Laughs in Spanish – Play – Review – Seattle Rep

@showsiveseen Alexis Scheer's "Laughs in #Spanish " #comedy #play by @Seattle Rep. Starring Beth Pollack & @Diana Burbano. Loved @Gabriell Salgado's charismatic frat boy-like appeal. Scene transitions pop with fun dance breaks. Perfect for #mothersDay . Extended thru 5/17/25. #Review : showsiveseen.com/12751 Director: Dámaso Rodríguez #showsiveseen #theatre #jaja #jajaja #hispanic #latin #mothers #mother #mom ♬ Dejando Huellas – Código

Elevator Thoughts (aka Tweet): Alexis Scheer’s Laughs in Spanish comedy play by Seattle Rep. Starring Beth Pollack & Diana Burbano. Loved Gabriell Salgado’s charismatic frat boy-like appeal. Scene transitions pop with fun dance breaks. Perfect for Mother’s Day. Extended thru 5/17/25. #jaja #jajaja #hispanic #latin

Recommendation:
See it.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Maybe

Mainstream Appeal: Medium

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): Mariana’s art exhibit is ruined when someone steals all the paintings overnight. As pressure mounts, her glamorous unpredictable celebrity mother Estella swoops in offering to help. Can Mariana trust her, or is this just another performance?

Synopsis from the Licensor or Theatre Company: Mari is about to open a career-defining show in her Miami art gallery, but when the paintings are stolen the day of the event, all hell breaks loose. Her movie star mother sweeps into town under suspicious pretenses, the intern picks up the wrong catering order, and her high school crush arrives in a most unexpected manner… Cue the wildest day ever! Part telenovela, part whodunnit, and all heart, Alexis Scheer’s outrageous new comedy will have you laughing one minute and wanting to hug your mom the next.

Type: Play

World Premiere: No

Several or Few Scenes: A couple

Several or Few Settings/Locations: Few

Static (Stationary) or Dynamic Set: Mostly static, but one of the walls occasionally lifted to show a patio. There was also a sweet cop car that occasionally made an appearance.

Prior Exposure/Knowledge Required: You need to know Spanish or some common Spanish references like “chankla” (slipper store was the gun store!), “ja ja ja,” “no me digas,” and “bruha.”

Defined Plot/Storyline: Yes

Union Actors: 3

Total Actors: 5

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 80 minutes

Other Rave(s)

  • Dance Breaks: Charming dance break transitions (choreographed by Vanessa Villalobos) set to Latin music separated major scenes. A standout moment was celebrity mom Estella’s glamorous entrance, which was dazzlingly portrayed by Diana Burbano.
  • Motherly Advice: One of the funniest moments was when Estella frankly advised her daughter to masturbate in the museum bathroom to take the edge off. The moment had the same irreverent, female-forward boldness as Sex and the City’s Samantha absurdly telling Charlotte to borrow a compact makeup mirror and look at her vagina in the restaurant ladies room.
  • Police Car: The police car set piece was cleverly designed and vaguely reminded me of the DeLorean set piece from the Back to the Future musical. The scene that unfolded inside it was a highlight packed with revelations and surprises that had me audibly gasping and reacting throughout.
  • Juan: Gabriell Salgado brought a magnetic, “Latin frat-boy” charm to the role of Juan, a goofy, simple-minded cop with a penchant for weed who lived with “mami” and had a home gym. There was something entertainingly attractive about his playful confidence. He radiated a kind of naive bravado that made him both ridiculous and weirdly likable. One of the funniest moments was when told his girlfriend with complete, clueless sincerity, “You’re a feminist. You’re all about abortion.”
  • Scenic Design: I have a soft spot for clean-line, minimalist set designs. So, the simple modern museum setting by Sara C Walsh easily appealed to me. One of the walls even rose revealing an outdoor patio to add some visual variety. However, it struck me as odd that the patio wall was the only dynamic element the otherwise static set. Typically, I would expect dynamic transformation in the rest of the set when one of the walls rise like this. Additionally, the scenes staged on the patio didn’t necessarily require an outdoor setting. They could have just as easily taken place in another room within the museum.

Other Musing(s) and Observation(s)

  • Last-minute Introduction: Estella’s bizarre overly-theatrical monologue at the end of the play felt like a Hispanic echo of Maureen’s “Over the Moon” from Rent.

Theatre Company: Seattle Rep

Venue: Bagley Wright Theater at Seattle Rep

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price Range: $29-110

Ticket Affordability Options: See the theatre’s official pages about discounts and pay-what-you-can performances.

Dates: 4/17/25 to 5/17/25

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Pictures: See production pictures below by Bronwen Houck.

Cast and Production Team: See after pictures below.

Gabriell Salgado, Diana Burbano, and Diana Garle in Laughs in Spanish (2025). Lighting Design by Robert J. Aguilar. Photo by Bronwen Houck.
Beth Pollack and Cheyenne Barton in Laughs in Spanish (2025). Photo by Bronwen Houck.

Diana Garle, Diana Burbano, Gabriell Salgado, and Cheyenne Barton in Laughs in Spanish (2025). Photo by Bronwen Houck.

Gabriell Salgado and Diana Burbano in Laughs in Spanish (2025). Photo by Bronwen Houck.
Gabriell Salgado and Diana Garle in Laughs in Spanish (2025). Photo by Bronwen Houck.
Beth Pollack, Diana Burbano, Cheyenne Barton, Diana Garle, and Gabriell Salgado in Laughs in Spanish (2025). Scenic Designer by Sara C Walsh. Photo by Sayed Alamy.
Diana Garle, Diana Burbano, Beth Pollack, Gabriell Salgado, and Cheyenne Barton in Laughs in Spanish (2025). Lighting Design by Robert J. Aguilar. Scenic Designer by Sara C Walsh. Photo by Bronwen Houck.
Credits from printed Encore program.
Credits from printed Encore program.

Golden – Play – Review – ACT Theatre

@showsiveseen @Andrew's "#Golden" #play at @acttheatre. Reflects on our universal desperate urge to cling to the glory days. @Kaughlin shines as the delightful, heartfelt Quikk character. Realistic #laundromat scenic design by Parmida Ziaei. Closes 5/11/25. #Review: showsiveseen.com/12756 Production Video: Howard Shack Director: Tyrone Phillips Stage Mgr: @Shay Trusty #showsiveseen #theatre #goldenBoy #recession ♬ Phase – Kesha Shantrell

Elevator Thoughts (aka Tweet): Andrew Lee Creech’s Golden play at ACT Theatre. Reflects on our universal desperate urge to cling to the glory days. Kaughlin Caver shines as the delightful, heartfelt Quikk character. Realistic laundromat scenic design by Parmida Ziaei. #goldenBoy #recession

Recommendation:
See it if you’re okay with dialogue plays or world premieres.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Mainstream Appeal: Medium

My Synopsis (No Spoilers): The former golden boy desperately scrambles to reclaim the glory and luck of his yesteryears before the Great Recession washed it all away. With his laundromat failing, his home on the line, and his separated wife slipping further away, he clings to what little remains of a vanished American dream.

Synopsis from the Licensor or Theatre Company: Morris Golden, fighting to save his laundromat after The Great Recession of 2008, finds an unexpected source of hope in a broken change machine with mysterious powers. From the mind of celebrated Seattle writer Andrew Lee Creech, and first seen at ACT’s inaugural New Works Northwest festival, comes a riveting world premiere that peels back the layers of lives and relationships to reveal the profound impact of choice and the enduring power of human connection. Golden is part of Creech’s nine-play cycle, The Legacy Plays Project, which examines pivotal moments in the lives of Black Americans throughout U.S. history.

Type: Play

World Premiere: Yes

Several or Few Scenes: A couple

Several or Few Settings/Locations: One – a laundromat

Static (Stationary) or Dynamic Set: Static

Prior Exposure/Knowledge Required: No, but you’ll likely appreciate this more if you have even a passing familiarity with the American Great Recession.

Defined Plot/Storyline: Yes-ish, but there’s only so much that can occur in a dialogue play.

Union Actors: 2

Total Actors: 6

Perceived Pace of the Show: Slow to medium speed

Was there an intermission? No

Length (Including Any Intermission): 1.5 hours

Other Rave(s)

  • Quikk: Kaughlin Caver delightfully portrayed the playfully optimistic Quikk with ease. Though Quikk’s schemes were occasionally flawed, Caver made it clear that beneath the hustle lay genuine heart and good intentions. Unlike Morris Golden (played by Ty Willis), who clinged to nostalgia and luck, Quikk believed in forging a better future through sheer effort and hope.
  • Funny Lines: The script occasionally contained unexpected random funny lines like, “I think one of them [nipples] winked at me.”
  • Sweet Dreams, Dark Thoughts: I audibly gasped at the play’s unexpected dark turn just before the surreal fantasy dream sequence in the middle of the show. I always love bold, unsettling twists in theatre that catch you off guard.
  • Scenic Design: Parmida Ziaei’s set design convincingly recreated the look and feel of a real run-down laundromat, down to thoughtful details like a functioning temperamental coin machine (whether or not it was her doing).

Other Musing(s) and Observation(s)

  • Cash: In theatre, it’s practically a law of nature that the moment a character comes into a large sum of cash, you can bet something disastrous is about to happen to it. It makes me think back to Taproot Theatre’s recent A Raisin in the Sun (which Arlando Smith was also in). Why does no one ever just put the money in a bank? People, take advantage of free FDIC insurance! In this production, the choice to not deposit cash immediately raised questions: was it poor Americans’ lack of trust in banks (not to mention post-Great Recession anxiety), or was it simply narrative convenience?
  • Coin Machine: It’s baffling that Morris Golden didn’t simply refund customers when his machine ate their dollar without dispensing quarters. Honestly, I would have channeled my inner Karen and demand my money back.
  • Black Oppression: Morris Golden’s tirade on the systemic forces that have historically oppressed Black communities (slavery, sharecropping, highway construction) came across more like an educational laundry list (no pun intended with the laundromat theme) for the audience than natural dialogue. While these are crucial topics to address, they need to resonate more organically in the script.
  • Moral of the Story: So, what’s the takeaway here? If you’re struggling, you’re doomed unless someone throws you a lifeline? That’s sad. What about luck or pulling yourself up? I hate relying on people.

Theatre Company: ACT Theatre

Venue: Gregory A. Falls Theatre at ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price Range: $65-94

Ticket Affordability Options: Check out the theatre’s official discounts page.

Dates: 4/26/25 to 5/11/25

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the old convention center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the theatre if you walk through the old convention center.

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Pictures: See production pictures below by Rosemary Dai Ross.

Cast and Production Team: See after pictures below.

Zora Harris (Mesgana Alemshowa). Photo by Rosemary Dai Ross.
L to R: Earl (Arlando Smith), Quikk (Kaughlin Caver), Jazmine Harris (Elena Flory-Barnes), and Zora Harris (Mesgana Alemshowa). Photo by Rosemary Dai Ross.
Jazmine Harris (Elena Flory-Barnes) and Quikk (Kaughlin Caver). Photo by Rosemary Dai Ross.
Morris Golden (Ty Willis) and Rheeda Golden (Tracy Michelle Hughes). Photo by Rosemary Dai Ross.
Rheeda Golden (Tracy Michelle Hughes) and Morris Golden (Ty Willis). Photo by Rosemary Dai Ross.
Earl (Arlando Smith). Photo by Rosemary Dai Ross.
Morris Golden (Ty Willis) and Quikk (Kaughlin Caver). Photo by Rosemary Dai Ross.
Credits from printed Encore program.

Preview Post – Golden – Play – ACT Theatre

Congrats to Andrew Lee Creech on the opening night of his world premiere Golden play at ACT Theatre. Performing till 5/11/25. Stay tuned for my full review. #goldenBoy #recession #laundromat

Tickets: https://www.acttheatre.org/2024-25-season/golden/

Final Full Review: https://www.showsiveseen.com/golden-play-review-act-theatre/

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