Murder on the Links – Play – Review – Taproot Theatre

@showsiveseen "#Murder on the Links" #comedy #mystery play at @TaprootTheatre. Based on #agathaChristie's novel. Starring Richard Nguyen Sloniker (again) as the meticulous #HerculePoirot ♬ nice to know you – lovelytheband

Elevator Thoughts (aka Tweet): Murder on the Links comedy mystery play at Taproot Theatre. Based on the Agatha Christie novel. Starring Richard Nguyen Sloniker (again!) as the meticulous Hercule Poirot. Claire Marx shined with her signature charm. Impressive doubling from the cast. Now extended (twice!) through 8/30/25.

Recommendation:
See it if you enjoy murder mystery comedy plays (like Clue) filled with campy caricatures.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Mainstream Appeal: Medium

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

Synopsis from the Licensor or Theatre Company: Regional premiere, based on Agatha Christie’s gripping novel. After receiving an urgent plea from a stranger, Hercule Poirot whisks himself to the French seaside only to arrive a day too late. Paul Renauld has been found dead and the scene of the crime… a golf course. Poirot sets out to solve the murder, uncovering a web of deception, hidden identities, and old grudges.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Static

Prior Exposure/Knowledge Required: No, but you’d probably appreciate the show more if you read the book.

Defined Plot/Storyline: Yes

Union Actors: 2

Total Actors: 6

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2 hours

Other Rave(s)

  • Cast Doubling: Four of the six actors (Betsy Mugavero, Tyler Todd Kimmel, Claire Marx, and Jeff Allen Pierce) juggled a carousel of multiple characters. They distinguished each role through sharp dialect work (guided by dialect coach Marianna de Fazio) and costume changes. True to campy comedic style, the production acknowledged the absurdity of the cast doubling as characters rolled their eyes at one another while swapping personas mid-scene in a madcap whirl.

Rant(s)

  • Script: The script was difficult to follow and left me feeling restless. For a lighthearted piece, it demanded more mental energy than expected. In particular, the confusing chaotic resolution lacked the quintessential “satisfying Agatha Christie twist.” The twist was reminiscent of a soap opera grasping at straws to resolve a story that painted itself into a corner. By the end, I already lost track of key plot points … including the culprit’s identity! Overall, the script didn’t have the finesse or tightness of a classic play like The Mousetrap. It’s a reminder that some Agatha Christie novels are best translated into a script by Agatha Christie herself.

Other Musing(s) and Observation(s)

  • Title: Given the title “Murder on the Links,” I was surprised by how little action actually unfolded on the golf course.

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price Range: $25-62

Dates: Jul 9 – Aug 30, 2025

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Pictures: See production pictures below by Robert Wade.

Cast and Production Team: See after pictures below.

Betsy Mugavero as Actor Two and Claire Marx as Actor Four in Taproot’s production of Murder on the Links (July 2025). Photo by Robert Wade.
Jeff Allen Pierce as Actor One and Betsy Mugavero as Actor Two in Taproot’s production of Murder on the Links (July 2025). Photo by Robert Wade.
Jeff Allen Pierce as Actor One (left), Nathan Brockett as Captain Hastings (middle), and Richard Nguyen Sloniker as Hercule Poirot (right) in Taproot’s production of Murder on the Links (July 2025). Photo by Robert Wade.
Full cast of Taproot’s production of Murder on the Links (July 2025). Photo by Robert Wade.
From left to right: Tyler Todd Kimmel as Actor Three, Betsy Mugavero as Actor Two, Claire Marx as Actor Four, and Jeff Allen Pierce as Actor One in Taproot’s production of Murder on the Links (July 2025). Photo by Robert Wade.
Nathan Brockett as Captain Hastings and Richard Nguyen Sloniker as Hercule Poirot in Taproot’s production of Murder on the Links (July 2025). Photo by Robert Wade.
From left to right: Nathan Brockett as Captain Hastings, Richard Nguyen Sloniker as Hercule Poirot, Jeff Allen Pierce as Actor One, Betsy Mugavero as Actor Two, and Tyler Todd Kimmel as Actor Three in Taproot’s production of Murder on the Links (July 2025). Photo by Robert Wade.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.

After Midnight – Musical Revue – The 5th Avenue Theatre

@showsiveseen "After Midnight" #jazz #musical #revue at @The 5th Avenue Theatre starring Porscha Shaw and Yusef Seevers. Novel vantage point from the beautifully-painted first-row table seats. I lost count of the magical songs performed by Porscha Shaw and @licahennings. Dapper vintage NYC #Harlem costumes by Ricky German. Captivating tap numbers choreographed by @pamelayasutake. Closing next weekend! #dukeellington Review: showsiveseen.com/13529 Photos: Michael B. Maine Director: @missjaymeow ♬ I Can't Give You Anything But Love, Baby – Ella Fitzgerald

Elevator Thoughts (aka Tweet): After Midnight jazz musical revue at The 5th Avenue Theatre. Novel vantage point from the beautifully-painted first-row table seats. I lost count of the magical songs performed by Porscha Shaw and Nalica Hennings. Dapper vintage NYC Harlem costumes by Ricky German. Captivating tap numbers choreographed by Pamela Yasutake. Closing next weekend!

Recommendation:
See it if you enjoy either 1) musical revues without a narrative 2) or Duke Ellington music.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not, but it was good

Mainstream Appeal: Medium

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): A lively showcase of Harlem’s rich jazz musical heritage mostly centered around jazz standards and Duke Ellington’s timeless works.

Synopsis from the Licensor or Theatre Company: Immerse yourself in the sultry, swingin’ Jazz Age of the Harlem Renaissance, where the Cotton Club is the place to be! Infused with the iconic tunes of Duke Ellington, Dorothy Fields, Harold Arlen, and more, After Midnight weaves groundbreaking jazz standards with rapturous dance and the rhythmic poetry of Langston Hughes in a jubilant production fit to blow the roof off the theater. Timeless songs like “Stormy Weather,” “On the Sunny Side of the Street,” and “It Don’t Mean a Thing” will have you leaping to your feet to join the fun.

Type: Musical Revue

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Static

Prior Exposure/Knowledge Required: No, but you’d probably appreciate the show more if you were familiar with Duke Ellington’s music or jazz standards.

Defined Plot/Storyline: No

Live Band/Orchestra: Yes

Union Actors: 10

Total Actors: 10

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 80 minutes

Other Rave(s)

  • Table Seats: I was fortunate to sit at one of the nightclub tables just in front of the first row. It offered a rare, almost immersive perspective that 99% of the audience didn’t experience. I was close enough to see sweat drop from the performers! It was a truly intimate vantage point to appreciate the intricate choreography, nuanced facial expressions, and exquisite costume details. From this spot, I could feel the rhythm in my chest and hear the echo of the performance reverberate from the back of the theatre. Regardless of where you sit, check out the beautifully-painted tabletops at the beginning or end of the show. Local Black artists Charde’ Brown, Al Doggett, Sabella Flagg, Aramis Hamer, Susan Mask, and Stephanie Morales painted these “slices of Harlem life.” The tabletop paintings were a delightful detail to Carey Wong’s scenic design. So many audience members excitedly took pictures of these pieces. See my pictures at the bottom of this post.
  • Song Highlights:
    • “Raisin’ the Rent” and “It Don’t Mean a Thing” – Exhilarating tap dance showcase
    • “The Skrontch” – Vintage choreography with retro charm
    • “Between the Devil and the Deep Blue Sea” – Tight, old-school girl group (Iris Beaumier, Madison Willis, and Trina Mill) blended close harmonies in a playful sway.
    • “On the Sunny Side of the Street” – Warm, magical rendition by Porscha Shaw
    • “Woman Be Wise (Don’t Advertise Your Man)” – Charmingly playful song performed by Nalica Hennings
    • “I Can’t Give You Anything but Love” – Porscha Shaw’s crystalline tone let the jazz standard gleam.
    • “Peckin’” – Cheeky, rooster‑strut choreography with swagger
    • “Stormy Weather” – Porscha Shaw performed the nightclub‑sleek ballad with a controlled, sophisticated build to a satisfying bloom.
    • “Ain’t It the Truth” and “Daybreak Express” – Yusef Seevers’s rich assured tenor rode the band’s brassy lift.
    • “Go Back to Where You Stayed Last Night” – Nalica Hennings’s burnished, golden timbre had a bluesy bite.

Other Musing(s) and Observation(s)

  • Venue: Similar to what I said about Taproot Theatre’s Always … Patsy Cline, this show might shine even more in a nightclub-like venue such as The Triple Door with tables/drinks/food rather than a traditional theatre. That said, I’m curious how the revenue would compare between the two settings.
  • “Creole Love Call”: In a song that featured only vocalizations and no lyrics, what was the meaning behind the interpretive choreography in “Creole Love Call.” Was it illustrating the lifecycle of relationships: courtship, intimacy, marriage, then in-sickness-and-in-health? Let me know your thoughts in my social media comments.

Theatre Company: The 5th Avenue Theatre

Venue: The 5th Avenue Theatre

Venue Physical Address: 1308 5th Ave, Seattle, WA 98101

Price Range: $50-169

Ticket Affordability Options: The 5th Avenue Theatre often partners with organizations you’re affiliated with for discount tickets. For example, they sometimes offer a discount for my employer affiliation and my apartment complex. Rush tickets are typically also available the day of the performance at the box office.

Dates: August 5 – 24, 2025

Seating: Assigned Seating

Parking: When I don’t walk to the theatre or park on the street, I park in the paid garage at the Motif Hotel northwest of the theatre. The entrance is on 5th Ave. Do NOT park in the APA Coast Seattle Downtown Hotel garage (entrance on 6th Ave). That’s where most of the audience (and I think the subscribers) parks, so it’s a nightmare to leave. However, the APA Coast Seattle Downtown Hotel garage is the closest garage to the theatre and you can access the theatre through a tunnel if you want to avoid the elements. But, in my opinion, this benefit is not worth the time wasted leaving the garage.

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Pictures: See production pictures below by Michael B. Maine.

Cast and Production Team: See after pictures below.

Iris Beaumier and Nehemiah Hooks in After Midnight at The 5th Avenue Theatre. Photo Credit: Photo by Michael B. Maine. Courtesy of The 5th Avenue Theatre.
Porscha Shaw and the cast of After Midnight at The 5th Avenue Theatre. Photo Credit: Photo by Michael B. Maine. Courtesy of The 5th Avenue Theatre.
The cast of After Midnight at The 5th Avenue Theatre. Photo Credit: Photo by Michael B. Maine. Courtesy of The 5th Avenue Theatre.
The cast of After Midnight at The 5th Avenue Theatre. Photo Credit: Photo by Michael B. Maine. Courtesy of The 5th Avenue Theatre.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.

Preview Post – After Midnight – Musical Revue – The 5th Avenue Theatre

Happy opening night to The 5th Avenue Theatre production of the After Midnight musical revue. Playing till 8/24/25. Front row jazz club/lounge-style table seats are available. Full review coming soon! #harlem #DukeEllington

Tickets: https://www.5thavenue.org/shows/2024-25/after-midnight/

Final Full Review: https://www.showsiveseen.com/after-midnight-musical-revue-the-5th-avenue-theatre/

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