Robin Hood – Play – Mini Review – Seattle Children’s Theatre

Just caught Robin Hood at Seattle Children’s Theatre! ⚔️ Arjun Pande led this charming production with realistic fight choreography from Ian Bond with the kids even asking the actors if they got hurt. The show pulled the audience into the action with pantomime energy. Literary narration in the style of Book-it Repertory Theatre. Timely story in light of this crooked administration. Free lemonade didn’t hurt either! 🍋 Closes 5/10/26.

Tickets: https://www.sct.org/onstage/productions/robin-hood-2025/

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Young Dragon – Play – Mini Review – Seattle Children’s Theatre

Happy closing weekend to Seattle Children Theatre’s production of the Young Dragon: A Bruce Lee Story play. Keiko Green’s charming, hopeful, and relatable script about the Asian American experience that even adults can enjoy. Starring the toned, charismatic Michelangelo Hyeon. Mortal Combat-like fight choreography by Jen Pan. Neat water portrayals. 🐉

https://www.sct.org/onstage/productions/young-dragon-2026/

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The Hula-Hoopin’ Queen – Play – Review – Seattle Children’s Theatre

@showsiveseen "The Hula-Hoopin’ Queen" #play at Seattle Children's Theatre starring @kataka.j.mackenzie (or understudy Neely Seams). Celebrating a nostalgic tight-knit neighborly #community culture that modern society now lacks. #Kids don't play in the streets anymore! Colorful #hulaHoop-themed #Harlem facade set (from Parmida Ziaei) that opened like a dollhouse. Review: showsiveseen.com/11897 Photos: Truman Buffett Photography Director: Jacole Kitchen #showsiveseen #theatre #hulahoops ♬ Work Hard – Tony Brown & Chantelle Readman

Elevator Thoughts (aka Tweet): The Hula-Hoopin’ Queen play at Seattle Children’s Theatre. Celebrating a nostalgic tight-knit neighborly community culture that modern society now lacks. Kids don’t play in the streets anymore! Colorful hula hoop-themed Harlem facade set (from Parmida Ziaei) that opened like a dollhouse.

Recommendation:
See it if you want your kids to experience live theatre.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Mainstream Appeal: Medium

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Only if they were taking kids

My Synopsis (No Spoilers): Kameeka dreams of being crowned the best hula-hooper in Harlem, but her ambition comes at a steep cost: her friendships and responsibilities. As she grapples with her pursuit of glory, Kameeka must decide if her goal is worth the sacrifices it requires.

Synopsis from the Licensor or Theatre Company: Three Harlem girls vie for the crown of The Hula-Hoopin’ Queen, encouraged and mentored by the community elders in master playwright Gloria Bond Clunie’s spirited adaptation of Thelma Lynne Godin’s book. A sweet, funny, and energetic slice-of-life reminder of the essential loops that bind our communities.

Type: Play

World Premiere: No

Several or Few Scenes: A couple

Several or Few Settings/Locations: Few

Static (Stationary) or Dynamic Set: Mostly static, but one of the Harlem homes opened up to show the interior like a dollhouse.

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Mostly yes

Union Actors: 2

Total Actors: 6

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 70 minutes

Other Rave(s)

  • Miz Adeline: I always enjoy Michelle Blackmon’s portrayals on-stage. In this production, she played Miz Adeline, the beloved community matriarch.

Rant(s)

  • Sound: The production would have greatly benefited from microphones. Even sitting up close, I struggled to catch many lines. I can only imagine how difficult it must be for those in the back rows. Perhaps they were counting on young kids having particularly sharp ears compared to this aging millennial?

Other Musing(s) and Observation(s)

  • Competition: I can’t say that I agree with the message that winning means sacrificing friendship. If there’s no winner, where’s the fun in competition? It reminds me of the flawed weak “everyone gets a trophy” mentality, which undermines the value of true competition.
  • Target Audience: Unlike many other productions at Seattle Children’s Theatre that appeal to a broad range of ages, this show seems to be specifically geared towards younger audiences what with the “calamity” involving cake. In contrast, productions like The Snow Queen, Luchadora!, The Boy Who Kissed the Sky, and Diary of Anne Frank offer a more mature script and plot that adults without kids can easily appreciate.

Theatre Company: Seattle Children’s Theatre

Venue: Charlotte Martin Theatre at Seattle Children’s Theatre

Venue Physical Address: 201 Thomas St, Seattle, WA 98109

Price Range: $20-50

Ticket Affordability Options: Check out the theatre’s discount page.

Dates: 2/12/25 to 3/23/25

Seating: Assigned Seating

Parking: Paid street parking or various paid parking lots/garages. Street parking is sparse when there’s a major Seattle Center or Climate Pledge Arena event. I usually find luck with street parking around Lenny Wilkins Way next to the theatre on non-event days. I try to take the bus on event days since even the event street parking costs more than $12.

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Pictures: See production pictures below by Truman Buffett Photography.

Cast and Production Team: See after pictures below.

Rebecca M. Davis, Kataka Corn, and Michelle Blackmon at The Hula-Hoopin’ Queen. Photos by Truman Buffett Photography.
Kataka Corn, Lexi Warden, and Niyah Reid in The Hula-Hoopin’ Queen. Photos by Truman Buffett Photography.
Michelle Blackmon and Kataka Corn in The Hula-Hoopin’ Queen. Photos by Truman Buffett Photography.
Michelle Blackmon, Niyah Reid, Lexi Warden, and Rebecca M. Davis in The Hula-Hoopin’ Queen. Photos by Truman Buffett Photography.
Michelle Blackmon, Niyah Reid, Aishé Keita, Rebecca M. Davis, and Kataka Corn in The Hula-Hoopin’ Queen. Photos by Truman Buffett Photography.
Kataka Corn, Lexi Warden, and Rebecca M. Davis in The Hula-Hoopin’ Queen. Photos by Truman Buffett Photography.
Aishé Keita and Kataka Corn in The Hula-Hoopin’ Queen. Photos by Truman Buffett Photography.
Credits from the printed Encore program.

Preview Post – The Hula-Hoopin’ Queen – Play – Seattle Children’s Theatre

Congratulations to Seattle Children’s Theatre on the opening weekend of their The Hula-Hoopin’ Queen #play production. On stage until 3/23/25. Full review coming soon! #Harlem

Tickets: https://www.sct.org/onstage/productions/the-hula-hoopin-queen-2/

Final Full Review: https://www.showsiveseen.com/the-hula-hoopin-queen-play-review-seattle-childrens-theatre/

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Luchadora! – Play – Review – Seattle Children’s Theatre

@showsiveseen Alvaro Saar Rios's "Luchadora!" #play at Seattle Children's Theatre starring Jordi Montes & Beth Pollack. Rousing fight choreography. Vibrant set, props, lighting, & costumes. Well-written and well-executed. Not just for kids! Get your tickets now since it closes this weekend on 3/17/24! Review: showsiveseen.com/8148 Photos: Truman Buffett Director: Johamy Morales  Stage Manager: Elizabeth Yvette Ramirez #theatre #showsiveseen #girlPower #feminism #wrestler #wrestling #LuchaLibre #Mexican ♬ Miedo – Rommel Hunter

Elevator Thoughts (aka Tweet): Luchadora! play at Seattle Children’s Theatre starring Jordi Montes & Beth Pollack. Rousing fight choreography. Vibrant set, props, lighting, & costumes. Well-written and well-executed. Not just for kids!

Recommendation
See it!


Synopsis from the Theatre: Transport yourself to the world of lucha libre—Mexican wrestling, with this inspired adaptation of the Chinese legend Hua Mulan. The discovery of a worn pink wrestling mask prompts Nana Lupita, a Washington grandmother, to share her coming of age story growing up in 1960s Texas. As we follow Lupita’s journey, we witness her life as a daring teen tomboy; bike riding with her friends, working at her father’s flower stand, and lucha libre. When a World Championship match is announced, Lupita’s excitement explodes; she anticipates seeing it until she discovers her ailing father is one of the wrestlers. With the help of a magical mask maker, Lupita secretly trains to take her father’s place. She soon finds it difficult keeping her secret from her friends and, most importantly, her father.

Attended Performance Date: Opening Night 2/23/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen. Get your tickets now since it closes this weekend on 3/17/24!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? It was a static set with many dynamic elements.

Prior Exposure/Knowledge Required: No, but it helps to know some Spanish expressions.

Defined Plot/Storyline: Yes, but it wasn’t linear. The story was presented in flashbacks.

Equity Actors: 2

Total Number of Actors: 7

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 80 minutes

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not, but it was good.

Other Rave(s) Not Mentioned Above

  • Universal Age Suitablity: While this play targets the teen/tween demographic, adults and younger kids can definitely enjoy it. Honestly, the show could have easily been reworked into a grown-up play. I love finding jewels like this that universally attract all ages similar to Seattle Children’s Theatre’s previous The Boy Who Kissed the Sky musical.

Other Musing(s) and Observation(s)

  • Magic Potion: My cynical adult side thinks the potion’s magic was just placebo effect. Either that or amphetamines!

Theatre Company: Seattle Children’s Theatre

Venue: Seattle Children’s Theatre

Venue Physical Address: 201 W Thomas St, Seattle, WA 98109

Price: Medium

Tickets: https://www.sct.org/onstage/productions/luchadora-2/

Ticket Affordability Options: Each performance has a value option available online. Also check out the theatre’s discount page.

Dates: February 21 to March 17, 2024

Seating: Assigned Seating

Parking: Paid street parking or various paid parking lots/garages. Street parking is sparse when there’s a major Seattle Center or Climate Pledge Arena event. I usually find good luck with street parking around Lenny Wilkins Way next to the theatre on non-event days. I try to take the bus on event days since even the event street parking costs more than $12.

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Pictures: See pictures below and in video above by Truman Buffett.

James Schilling and Christian Zumbado in Luchadora! Photo by Truman Buffett.
James Schilling and Christian Zumbado in Luchadora! Photo by Truman Buffett.
Adria LaMorticella, James Schilling, Beth Pollack, Christian Zumbado, and Ana María Campoy in Luchadora! Photo by Truman Buffett.
Adria LaMorticella, James Schilling, Christian Zumbado, Beth Pollack, and Ana María Campoy in Luchadora! Photo by Truman Buffett.
Jordi Montes, Carter Rodriquez, James Schilling, Adria LaMorticella, and Beth Pollack in Luchadora! Photo by Truman Buffett.
Ana María Campoy, Carter Rodriquez, and Beth Pollack in Luchadora! Photo by Truman Buffett.
Adria LaMorticella, James Schilling, Beth Pollack, and Christian Zumbado in Luchadora! Photo by Truman Buffett.