Land Of The Sweets: The Burlesque Nutcracker – Show – Verlaine & McCann

Elevator Thoughts (aka Tweet): Land Of The Sweets: The Burlesque Nutcracker by Lily Verlaine & Jasper McCann @ The Triple Door. Stunning costumes (that came off). Impressive dance skill/choreography. Titillating risque glamorous alternative to the same tired old family friendly traditional Christmas shows. Swinging jazz band alone is worth the admission.#ballet #xmas

Synopsis from the Theatre: Seattle’s “Most Glamorous Holiday Tradition” returns to the Triple Door for its sixteenth astounding season! Lily Verlaine and Jasper McCann are elated to announce the return of their award-winning wintertime spectacle, Land of the Sweets: The Burlesque Nutcracker. Voted “The Best Burlesque In Western Washington” (King 5), Land Of The Sweets has delighted tens of thousands of holiday revelers since 2006. All your favorite characters will be back, including Lily Verlaine’s Sugar Plum Fairy, the light-juggling magic of Babette La Fave, the ever-lovable Snowflakes… and of course the swinginest band in the Land, The Nutcracker Nonette! Not content to rest on their laurels, Verlaine & McCann have been working tirelessly to make 2022’s season memorable and electrifying for our new and returning guests. The cast will feature a number of fresh new faces this year (some from the most recent production of Verlaine & McCann’s Through The Looking Glass) to kick up their heels with superstar veterans like Paris Original and Viola Vector. And who knows… you might be in the audience to see a surprise appearance by a Seattle ballet star in a rotating cavalcade of Rat Kings! Lots of other surprises await… so prepare to be enchanted by Land Of The Sweets like never before! We can’t wait to see all our family, fans, and friends this holiday season for the production that Seattle Metropolitan Magazine calls “December’s best date night”! With 29 performances, tickets will go fast… Come “Swing in the Season” and celebrate the holidays with us!

Reviewed Performance: 12/7 Opening Night

Type: Burlesque Show

World Premiere: No

Live Band/Orchestra: Yes, with a big band feel of the big city!

Recommendation: See it if either 1) you like burlesque 2) you’re tired of the same old basic traditional family friendly boring Christmas shows like The Nutcracker or A Christmas Carol 3) or you want to see a spectacle to accompany your food/drinks and live music.

Rating Compared to Other Shows with the Same Production Value:
4.75 Stars (Out of 5 Stars)

Equity Actors: N/A but they were all very good. I don’t think they typically track this for non-plays or non-musicals.

Length: 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Reverse Burlesque: Usually you see clothes come off in burlesque. There was a neat act (maybe “The Baroness of Bon-Bons?”) that performed the opposite where they started with a woman in only pasties and dressed her up.
  • Favorite Line: Something like “Rats, mice, shoes, oh my! Sounds like a Disney movie with a fetish.”
  • Nutcracker Ballet Influence: The live band songs were derived from melodies in the traditional Tchaikovsky Nutcracker ballet suite. They should really sell a recording of their songs. The music in my video below is similar to what you’ll hear in this show. Additionally, the choreographer Lily Verlaine incorporated ballet heavily into this performance to still maintain that Nutcracker feel.
  • Bullfighter Act: Very cute segment of the show
  • Emcee: Joel Domenico occasionally sang throughout the show with his golden voice.
  • Inclusivity: In true Seattle fashion, the show also included a man in drag and a woman who wasn’t pencil thin.

Rant(s)

  • Mask: Was it really necessary for the emcee to wear a mask when he walked throughout the audience to sing? He wasn’t really protecting himself if he didn’t wear an N95. And it wasn’t worth protecting the audience since most of the waiters were already unmasked. Plus, I’d venture to say 90% of the audience was already unmasked since they were drinking and eating. For the record, I’m not an anti-masker and I actually still wear an N95 in most performances that don’t require the audience to mask up since getting sick would mess up by busy theatre schedule, which has lately been 4-5 shows per week.
  • Tap Dance Shoes: I’m always ecstatic when I see a tap dance number like this show had. But I was a little disappointed to discover the dancers in the tap dance act weren’t wearing tap shoes. If the dancers were wearing tap shoes, they need to figure out a way to make them louder. A part of me thinks a tap dance segment isn’t worth performing if the audience can’t hear the clickety clack.
  • Triple Door Service and Food: My vegan pad thai arrived a little cold and a bit too wet. It’s also a hard to get a waiter’s attention during the show. I suggest Triple Door invest in call buttons like those installed on airplanes or dine-in movie theatres.

Other Thought(s)

  • Snow Stage Magic: How did the 3 snowflake dancers continue to create snow from their hands? I think they pulled it from the frills of their dresses but doesn’t that destroy the dress? Leave a comment in my social media links below if you have any ideas! Someone on Instagram told me that there are actually pockets in the backsides of their dresses that they pull snow out of. Someone in the stage crew gets the glamorous job of stuffing snow back into the dancers’ butt pockets before the dancers go on stage!
  • Seattle Tradition: Since this show has been produced since 2006, I imagine it could be Seattle’s answer to the NYC tradition of seeing Radio City Rockette’s Christmas Spectacular during the holiday season.
  • Seatmate: I thought it was hilarious that the guy who sat next to me assumed he was attending the traditional Nutcracker Ballet. Imagine his surprise when he saw pasties and thongs! But he still enjoyed the show.

Theatre Company : Verlaine and McCann

Venue: Triple Door

Venue Physical Address: 216 Union St, Seattle, WA 98101

Price: Expensive

Dates: December 7th – 30th, 2022

Seating: Assigned Seating

Parking: I usually walk or transit here. The Benaroya (University Street) lightrail station is only a block away. Other than that, there’s obviously paid garage/street parking since this venue is in downtown. I think the cheapest garage lot is generally the Russell Investments Center garage (1301 2nd Ave #1950, Seattle, WA 98101).

Social Media Posts About this Performance from Shows I’ve Seen:
Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Other Video +/- Pictures: See pictures in video and under below video.

@showsiveseen “Land of the Sweets: The #Burlesque #Nutcracker” by Lily Verlaine & Jasper McCann @ The Triple Door. Stunning costumes (that came off). Impressive #dance skill/choreography/athleticism. #Titillating #risque #sexy #glamorous alternative to the same tired old family-friendly traditional #Christmas shows. Swinging jazz band alone is worth the admission. Review: showsiveseen.com/2648 #ballet #xmas ♬ The Nutcracker Swing – OKTAVA. VU Pučiamųjų Orkestras / VU Wind Orchestra & Albinas Kučinskas

Blue Man Group – Performance Art Show – Paramount Theatre

Elevator Thoughts (aka Tweet): Blue Man Group w/ Seattle Theatre Group at the Paramount Theatre. Mime-like wordless skits w/ catchy percussion & a spectacular visual feast. Similar to Cirque du Soleil w/o the acrobatics. Lots of audience participation. The alien-like blue man even walked through my leg room space to drag a “lucky” audience member on-stage! #drums #blueMan #blueManGroup

Synopsis from the Theatre: More than 35 million people around the world have experienced the smash hit phenomenon that is BLUE MAN GROUP and now it’s your turn! BLUE MAN GROUP returns to Seattle for a limited engagement on their new North American tour. It’s everything you know and love about BLUE MAN GROUP—signature drumming, colorful moments of creativity and quirky comedy—the men are still blue but the rest is all new! Featuring pulsing, original music, custom-made instruments, surprise audience interaction and hilarious absurdity, join the Blue Men in a joyful experience that unites audiences of all ages.

Reviewed Performance: 11/25 Evening – Opening Night

Type: Performance Art Show

World Premiere: No

Live Band/Orchestra: Yes

Recommendation: See it especially if you like percussion, visual special effects, performance art, or audience members dragged on stage. This show is also kid friendly. Throughout the performance, I could hear kids calling out things like “Pick me!”

Rating Compared to Other Shows with the Same Production Value:
4.75 Stars (Out of 5 Stars)

Equity Actors: The program didn’t specify any Equity information. Maybe they didn’t mention this because the show wasn’t a play or musical. However, the show’s caliber felt just like other touring Equity musical productions that perform at the Paramount Theatre.

Length: 75 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Instruments: They designed several unique looking/sounding instruments. My favorites were the adjustable-pitch PVC pipe drum and the giant dulcimer-looking xylophonic percussion instrument.
  • Gumball Trick: I was impressed how one of the blue men caught several gumballs in his mouth. I’m still wondering what stage magic allowed him to fit them all in there.

Rant(s)

  • VR Skit: There was a section where the Blue Men captured a live video feed around the stage and audience. Later, they took the camera offstage and performed a skit involving virtual reality headsets. I’m assuming the offstage portion was pre-recorded. I’m usually not impressed when live shows display pre-recorded video as a segment of the show. I attended to see a live performance, not something I could find on YouTube. If you think this segment was actually performed live offstage, please leave me a comment in my social media to explain.

Other Thought(s)

  • Gender Spin: With gender issues on the forefront of the theatre scene (and the political stage), it’s time for a “Blue Woman Group.” Or maybe switch out one of the three men with one woman. Or instead of women, maybe recruit transgender performers. Shake it up a bit!
  • Audience Plants : Throughout the first half of the show, I assumed the audience members they involved in the show were audience plants. However, the reactions from someone who was dragged on-stage and their friends in my row made me think otherwise. I wonder how they plan for volatile audience members called on-stage who could derail the show’s planned narrative. Like what’s the contingency plan if someone says pro-Nazi rhetoric in the microphone during the telephone skit?
  • Earplugs and Ponchos: Before the performance, the theatre handed out free earplugs to everybody and ponchos to those on the front couple of rows, which worried me of what was to come. Fortunately, I never needed the earplugs, and it didn’t look like the Blue Men splashed the front row.
  • Blue Skin Magic: Since one of the blue men was literally in my personal leg room space to drag someone else on stage, I saw his “skin” up close. It made me wonder what stage magic made his skin blue. I’m pretty sure they wear blue gloves instead of painting their hands. Since he had no ears, I’m assuming part of his blue skin was not painted human skin but maybe some painted latex-like covering. However, I couldn’t determine where the latex-like covering and the human skin would have bordered. I was even more puzzled when I saw a shiny sweat-like sheen on him, which could mean there was no latex-like covering! Leave a comment in my social media posts below if you have any ideas what stage magic is involved.

Theatre Company : National Tour brought by Seattle Theatre Group and Broadway Across America

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price: Medium to Expensive

Dates: November 25 – 27, 2022

Seating: Assigned

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you get closer to the West Precinct (810 Virginia St, Seattle, WA 98101).

Social Media Posts About this Performance from Shows I’ve Seen: Instagram | TikTok | Facebook | Twitter | YouTube

Buy a Ticket or Learn More:

Cast and Production Team: See under the multimedia below.

Other Video +/- Pictures: Credit for pictures in video are in picture captions below video.

@showsiveseen @bluemangroup w/ @seattletheatregroup at Paramount Theatre. #Mime-like wordless skits w/ catchy #percussion & a #spectacular visual feast. Similar to @cirquedusoleil w/o the acrobatics. Lots of audience participation. The alien-like #blue man even walked through my leg room space to drag a “lucky” audience member on-stage! Review + Photo Credit: showsiveseen.com/2247 #drums #blueMan #blueManGroup #performanceArt ♬ Blue (Da Ba Dee) (Gabry Ponte Ice Pop Radio) – Eiffel 65
Blue Man Group Paint Drumming, Photo by Lindsey Best
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group Portrait, Photo by Lindsey Best
Blue Man New Tour, photo by Joan Marcus
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group Toss and Catch, Courtesy of Blue Man Productions
Blue Man New Tour, photo by Joan Marcus
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man Group New Tour, photo by Evan Zimmerman for MurphyMade
Blue Man New Tour, photo by Evan Zimmerman for MurphyMade
RoleName
Blue MenMERIDIAN
MIKE BROWN
JOSH WILLS
ADAM ZUICK
BandCORKY GAINSFORD
CHRIS REISS
CHRIS SCHULTZ
Director
MICHAEL DAHLEN
WritersJONATHAN KNIGHT
MICHAEL DAHLEN
BLUE MAN GROUP
Set DesignerJASON ARDIZZONE-WEST
Lighting DesignerJEN SCHRIEVER
Costume DesignerPATRICIA MURPHY
Sound DesignerCREST FACTOR
Video DesignerLUCY MACKINNON
Tour Costume DesignEMILIO SOSA
SFX DesignerBILL SWARTZ
Creative DirectorJONATHAN KNIGHT
Music DirectorBYRON ESTEP
Production Stage ManagerERIN ALBRECHT
Company ManagerALANNA SWOVELIN
General ManagementGENTRY & ASSOCIATES
PEARCE LANDRY-WEGENER
Tour Booking, Marketing and Publicity DirectionBOND THEATRICAL GROUP
Production ManagementNETWORKS PRESENTATIONS
WALKER WHITE
Line ProducerJENNIE RYAN
Executive ProducersWENDY EDWARDS & SETH WENIG

A Night with the Russells: The Legacy of Us – Concert – Taproot Theatre

Elevator Thoughts (aka Tweet): A Night with the Russells show at Taproot Theatre by one of Seattle theatre scene’s most prominent performer families today. Variety concert w/ Christian, Jamaican, pop culture, & Broadway music hits. Thrilled that they included a song from Aida. #showtunes #musicals #family

Type: Concert

Recommendation: See it if you’re familiar with the Russells and their work in the Seattle theatre scene.

Rating (Out of 5 Stars): 4 stars

Other Rant(s)

  • Stick with the forehead microphones. The switching between handheld and forehead microphones was distracting. Plus, the handheld microphones sounded like karaoke.
  • I loved that Sarah Russell sang something from the Aida musical. But please choose a more accessible/catchy/recognizable song than “Easy as Life!” Maybe “Written in the Stars,” “The Gods Love Nubia,” or “Elaborate Lives.”

Theatre Company : Taproot Theatre

Venue: Taproot Theatre – 204 N 85th St, Seattle, WA 98103

Price: $$ (Medium)

Dates: Sep 21 – Oct 29, 2022

Seating: Assigned

Social Media Posts: Instagram | TikTok | Facebook | Twitter | YouTube

Link(s):

Other Media:

@showsiveseen “A Night w/ the #Russells: The Legacy of Us” show at @taproottheatre by one of Seattle #theatre scene’s most prominent performer families today. #Variety #concert w/ Christian, #Jamaican, pop culture, & #broadway music hits. Thrilled that they included a song from Aida. #showtunes #musicals #family ♬ We Are Family (1995 Remaster) – Sister Sledge
L to R: Faith Bennett Russell, Be Russell, and Sarah Russell in A Night with the Russells: The Legacy of Us at Taproot Theatre. Photo by Robert Wade.
Faith Bennett Russell in A Night with the Russells: The Legacy of Us at Taproot Theatre. Photo by Robert Wade.
L to R: Sarah Russell, Be Russell, and Faith Bennett Russell in A Night with the Russells: The Legacy of Us at Taproot Theatre. Photo by Robert Wade.
Be Russell in A Night with the Russells: The Legacy of Us at Taproot Theatre. Photo by Robert Wade. 

What the Constitution Means to Me – Play – Seattle Rep

Elevator Pitch/Thoughts/Tweet: “What the Constitution Means to Me” at Seattle Rep. Intellectually stimulating mashup between a TED Talk, play, & debate. Appreciate the free ACLU book of rights. The 4th wall was broken. Abolish or keep the constitution? #speech #USA #UnitedStates #penumbra #theatre #feminism

Type: Play-ish Show/Talk

Recommendation: See it if you like TED Talks, debates, law, or feminism. Don’t see it if you’re looking for a play with a plot.

Rating (Out of 5 Stars): 4 stars

Other Rants

  • There were a lot of random tangents but I guess they were required for comic relief.

Theater Company: Seattle Rep

Venue: Seattle Rep – 155 Mercer St, Seattle, WA 98109

Price: $$$ (Medium to Expensive)

Dates: September 30 – October 23, 2022

Seating: Assigned Seating

Social Media Posts: Instagram | TikTok | Facebook | Twitter | YouTube

Linkhttps://www.seattlerep.org/plays/202223-season/what-the-constitution-means-to-me/

Other Media:

@showsiveseen “What the #Constitution Means to Me” at #SeattleRep. Intellectually stimulating mashup between a #TEDTalk, #play, & #debate. Appreciate the free @aclu book of rights. The 4th wall was broken. Abolish or keep the constitution? #speech #USA #UnitedStates #penumbra #theatre #feminism ♬ American Idiot – Green Day
Cassie Beck in What the Constitution Means to Me. Photo by Joan Marcus
Cassie Beck in What the Constitution Means to Me. Photo by Joan Marcus
Cassie Beck in What the Constitution Means to Me. Photo by Joan Marcus
Leah Scott in What the Constitution Means to Me at Seattle Rep. Photo by Sayed Alamy.
Cassie Beck and Gabriel Marin in What the Constitution Means to Me at Seattle Rep. Photo by Bronwen Houck.
Cassie Beck and Gabriel Marin in What the Constitution Means to Me at Seattle Rep. Photo by Bronwen Houck.
Cassie Beck and Gabriel Marin in What the Constitution Means to Me at Seattle Rep. Photo by Bronwen Houck.
Mara Gonzalez Moral in What the Constitution Means to Me at Seattle Rep. Photo by Sayed Alamy.
Mara Gonzalez Moral in What the Constitution Means to Me at Seattle Rep. Photo by Sayed Alamy.
Gabriel Marin and Cassie Beck in What the Constitution Means to Me at Seattle Rep. Photo by Bronwen Houck.
Cassie Beck in What the Constitution Means to Me at Seattle Rep. Photo by Bronwen Houck.
Mara Gonzalez Moral and Cassie Beck in What the Constitution Means to Me at Seattle Rep. Photo by Bronwen Houck.

Through the Looking Glass: The Burlesque Alice in Wonderland – Burlesque Show – Verlaine & McCann Present

“Though the Looking Glass: The Burlesque Alice in Wonderland” cabaret variety dinner show by Verlaine & McCann at The Triple Door. Pasties galore! Even had some singing. Favorite numbers were the cat & the butterfly metamorphosis. Crowd was on fire! #vaudeville #AliceInWonderland

Type: Burlesque Show

Recommendation: See it if you’re into burlesque or cabaret.

Rating (Out of 5 Stars): 4 stars

Theater Company: Verlaine & McCann Present

Venue: The Triple Door

Price: $$ (Medium)

Dates: September 21 – 25, 2022

Seating: Assigned

Linkhttps://www.verlaineandmccann.com/landofthesweets-1 and https://thetripledoor.net/

@showsiveseen “Though the Looking Glass: The #Burlesque Alice in #Wonderland#cabaret #variety #dinnerShow at #TripleDoor w/ Verlaine & McCann Present. #Pasties galore! Even had some singing. Favorite numbers were the cat & the butterfly metamorphosis. Crowd was on fire! #vaudeville #AliceInWonderland ♬ Burlesque style big band orchestra music(370715) – Newtrick