, and David Taylor Gomes

Attended Performance Date: Opening Night 12/9/23 – Keep your eyes peeled for my preview posts so you see earlier notification of shows I’ve seen.

Type: Musical Revue w/ Sketches

World Premiere: Yes

Several or Few Scenes: Several

Several or Few Settings/Locations: One – the living room of a remote cabin

Static (Stationary) Set?: Yes

Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with holiday cliches.

Defined Plot/Storyline: Not really

Live Band/Orchestra: Live accompaniment on the piano from associate music director Riley Bruley

Equity Actors: 2

Total Number of Actors: 4

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 1.5 hours

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Other Rave(s) Not Mentioned Above

  • “Happy Being Hosted”: My favorite song was this early jazzy number sung by Sarah Russell and written by Richard Gray about preferring to be a lazy guest than a host. I could totally relate!
  • “Joy to The World”: Aaron Norman’s arrangement of this classic song exuded Sister Act energy.
  • “The Perfect Christmas Song”: Corinne Park Buffelen’s and David Taylor Gomes’s song was a good deconstruction of cliche Christmas songs.
  • “In the Bleak Midwinter”: At first, I thought this song was an original parody of biblical Christmas songs. But I discovered in the program that it was actually an old traditional song later arranged by David Taylor Gomes.

Other Musing(s) and Observation(s)

  • “Your Recipe is Perfect to Me”: Throughout this entire cabaret-like song, I thought it was strictly about fruitcake but the characters later alluded that the song was about gays. I’m such an oblivious gay! Now I wish I could hear it again.

Theatre Company: ArtsWest

Venue: ArtsWest

Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116

Price: Cheap to medium

Tickets: https://www.artswest.org/events/snowed-in/

Dates: November 30 to December 23, 2023

Seating: Assigned Seating

Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.

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Other Video +/- Pictures: See pictures under video and in video

Cast and Production Team: See after pictures and/or video below

@showsiveseen @Coco P-B's & Mathew Wright's "Snowed In" lite #holiday show at ArtsWest. Intimate #xmas #musical #revue w/ clever songs between sketches. Cozy set w/ warm lights. Review: showsiveseen.com/7665 #Christmas #theatre #showsiveseen Director: Kelly Kitchens Musical Director: @David Taylor Gomes ♬ O Christmas Tree (a) – Stuart Roslyn, Matthew James Foundling
RoleName
Performers Rachel Guyer Mafune
Christian Quinto
Nik Hagen*
Sarah Russell*
DirectorKelly Kitchens
Associate Music Director & PianistRiley Brule
ChoreographerShadou Mintrone
Concept and BookMatthew Wright (Artistic Director)
Corinne Park-Buffelen
ComposersRich Gray, Corinne Park-Buffelen, & David Taylor Gomes
Stage ManagerLeila Cheung*
Additional Music ArrangementsAaron M Davis Norman
Sound DesignerSpencer Behm
Production Technical DirectorAndrew Long
Lighting DesignerTrevor Cushman
Props MasterAdair Maccormack
Music DirectorDavid Taylor Gomes
Rehearsal Stage ManagerChristopher Kehoe
Costume DesignerJae Hee Kim
Scenic DesignerBrandon David Riel
Board OperatorDaisy Bower
Master ElectricianRobert Mitchell
Scenic Charge ArtistBella Rivera
Sound TechnicianConor Fortner
Assistant Stage ManagerHana Oh
Production ManagerZenaida Rose Smith
CarpentersMichael O’Neill and Peter Ryer
Managing DirectorInji Kamel
Other Key VolunteerMike West
* Member of Actor’s Equity Association