Grease – Musical – Review – Village Theatre

@showsiveseen #Grease #musical by @Village Theatre. Maya McQueen and @dankvelasquez shine backed by the theatre's signature top-tier choreo, vocals, and band. Ben Dow's "Those Magic Changes" was pure magic. The retro doo-wop score and squeaky-clean 1950s harmonies/setting were reminiscent of @The 5th Avenue Theatre's "Bye Bye Birdie." Closed in Issaquah, but still playing in Everett through June 7! 🎸 Review: showsiveseen.com/15518 B-Roll: Nyhuis Director/Choreo: Lisa Shriver Music Director: Tim Symons Stage Mgr: JR Welden #theatre #musicaltheatre #showsiveseen ♬ You're The One That I Want – Remastered 2022 – Olivia Newton-John

Elevator Thoughts (aka Tweet): Grease musical by Village Theatre. Maya McQueen and Daniel Velasquez shine backed by the theatre’s signature top-tier choreo, vocals, and band. Ben Dow’s “Those Magic Changes” was pure magic. The retro doo-wop score and squeaky-clean 1950s harmonies/setting were reminiscent of The 5th Ave Theatre’s Bye Bye Birdie. Closed in Issaquah, but still playing in Everett through June 7! 🎸

Recommendation:
See it!


Was This the First Time I Attended a Production of this Show? No, this was probably the 2nd or 3rd time I’ve seen the show.

Would I See It Again 3 Years from Now? Absolutely

Mainstream Appeal: Medium to high

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Absolutely

My Synopsis (No Spoilers): Set against the backdrop of the 1950s, this classic musical follows a tight-knit circle of high school teens and the central, identity-shifting romance between good-girl Sandy and bad-boy Danny.

Synopsis from the Licensor or Theatre Company: Ohhh those summer nights! From its earliest performance in a Chicago nightclub through its record-breaking Broadway run and hit feature film, Grease has remained one of the world’s most popular musicals. Featuring the many hit songs that became the soundtrack of a generation, like “Greased Lightnin’,” “Alone at the Drive-in Movie,” and “It’s Raining on Prom Night,” this 1950s pop culture satire is filled to the brim with grit, glam, and youthful exuberance. In roles made famous by John Travolta and Olivia Newton-John, head “greaser” Danny Zuko and new girl Sandy Dumbrowski try to relive their sizzling summer fling as the Burger Palace Boys and Pink Ladies of Rydell High’s senior class navigate the peer pressures and social politics of high school in the 1950s. Directed and choreographed by Lisa Shriver, this production of Grease promises nonstop, nostalgic, hydromatic fun. So throw on a poodle skirt, dust off that leather jacket, and rediscover the show that’s been winning hearts for generations!

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Mostly dynamic

Prior Exposure/Knowledge Required: You may appreciate this musical better if you saw the classic movie first. However, while modern audiences might naturally look to the film as a reference point, the stage production actually predates its cinematic counterpart. Experiencing the familiar musical numbers in their original sequence was a delightfully disorienting twist that added a fresh layer of appreciation to the show.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actor(s): 7

Total Actor(s): 16

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Vocals and Musical Performances: Ben Dow (as Doody) delivered a charming rendition of “Those Magic Changes,” beautifully backed by the doo-wop harmonies of the Burger Palace Boys. The number was a delightful reminder of his previous work in Jersey Boys at this same venue and rightfully earned him an extended ovation. Chad Marge (as Kenickie) garnered a similarly enthusiastic extended response, bolstered by that same strong ensemble energy in “Greased Lightnin’.” “Mooning” emerged as an unexpected highlight, featuring the sweet harmonies between Nick McCarthy (as Roger) and Pilar O’Connell (as Jan). McCarthy and Dow also teamed up for “Rock ‘N’ Roll Party Queen,” treating the audience to a wonderfully effortless vocal and guitar duet surprise hit. Meanwhile, Maya McQueen (as Sandy) provided a lovely touch by turning “It’s Raining on Prom Night” into a duet with the radio, before fully unleashing her powerhouse vocals in the iconic ballad, “Hopelessly Devoted to You.”
  • Choreography: Director and choreographer Lisa Shriver’s dance numbers were largely outstanding. High-energy highlights included the Act II opener, “Shakin’ at the High School Hop,” alongside the iconic “Greased Lightnin’” and “Born to Hand Jive.” However, “Greased Lightnin’” felt like it could have benefited from a little tap dancing, and the signature hand jive sequence strangely lacked a prominent display of its namesake movements. Additionally, the Issaquah stage felt a bit too confined for the expansive prom choreography. Hopefully, that was alleviated by the production’s transfer to the Everett stage.
  • Scenic Design: Jason Ardizzone-West transformed the stage into a high school gym. Uniquely, the live band was situated on a second-level balcony, evoking the staging of Mimi’s “Out Tonight” in Rent. The scenic pièce de rĂ©sistance arrived during the sparkly dream sequence of “Beauty School Dropout,” when the gym bleachers surprisingly parted and giant hairspray cans (perhaps reused from a past production of Hairspray) released mist into the air.

Theatre Company: Village Theatre

Venue: Village Theatre

Venue Physical Address:
2710 Wetmore Ave, Everett, WA 98201
or 303 Front St N, Issaquah, WA 98027

Price Range: 52-145 USD

Ticket Affordability Options: Check out the Village Theatre discount page.

Dates: March 24 – May 3, 2026 in Issaquah and May 9 – June 7, 2026 in Everett

Seating: Assigned Seats

Parking: There’s free street parking and some paid parking lots/garages. In Issaquah, I usually end up parking on Rainier Boulevard North. As a last resort, you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that mostly only locals know about.

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Photos: See production photos below by Nikki Womac.

Cast and Production Team: See after photos below.

The company of GREASE at Village Theatre. Photo by Nikki Womac (2026).
L to R: Ben Dow, Jeffery Wallace, Chad Marge, Nick McCarthy, and Daniel Velasquez in GREASE at Village Theatre. Photo by Nikki Womac (2026).
The company of GREASE at Village Theatre. Photo by Nikki Womac (2026).
Maya McQueen and Daniel Velasquez in GREASE at Village Theatre. Photo by Nikki Womac (2026).
The company of GREASE at Village Theatre. Photo by Nikki Womac (2026).
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.

Village Theatre

Mainstage + New Works + Youth Education
Adam Immerwahr, Artistic Director | Derek Watanabe, Managing Director

Grease

Book, Music, and Lyrics by Jim Jacobs and Warren Casey

Francis J. Gaudette Theatre: Mar 24–May 3, 2026
Everett Performing Arts Center: May 9–Jun 7, 2026

  • Set Designer: Jason Ardizzone-West
  • Costume Designer: Danielle Nieves
  • Lighting Designer: Robert J Aguilar
  • Sound Designer: Ken Travis
  • Stage Manager: JR Welden*
  • Music Director: Tim Symons
  • Director/Choreographer: Lisa Shriver

Grease is presented by arrangement with Samuel French, Inc., a Concord Theatricals Company. www.concordtheatricals.com

Season Sponsors: 4Culture, ArtsFund, Boeing, Microsoft, Enzo’s Bistro & Bar, Hook & Cleaver, Lombardi’s
Producing Sponsors: Visit Everett, City of Issaquah Arts Commission, Seattle Northcountry
Show Sponsors: Klein Honda, Rowley Properties


Cast

  • Patty Simcox: Alegra Batara
  • Doody: Ben Dow*
  • Frenchy: Tori Gresham*
  • Kenickie: Chad Marge
  • Marty: Cherisse Martinelli
  • Roger, u/s Danny: Nick McCarthy*
  • Sandy Dumbrowski: Maya McQueen
  • Jan: Pilar O’Connell*
  • Vince Fontaine, Fight Captain: Brandon O’Neill*
  • Eugene, u/s Doody: Connor Russell*
  • Rizzo: Jasmine Jean Sim
  • Teen Angel, Johnny Casino: Dane Stokinger
  • Miss Lynch: Teri Lee Thomas
  • Danny Zuko: Daniel Velasquez*
  • Sonny, u/s Kenickie: Jeffery Wallace
  • Cha-Cha, Dance Captain: Shelby Willis

Understudies

  • Frenchy, Cha-Cha, Jan: Susanna Cathryn Ballenski
  • Eugene, Roger: Tommy Beale
  • Sonny, Kenickie, Roger, Doody, Eugene: Conor Breen
  • Johnny Casino, Vince Fontaine, Teen Angel, Vocal Captain: Danny Kam
  • Marty, Rizzo, Miss Lynch: Jacqueline Tardanico
  • Sandy, Patty: Chailia Wendland

Stage Management

  • Stage Manager: JR Welden*
  • Assistant Stage Manager: Anna Vraney*
  • Assistant Stage Manager (2/10-4/5): Miranda Mikolaizik*
  • Production Assistant and Assistant Stage Manager (4/3-5/31): Ethan Swim
  • Assistant Stage Manager Cover: Nicola Krause

*The Actors and Stage Managers are members of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Orchestra

  • Piano/Conductor (03/24-04/05): Tim Symons
  • Conductor/Keyboard 1 (04/08-06/07): Michael Nutting
  • Guitar 1: Greg Fulton or Anthony Pooley
  • Guitar 2: Elisa Money
  • Bass: Olivia D Hamilton or Ethan Sobotta
  • Drums: Emily Westman
  • Alto Sax/Tenor Sax: Eric Patterson or Natalie Petty or Derek Smith
  • Bari Sax/Tenor Sax: Jay Easton

Setting

Rydell High School, 1958.


For This Production

  • Associate Director: Jessica Low
  • Associate Choreographer: Katy Tabb
  • Associate Music Director: Elisa Money
  • Associate Set Designer: Emma Antenen
  • Associate Lighting Designer: Casey Price
  • Fight Director: Geoffrey Alm
  • Intimacy Director: Bretteney Beverly
  • Dialect Coach: Gin Hammond
  • New York Casting: Calleri Jensen Davis
  • Dance Assistant: Aaron Gordon
  • Music Prep: Paul Stovall

Special Thanks

  • Rod “Red” Gibson, Christie Lites Seattle
  • Totem Lake Shoe Repair

Crew

  • Head Stage Carpenter (Issaquah): Whitman Paylor
  • Head Stage Carpenter (Everett): Chris Mikolaizik
  • Lead Deck, Automation (Issaquah): Olof Sander
  • Lead Deck, Automation (Everett): Justin Babbitt
  • Lead Deck, Props (Issaquah): Paige Donald
  • Lead Deck, Props (Everett): Kyle Morgan
  • Key Deck: Chris Ippolito
  • Head Electrician (Issaquah): Paul Arnold
  • Head Electrician (Everett): Brandon Cullinan
  • Follow Spot Operator (Issaquah): Richard Cole
  • Follow Spot Operator/Swing Technician: Casey Leugemors
  • Follow Spot Operator (Everett): Johnny Junior Venegas
  • Head Audio (Issaquah): Steven Younkins
  • Head Audio (Everett): Jesse Worley
  • Lead Audio/A2 (Issaquah): Jakob Dyson
  • Lead Audio/A2 (Everett): Charlie Sandford
  • Head Wardrobe (Issaquah): Kate Simpson
  • Head Wardrobe (Everett): Malena Langlie
  • Lead Wardrobe: Kali Pohle
  • Key Wardrobe: Lisa Marie Hanson
  • Wardrobe Swing: Myla Hightower
  • Head Wig Artisan/Resident Wig Designer: Doug Decker
  • Wig Assistant, Everett Maintenance: Jordan Kearns

Preview Post – Grease – Musical – Village Theatre

Happy opening night (last night) to Village Theatre’s production of GREASE the musical. Full review coming soon … but I’ll say it now, this is a must-see classic! Performing at Issaquah through 5/3/26 and at Everett through 6/7/26.

Tickets: https://villagetheatre.org/see-a-show/grease/

Full Review: https://www.showsiveseen.com/grease-musical-review-village-theatre/

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Baskerville: A Sherlock Holmes Mystery – Play – Review – Village Theatre

@showsiveseen Happy #openingNight in Everett (just closed in Issaquah) to @Village Theatre's production of Ken Ludwig's "Baskerville: A #SherlockHolmes Mystery" play. Richard Nguyen Sloniker and Avery Clark lead a sharp ensemble through a madcap British-style comedy #mystery, with strong doubling work from the full cast. Review: showsiveseen.com/14828 Photos: Rosemary Dai Ross Director: @adamimmerwahr5 Stage Mgr: Laurel Nichols #Sherlock #theatre ♬ 5 Minutes – Don Diablo & Pink Sweat$

Elevator Thoughts (aka Tweet): Happy opening night in Everett (and closing in Issaquah) to Village Theatre’s production of Baskerville: A Sherlock Holmes Mystery. Richard Nguyen Sloniker and Avery Clark lead a sharp ensemble through a madcap British-style comedy mystery, with strong doubling work from the full cast.

Recommendation:
See it if you enjoy British comedy or comedy mysteries.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Mainstream Appeal: Medium

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): A comedic take on The Hound of the Baskervilles classic.

Synopsis from the Licensor or Theatre Company: Get your deerstalker cap on—the play’s afoot! From multi-award-winning playwright Ken Ludwig (Sherwood: The Adventures of Robin Hood) comes a fast-paced adventure about everyone’s favorite detective solving his most notorious case. The male heirs of the Baskerville line are being dispatched one by one. To find their killer, Sherlock Holmes and Dr. Watson must crack the mystery of “The Hound of the Baskervilles” before a family curse dooms its newest heir. Watch as our intrepid investigators try to escape a dizzying web of clues, silly accents, disguises and deceit as five actors deftly portray more than 40 characters. Does a wild hellhound prowl the moors of Devonshire? Can our heroes discover the truth in time? Join the fun and see how far from elementary the truth can be.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Mostly stationary with some dynamic elements

Prior Exposure/Knowledge Required: You should be familiar with The Hound of the Baskervilles classic. I was only vaguely familiar with the Wishbone version and was still a little lost.

Defined Plot/Storyline: Yes

Union Actor(s): 3

Total Actor(s): 5

Perceived Pace of the Show: Medium Speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.25 hours

Other Rave(s)

  • Cast Doubling: The production inventively used cast doubling throughout the show with several moments where the device was openly acknowledged as a knowing wink to the audience that delighted in breaking the fourth wall. The standout moment was courtesy of Calder Jameson Schilling (or was it Mark Emerson?) where an old scullery maid revealed a male villain underneath, who then revealed yet the original another old scullery maid inside. It was a Russian nesting doll of disguise that was both absurd and technically impressive.
  • Costume Design: Much of the magic in this Russian nesting doll scene was also due to costume designer Pete Rush. Another particularly memorable costume moment was his decision to emblaze a Texan flag across the butt of proud Schilling’s long johns. It was a gag that was reminiscent of the patriotic American pilot in Operation Mincemeat.
  • Moments of Absurdity: The production showcased the cast’s commitment to physical storytelling and absurdity. A scene stood out for relying entirely on the actors’ bodies to depict treacherous wind without fans, but just remarkably convincing performance led by movement director Gabriel Corey. Equally enjoyable was the casual choreographed nonchalance with which props like umbrellas, hats, and newspapers were tossed between cast members or flung offstage in the wings, as though the chaos were perfectly ordinary. And then there was Schilling’s moustache piece, which staged a rebellion of its own. Whether a genuine costume malfunction or a plant so perfectly timed it only appeared accidental, the house was in an uproar. If it was unscripted, I hope they recreated the moment in subsequent performances.

Rant(s)

  • Script: For a lighthearted comedy, the production required too much brainpower from the audience with too many threads to follow. It started when the opening exposition overstayed its welcome. Ultimately, the script was not memorable. Though perhaps those who come already well-versed with the classic book will find more to love.

Other Musing(s) and Observation(s)

  • Village Theatre’s Artistic Direction: A pattern is emerging under Village Theatre’s Artistic Director Adam Immerwahr. It’s a gravitational pull toward Ken Ludwig adaptations (like Sherwood: The Adventures of Robin Hood) and genteel mystery fare that feels lifted straight from the Taproot Theatre playbook. That overlap is more than aesthetic as Taproot regulars Richard Nguyen Sloniker and Calder Jameson Shilling both appeared in Village’s recent Dial M for Murder as well as this production. Sloniker in particular has become the de facto Sherlock Holmes of Puget Sound, having reprised the role multiple times across the region.

Theatre Company: Village Theatre

Venue: Village Theatre

Venue Physical Address:
2710 Wetmore Ave, Everett, WA 98201
or 303 Front St N, Issaquah, WA 98027

Price Range: $52 – 136

Ticket Affordability Options: Check out the Village Theatre discount page.

Dates: 1/20/26 to 2/22/26 in Issaquah and 2/28/26 to 3/22/26 in Everett

Seating: Assigned Seats

Parking: There’s free street parking and some paid parking lots/garages. In Issaquah, I usually end up parking on Rainier Boulevard North. As a last resort, you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that mostly only locals know about.

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Photos: See production photos below by Rosemary Dai Ross.

Cast and Production Team: See after photos below.

Mark Emerson, Jonelle Jordan, Richard Nguyen Sloniker, and Avery Clark in Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery at Village Theatre. Photo by Rosemary Dai Ross (2026).
Avery Clark and Calder Jameson Shilling in Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery at Village Theatre. Photo by Rosemary Dai Ross (2026).
Avery Clark and Richard Nguyen Sloniker in Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery at Village Theatre. Photo by Rosemary Dai Ross (2026).
Jonelle Jordan and Mark Emerson in Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery at Village Theatre. Photo by Rosemary Dai Ross (2026).
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.

Preview Post – Baskerville: A Sherlock Holmes Mystery – Play – Village Theatre

Congrats to Village Theatre on opening night of their Baskerville: A Sherlock Holmes Mystery play production. 🔍🎭 Catch it in Issaquah through February 22, then in Everett through March 22. Stay tuned for my full review!

Tickets: https://villagetheatre.org/see-a-show/baskerville/

Full Final Review: https://www.showsiveseen.com/baskerville-a-sherlock-holmes-mystery-play-review-village-theatre/

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Preview Post – 9 to 5 – Musical – Village Theatre

Happy opening weekend to the Village Theatre production of Dolly Parton’s 9 to 5 musical. On-stage till 1/4/26 in Issaquah and 2/8/26 in Everett. Stay tuned for my full review!

Tickets: https://villagetheatre.org/see-a-show/9to5/

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