Preview Post – Black Nativity – Musical – Intiman Theatre

Black Nativity Xmas musical opening night by Intiman Theatre and The Hansberry Project at Broadway Performance Hall. Performing until 12/30/23. Stay tuned for my full review! #gospel #church #choir #christmas #showsiveseen #theatre

Final Full Review (Posted 12/26/23): https://www.showsiveseen.com/black-nativity-musical-review-intiman-theatre/

Tickets: https://www.intiman.org/black-nativity/

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Last Drive to Dodge – Play – Taproot Theatre & The Hansberry Project

Elevator Thoughts (aka Tweet): Andrew Lee Creech’s Last Drive to Dodge world premire play at Taproot Theatre w/ The Hansberry Project. Well-written dialogue, cute repartee, dimensional characters, and lots of audience reactions. #showsiveseen #theatre

Synopsis from the Theatre: Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

Attended Performance Date: 9/22/23 (Opening Night) – Preview Posts

Type: Play

World Premiere: Yes, but it was well-developed

Several or Few Scenes: A couple of scenes

Several or Few Settings/Locations: A couple of locations on a ranch

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Mostly yes, but there’s only so much that can occur on a ranch

Equity Actors: 2

Total Number of Actors: 4

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 2.25 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now?: Probably not, but it was good

Recommendation: See it, especially if you either like 1) plays about race in the USA 2) or plays that are heavier on the dialogue than action

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Audience Reaction: You know it’s a good play when you hear lots of reactions from the audience like laughter, gasps, groans, “humphs,” and “hmmms.” I noticed these audience reactions more in the second act. I won’t spoil anything, but I specifically remember audibly groaning when somebody took off their hat in the second act.
  • Dimensional Characters: The characters in this play were not simply good or bad and black or white (no pun intended). The playwright added some depth to their backstory that influenced their motivations. Ironically, I enjoyed the least complex character (Millie played by Jonelle Jordan) the most since she had the funniest lines.
  • Dialogue: The dialogue was well-written and there were some sly funny random quips. I loved the way Ro (played by Dedra D Woods) dressed down Millie regarding Millie’s ignorance of her own personal white privilege. The climactic scene towards the end of the play when Ro and Prophet (played by Yusef Seevers) debated the unfairness of black responsibility reminded me of when Michelle Obama said her family faced more scrutiny under the public eye than other presidential families because of race.
  • Twist: The reveal at the end of the first act was unexpected.

Rant(s)

  • Audience Hazard: One of the actors hammered a fence post on-stage and particulates flew everywhere. This was a potential eye injury hazard especially since the audience was so close to the stage.

Other Musing(s) and Observation(s)

  • Montage (Slight Spoiler): What did the “I am” video montage mean in the second act? And who were the people in it?
  • Prophet vs Profit: In the second act, I realized the name “Prophet” also sounds like “profit.” I wonder if the playwright intentionally considered this.
  • Hook: They were probably taking advantage of the fact that sex sells during the play’s first act hook with the post-coital scene.

Theatre Company: Taproot Theatre and The Hansberry Project

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Regular Tickets: https://taproottheatre.org/shows/2023/last-drive-to-dodge/

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix.

Dates: September 20 to October 21, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video by Robert Wade Photography

Cast and Production Team: See after pictures and/or video below

@showsiveseen @Andrew’s “Last Drive to Dodge” #worldPremire #play at @TaprootTheatre w/ The Hansberry Project directed by Valerie Curtis-Newton. Well-written dialogue, cute repartee, dimensional characters, & lots of audience reactions. Photos: Robert Wade. Review: showsiveseen.com/6768 #showsiveseen #theatre #cowboy #ranch #country ♬ It’s You – Tayler Holder
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Jonelle Jordan and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Yusef Seevers and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
RoleName
ProphetYusef Seevers *
Ro Dedra D. Woods *
Millie Jonelle Jordan
Bennett Tim Gouran
Prophet (Understudy)Jarron A Williams
Ro (Understudy)Esther Okech
Millie (Understudy) Marianna de Fazio
Bennett (Understudy) Nik Doner
Director Valerie Curtis-Newton**
Assistant Director Bretteney Beverly
PlaywrightAndrew Lee Creech
Scenic Designer Matthew Smucker^^
Costume Designer Melanie Burgess ^^
Casting Director Bretteney Beverly
Lighting Designer Brian Engel
Sound Designer Evan Mosher
Projection Designer Mark Lund
Fight Choreographer Alyssa Kay
Stage Manager Kathryn Louise*
Dramaturg Sonja Lowe
Dialect Coach Gin Hammond
Props Designer Bella Rivera
Assistant Stage Manager Tiana Price
Property Master Bella Rivera
Casting Consultant Jessica Spencer
Dresser Tiana Price
Draper Martha Mitchell
Draping Mentor Connie Rinchiuso
Stitchers Veronica Dimoff, Scian Hayes
Wig Designer Joyce Degenfelder
Wig Specialist Kelly Schmidt
Scenic Carpenter Tim Samland^
Light Board Operator Clint Bull
Sound Board Operators Marty Sisk, Andi Villegas
Master ElectricianAiyana Stephens
Electricians Clint Bull, Jayde McCarrell, Kody Smith, Anna Van Vleet, Eric Wu
Scenic Strike/Load-In Michael Adler^, Seth Branum^, Thomas Moore^
*Member of Actors Equity Association
**Members of the Stage Directors and Choreographers Society
^Member of IATSE No. 15
^^Member of United Scenic Artists Local 829

Preview Post – Last Drive to Dodge – Play – Taproot Theatre and The Hansberry Project

Andrew Lee Creech’s Last Drive to Dodge play packed opening night at Taproot Theatre w/ The Hansberry Project. Performing until 10/21/23. Stay tuned for my full review! #showsiveseen #theatre

Tickets: https://taproottheatre.org/shows/2023/last-drive-to-dodge/

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History of Theatre: About, By, For, and Near – Play – ACT Theatre and The Hansberry Project

Elevator Thoughts (aka Tweet): History of Theatre: About, By, For, and Near play at ACT Theatre w/ The Hansberry Project. Experimental show quite literally about the “history of theatre” from the perspective of past African American actors. #POC #BiPOC #vaudeville #black

Synopsis from the Theatre: Travel back in time – 200 years, to be precise – with your host, Sister Blacknall, and meet the Black theatre artists of America’s history, who have returned to ensure that this time, they will be remembered. Reginald André Jackson’s wildly original play challenges the stories we’ve been told about who makes theatre and who it is for; creating a spellbinding evening that is both illuminating and inspiring. History of Theatre: About, By, For, and Near takes audiences on a journey from 1820 to the mid-1930s, through the lens of a contemporary artist making their way in our very own Seattle theatre scene. Witness the forgotten impact of The Rabbit’s Foot founder Pat Chapelle, who created the first all-Black touring vaudeville troupe in 1900, the boundary-breaking actors Ira Aldridge and Rose McClendon, as well as members of Seattle’s own Negro Repertory Company.

Reviewed Performance: 2/3/23 on opening weekend – Sorry for the late review. I’ve been busy catching up on reviews since my dad was in town. I would have posted earlier than other reviews if I realized sooner that this play had such a short run. Usually, ACT Theatre plays last at least 3 weeks after opening night and I assumed this one was no different.

Type: Play

World Premiere: Yes

Defined Plot/Storyline: No

Recommendation: See it if you’re into history and you have prior knowledge of African American theatre origins.

Was This the First Time I Saw a Production of this Show: Yes

Equity Actors: 7

Number of Actors: 8

Length (Including Any Intermission): 1 hour and 30 mins, which felt a bit long

Intermission: No

Rant(s)

  • Prior Knowledge: It will be difficult to enjoy this play if you don’t have prior knowledge of African American theatre history. A lot of references went over my head, and it was hard to keep track of all the characters I was unfamiliar with.

Other Musing(s) and Observation(s)

  • Experimental: This play was definitely different than what’s usually on stage. For starters, it was self-aware that it was play. It also addressed the 4th wall frequently and sometimes had arguments with itself. There was also time travel, which distorted the play’s chronology.
  • Audience: Where were the African American theatre patrons? The audience was a testament to the homogeneity in Seattle and theatre. But at least the play is a step in the right direction.

Theatre Company: ACT Theatre

Venue: ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium to Expensive

Ticket Affordability Options: Visit the ACT Theatre Discount Page. Usually, Goldstar and TodayTix have good deals too.

Dates: January 28 to February 12, 2023 – Opening night was February 2. Sorry this review is so late!

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center parking lot with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

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Other Video +/- Pictures: See pictures below FaceBook post

Cast and Production Team: See after pictures

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Amy Thone and R. Hamilton Wright in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Tracy Michelle Hughes, Arlando Smith, and Be Russell in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Reginald André Jackson in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Dedra D. Woods and Reginald André Jackson in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
R. Hamilton Wright, Amy Thone, and Tracy Michelle Hughes in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Malcolm J. West, Be Russell and Arlando Smith in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Arlando Smith, Malcolm J. West, and Be Russell in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
The ensemble cast: R. Hamilton Wright, Amy Thone, Be Russell, Arlando Smith, Dedra D. Woods, Malcolm J. West, Tracy Michelle Hughes, and Reginald André Jackson in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Malcolm J. West, R. Hamilton Wright, and Be Russell in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
Dedra D. Woods in front of the ensemble cast in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
R. Hamilton Wright, Malcolm J. West, Arlando Smith, and Dedra D. Woods in the World Premiere of History of Theatre: About, By, For, and Near, by Reginald André Jackson and directed by Valerie Curtis-Newton, onstage February 2-12, 2023 at ACT—A Contemporary Theatre and in partnership with The Hansberry Project. Photo credit: Robert Wade.
RoleName
CastTracy Michelle Hughes*
Reginald André Jackson*
Be Russell*
Arlando Smith*
Amy Thone*
Malcolm J West
Dedra D. Woods*
R. Hamilton Wright*
UnderstudiesAnne Allgood*
Nicholas Japaul Bernard*
Alexandria J. Henderson*
Director Valerie Curtis-Newton
PlaywrightReginald Andre Jackson
ChoreographerDonald Byrd
Scenic DesignerJennifer Zeyl
Costume DesignerCathy Hunt
Lighting DesignerRobert J. Aguilar
Sound DesignerLarry D. Fowler
Projection DesignerJuniper Shuey
Dialect CoachAmani Dorn
Dramaturg Martine Kei Green-Rogers
Associate Lighting Designer LB Morse
Stage ManagerRuth Eitemiller*
Assistant Stage ManagerHazel Rose Gibson*
Production AssistantNoah Sarkowsky
* Members of Actors Equity Association, the Union of Professonal Actors and Stage Managers in the USA