Dr. Jekyll & Mr. Hyde – Play – Dukesbay Productions

Elevator Thoughts (aka Tweet): Dr. Jekyll & Mr. Hyde w/ Dukesbay Productions at Merlino Arts Center. Interesting to see Edward Hyde as more of a person than a monster and vice versa w/ Henry Jekyll.

Synopsis from the Theatre: In one man’s inner battle between good and evil, the lines are often blurred. Robert Louis Stevenson’s classic novella Strange Case of Dr. Jekyll and Mr. Hyde comes to life on the Dukesbay stage with an adaptation rarely seen, and with a few unexpected twists. With one actor portraying Henry Jekyll and four actors (including one woman) playing the many aspects of Edward Hyde, this is not your grandfather’s Jekyll & Hyde. Instead, it’s a psychological thriller about what can result when man’s darker side is left unrestrained. Don’t worry. It’s not a psychology lecture. You will be thrilled and entertained.

Reviewed Performance: 3/18/23

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings: Several

Defined Plot/Storyline: Yes

Recommendation: See it if you like supporting community theatre

Was This the First Time I Attended a Production of this Show: Yes, this was actually also the first time I attended a Dukesbay Productions show

Would I See It Again 3 Years from Now: Maybe if it was a full-blown professional Equity production

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 6

Length (Including Any Intermission): 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Injured Actor: One of the actors hurt their foot or leg at the end of the first act. Oh, the magic of unexpected surprises in live theatre! Kudos for powering through the pain during the second act!
  • Blurring the Duality of Man: It was interesting to see a conscience, feelings, and (maybe?) a soul peek out various times in Edward Hyde. Usually, he’s portrayed as the fully evil side in the binary duality of man.

Rant(s)

  • Beddings: There was a scene where an actor was making a bed with no bedding props. I know this is community theatre, but let’s bring some linens from home or buy some at Goodwill for $10!
  • Lighting: During the first few minutes of the show, the lighting was either inadequate or late. However, I recognize that this play does require some degree of darkness to convey the feeling of mystery and evil.

Other Musing(s) and Observation(s)

  • Corpse: I’m surprised they how naked they designed the corpse dummy! But I guess I shouldn’t be surprised in the granola PNW.
  • Edward Hyde Characters: There was no single actor who portrayed Edward Hyde exclusively. Nearly every performer cast doubled as him throughout the show.
  • Spontaneous Personality Change: What caused Dr. Jekyll to sometimes spontaneously transform into Mr. Hyde without a potion/serum? Was it love? I know this also occurs in the original novella, but I don’t remember if the novella addresses the cause. Leave a comment in my social media posts below if you have any ideas!

Theatre Company: Dukesbay Productions

Venue: Merlino Art Center

Venue Physical Address: 508 S 6th Ave, Tacoma, WA 98402

Price: Cheap

Dates: March 10 to 26, 2023

Seating: General Admission

Parking: Free plentiful street parking

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Other Video +/- Pictures: See pictures in video and under video below

Cast and Production Team: See after pictures and video below

@showsiveseen "Dr. Jekyll & Mr. Hyde" #play w/ #Dukesbay Productions at Merlino Art Center. Interesting to see Edward #Hyde as more of a person than a monster & vice versa w/ Henry #Jekyll. Review: showsiveseen.com/4384 #theatre ♬ A Little Bit Dangerous – CRMNL
RoleName
Dr. Henry Jekyll W. Scott Pinkston
Edward Hyde/Utterson Jeffery Weaver
Edward Hyde/Carew/Enfield/Sanderson/Inspector Scott C. Brown
Edward Hyde/Lanyon/Police DoctorBen Stahl
Edward Hyde/Poole/Porter/Maid Jasmine Jaqua
Elizabeth JelkesChristine Choate
Surgical Student Sofia Pieralde
Surgical Student
PlaywrightJeffrey Hatcher adapting from the novella by Robert Louis Stevenson
DirectorRandy Clark
Stage ManagerTracy Engels
Scenic/Sound Design Niclas Olson
Scenic Painter Jennifer York
Set Construction Hector Juarez, Niclas Olson
Lighting Design Mark Thomason
Costume/Properties Design Jeffery Weaver
Fight Choreography Chevi Chung
Fight Captain Scott C. Brown
Assistant Stage Managers Sofia Pieralde, Ryn Smith
Photography/Poster Design Jason Ganwich
Producers Randy Clark, Aya Hashiguchi Clark

Suite Surrender – Play – As-if Theatre Company

Elevator Thoughts (aka Tweet): Suite Surrender play at Kenmore Community Club w/ As-if Theatre Company. Two rival divas accidentally stay in the same hotel suite & hijinks/chaos ensues. So much anticipation leading up to a well-devised unexpected ending. Grandiose stage presence & great voice from Merry Senn. #theatre

Synopsis from the Theatre: Set in 1942, two of Hollywood’s biggest divas descend upon the luxurious Palm Beach Royale Hotel with their legendary, long-running feud in tow. Everything seems to be in order for their wartime performance until they are somehow assigned to the same suite. Through mistaken identities, overblown egos, and double entendres this roller-coaster of a play is a hilarious riot and a love note to the classic farces of the 30s and 40s.

Reviewed Performance: 3/16/23 Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: The entire play was one scene

Several or Few Settings: The entire play took place in the common area of a hotel suite

Defined Plot/Storyline: Yes

Recommendation: See it if you like comedic plays with caricatures and chaotic hijinks like See How They Run

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it was good

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 9

Length (Including Any Intermission): 100 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Favorite Line: “Martinis are like women of a certain age. They should never be underdressed.”

Other Musing(s) and Observation(s)

  • Ending: While the twist at the end was well-devised, the play continued on unnecessarily. The script could have concluded closer to when they revealed the twist.

Theatre Company: As-if Theatre Company

Venue: Kenmore Community Club

Venue Physical Address: 7304 NE 175th St, Kenmore, WA 98028

Price: Cheap

Ticket Affordability Options: Goldstar is marginally cheaper

Dates: March 16 to April 2, 2023

Seating: General Admission

Parking: There is an attached free private parking lot outside the building.

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Other Video +/- Pictures: See pictures in video and under video below by Christine Mitchell

Cast and Production Team: See after pictures and video below

@showsiveseen “Suite Surrender” #play at Kenmore Community Club w/ As-if Theatre Company. Two rival #divas accidentally stay in the same #hotel suite & hijinks/chaos ensues. So much anticipation leading up to a well-devised unexpected ending. Grandiose stage presence & great voice from Merry Senn. Photos by Christine Mitchell. #theatre #tiktokpromote ♬ Badder Than The Bad Boys – Peyton Shay
RoleName
Francis Emmanuel Suarez
Otis Jay Vilhauer
Bernard S. DunlapTerry Boyd
Mrs. Everett P. OsgoodJennifer Nielsen
Dora Del RioTina Devrin
Claudia McFaddenMerry Senn
PippetChris Clark
Athena SinclairMolly Hall
Murphy StevensAshley Rose Klimper
PlaywrightMichael McKeever
DirectorCindy Giese French
Stage Manager Stacey Hansen
Scenic Design Rick Wright
Costume DesignAmy Hockman
Lighting DesignerKeith Gehrig
Marketing/ProducerAmy Gentry
Sound DesignerWilliam French
Clowning CoachKen Michels
Prop Designer/Production ManagerChandria Danelle
Master CarpenterDavid Baldwin
PhotographerChristine Mitchell

Between Two Knees – Play – Seattle Rep

Elevator Thoughts (aka Tweet): Between Two Knees play at Seattle Rep by The 1491s. Outrageously (and uncomfortably?) funny, mildly controversial, and uniquely designed/written show about Native American history since Wounded Knee centering on one multigenerational family. Definitely a hit for woke Seattle.

Synopsis from the Theatre: The first play by acclaimed intertribal sketch comedy troupe The 1491s—best known for the hit television series “Reservation Dogs”—takes audiences on a searing and absurdly funny series of vignettes through American history centered on one family’s account of their experiences from the massacre at Wounded Knee in 1890 to the protests there in 1973.

Reviewed Performance: 3/8/23 Evening on Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Several

Defined Plot/Storyline: Yes

Recommendation: See it especially if you’re familiar with Native American history from the past 1-2 centuries.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not. But it was still good.

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: All

Total Number of Actors: 8

Length (Including Any Intermission): 2.5 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Surprise Humor: It’s said that humor comes from truth, surprise, or superiority. This play definitely touched on the surprise element. There were several random funny WTF moments like the Mortal Combat-like scene where the protagonists fought drag nuns and ended with a glorious “finish him!” I loved when they used the “Indian burn” as an attack in this scene. The jeering nuns in the background were a nice touch from the video game. Another example of random funny moments is a goodbye scene when somebody said “I wish I knew how to quit you” like in Brokeback Mountain.

Other Musing(s) and Observation(s)

  • Historical Events: The play supposedly portrayed Native American history from 1890 to 1973 through the life of one multigenerational family. Since I personally knew nothing about Native American history (other than the traditional mainstream likely whitewashed/inaccurate stories such as Pocahontas and Squanto), I probably missed a lot of good nuances. But the play doesn’t need prior knowledge to enjoy it at superficial face value. To me, it was just a well told story. I wonder how this play would look like through the eyes of someone well-versed in the past 1-2 centuries of Native American history.
  • Mildly Controversial Nature: Various people will find some scenes/lines uncomfortably funny, mildly offensive, and not politically correct. Even the design around the stage with the curtains down was filled with culturally-appropriated stereotypical charicatures (see my video below). There were several moments when they didn’t pull any punches on controversial humor that I thought “Whoa, did they really just say/do that?!” I won’t spoil it too much for you, but the show ends in a WTF surreal exercise with the audience joining in uncomfortable baffled unison chanting something people don’t say in polite company. Woke Seattleites with white guilt will be sure to eat it up. I love how one of the characters say, “We wash his ears so that he will not hear people lecture him on what should be considered racist or offensive when they themselves have only a minimal understanding of how uncensored humor borne from trauma is actually beneficial to community healing!” Seattle is a perfect city to explore this controversial cringy material since the pendulum has swung to arguably excessively PC here.

Theatre Company: Seattle Repertory Theatre, McCarter Theater Center, Oregon Shakespeare Festival, and Yale Repertory Theatre

Venue: Seattle Repertory Theatre

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price: Medium

Ticket Affordability Options:

Dates: March 3 to 26, 2023

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also a lot of street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive. In those cases, I’ll park further north up on Queen Anne Hill.

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Other Video +/- Pictures: See pictures under video

Cast and Production Team: See after pictures and video below

@showsiveseen "Between Two Knees" #play at #SeattleRep by #1491s. Outrageously (and uncomfortably?) funny, mildly controversial, & uniquely designed/written show about #NativeAmerican history since #WoundedKnee centering on 1 multigenerational family. Definitely a hit for woke Seattle. Review: showsiveseen.com/4270 #BetweenTwoKnees #theatre ♬ I Think I Like When It Rains – WILLIS
Jennifer Bobiwash and Wotko Long in Between Two Knees at Seattle Rep. Photo by Nate Watters.
Derek Garza, Shaun Taylor-Corbett, Justin “Jud” Gauthier, and James Ryen in Between Two Knees at Seattle Rep. Photo by Nate Watters.
Shaun Taylor-Corbett, Derek Garza, and Shyla Lefner in Between Two Knees at Seattle Rep. Photo by Nate Watters.
James Ryen and Shaun Taylor-Corbett in Between Two Knees at Seattle Rep. Photo by Nate Watters.
Justin “Jud” Gauthier and James Ryen in Between Two Knees at Seattle Rep. Photo by Nate Watters.
Shyla Lefner, Derek Garza, Shaun Taylor-Corbett, Justin “Jud” Gauthier in Between Two Knees at Seattle Rep. Photo by Nate Watters.
Shaun Taylor-Corbett, Derek Garza, and Shyla Lefner in Between Two Knees at Seattle Rep. Photo by Nate Watters.
Jennifer Bobiwash and Shyla Lefner In Between Two Knees at Seattle Rep. Photo by Nate Watters.
Rachel Crowl and Shaun Taylor-Corbett in Between Two Knees by The 1491s, directed by Eric Ting at Yale Repertory Theatre. Photo © T. Charles Erickson.
Shyla Lefner and Derek Garza in Between Two Knees by The 1491s, directed by Eric Ting at Yale Repertory Theatre. Photo © T. Charles Erickson.
Justin Gauthier in Between Two Knees by The 1491s, directed by Eric Ting at Yale Repertory Theatre. Photo © T. Charles Erickson.
RoleName
Older Irma, Ensemble Jennifer Bobiwash
Ensemble Rachel Crowl
Young Isaiah, Eddie, Ensemble Kholan Studi portrayed this role which is usually played by Derek Garza
LarryJustin “Jud” Gauthier
Young Irma, Irene, Ensemble Shyla Lefner
Older Isaiah, Ensemble Wotko Long
Ensemble James Ryen
William, Ensemble Shaun Taylor-Corbett
Understudy Older Irma, Ensemble Irma-Estel Laguerre
Understudy Larry, Ensemble Nikcoma Lee Mahkewa
Understudy Older Isaiah, Ensemble John Scott-Richardson
Understudy Isaiah, Eddie, Larry, William, EnsembleKholan Studi
Understudy Young Irma, Irene, EnsembleMaribel Torres Barragan
PlaywrightThe 1491s
Director Eric Ting
Choreographer Ty Defoe
Scenic Designer Regina Garcia
Costume Designer Lux Haac
Lighting Designer Elizabeth Harper
Sound Designer Jake Rodriguez
Original Songs Ryan RedCorn
Projection Designer Shawn Duan
Wig And Hair Designer Younghawk Bautista
Production Dramaturg Julie Felise Dubiner
Casting Director Stacey Rice, CSA
Fight Director Rod Kinter
Intimacy Director Kelsey Rainwater
Vocal Coach Liz Hayes
Associate Director R. Réal Vargas Alanis
Production Stage Manager Amanda Nita Luke-Sayed
Assistant Stage Manager Kevin Jinghong Zhu

Born Yesterday – Play – Theatre9/12

Elevator Thoughts (aka Tweet): Born Yesterday play w/ Theatre9/12. If Melania stood up to Donald Trump, it could have unfolded this way. Good commentary on political corruption.

Synopsis from the Theatre: Born Yesterday is a scathing comedy about the idealism visualized in the United States Constitution corrupted by greed, ignorance, self-service, and disillusion shortly after World War II. The self-made millionaire, Harry Brock, has thieved his way up the ladder to purchasing Senators. Paul Verral, an international journalist, sidles his way into Brock’s new Washington D.C. circle, endearing himself to the criminal who hires Paul to class up his main squeeze: a “showgirl” of great beauty and no desire to behave properly among the stuffed shirts, nor the effort needed to think. Without altering text or era, Theatre9/12 re-interprets this hysterical play paralleling today’s events.

Reviewed Performance: 3/4/23 Evening on Opening Weekend

Type: Play

World Premiere: No

Several or Few Scenes: Few – Only 3 scenes

Defined Plot/Storyline: Not extensive – There’s only so much that can occur in 3 scenes!

Recommendation: See it if you like supporting small intimate theatre and you’re okay with plays containing few scenes.

Was This the First Time I Attended a Production of this Show: Yes, and this is the first time I’ve attended a production from this theatre company. I was especially curious since they self-described the production as “presented through the Actors’ Equity Association Members’ Project Code,” which I’ve never heard of.

Would I See It Again 3 Years from Now: I’d consider it if a theatre company like Seattle Rep or ACT Theatre presented a full-blown professional equity production

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 11

Length (Including Any Intermission): 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Trans Visibility: This production uniquely casted a transgender actress in a lead role, which I think Helena Persephone Trolli performed well. It was hilarious when she suddenly used a deeper voice momentarily at the end. It reminded me of when my dad and I saw a recent performance at Teatro Zinanni and my dad didn’t “clock” the performer until they did the same thing at the end.

Rant(s)

  • Stage Footprint: The acting space seemed too large for the performance. Maybe place the hotel door closer to the living room. Try moving the bar closer to the living room as well and don’t let the actors turn their back to the audience when pouring drinks.

Other Musing(s) and Observation(s)

  • Comparison Between Acts: In the first act, I needed to try harder to process the actors’ dialogue. The second act felt easier to follow. I’d probably attribute this to the actual script and not the execution itself. But honestly, I feel like most plays and musicals require extra brain power from me for the first quarter of the show to figure out who’s who and their background!

Theatre Company: Theatre9/12

Venue: Trinity Parish Hall

Venue Physical Address: 609 8th Avenue, Seattle, WA 98104

Price: Pay-what-you-can based on what you enter on their website

Dates: March 3 to 26, 2023

Seating: General Admission

Parking: There’s free parking at Skyline’s garage at 801 Columbia St, Seattle, WA 98104. Entrance is on Columbia Street. Read the theatre company’s website for more details.

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Other Video +/- Pictures: See pictures in video and under video by Jeff Berryman

Cast and Production Team: See after pictures and video below

@showsiveseen “Born Yesterday” #play w/ Theatre9/12. If Melania stood up to Donald Trump, it could have unfolded this way. Good commentary on political #corruption. Review: showsiveseen.com/4192. Photos by Jeff Berryman. #theatre ♬ Anything Goes – Sutton Foster & Anything Goes New Broadway Company Orchestra
Marvin Grays, Margaret Bicknell, David S. Klein, and Helena Persephone Troilli
Tyler Scowcroft and Helena Persephone Trolli
Helena Persephone Trolli
Helena Persephone Trolli and Eric Smiley
David S. Klein and Helena Persephone Trolli
Tyler Scowcroft and Helena Persephone Trolli
RoleName
Helena Shelby Schill
Willard Hotel Assistant Manager Jeremy Steckler
Manicurist/Barber/Waiter Mohana Rajagopal
Paul VerrallTyler Scowcroft
EddieAnthony Duckett
Harry BrockDavid S. Klein
Billie DawnHelena Persephone Trolli
Ed DeveryEric Smiley
Bellhop/Shoe-ShinerJames Nove
Senator Norval HedgesMarvin Grays*
Anna HedgesMargaret Bicknell*
DirectorCharles Waxberg
Producing DirectorPaul O’Connell
PlaywrightGarsin Kanin
Artistic Associate Terry Edward Moore
Assistant Director Rowan Gallagher
Hair And Wig MasterEric Smiley/Swing Salon
Lighting Tech Austin Krieg
Costumes, Set Design, Graphics, Music DesignTheatre9/12
* Member Actors’ Equity Association

The Taming – Play – Red Curtain Foundation for the Arts

Elevator Thoughts (aka Tweet): The Taming play at Red Curtain Foundation for the Arts. A lesbian republican, Miss #America, and a liberal social justice warrior are trapped together in a hotel room to debate USA politics/history. Pleasantly surprised that Girl Scouts sold cookies in the lobby. How American! #theatre

Synopsis from the Theatre: In this hilarious, raucous, all-female “power-play,” Miss America contestant Katherine has political aspirations to match her beauty pageant ambitions. All she needs to revolutionize the American government is the help of one ultra-conservative senator’s aide on the cusp of a career breakthrough, and one bleeding-heart liberal blogger who will do anything for her cause. Well, that and a semi-historically-accurate ether trip. Here’s lookin’ at you, America.

Reviewed Performance: 3/3/23 Evening – Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Few – Only 3

Defined Plot/Storyline: No

Recommendation: See it if either 1) you like supporting community theatre 2) you’re into American politics/history 3) you reveled in the educational parts of Hamilton 4) or if you enjoyed What the Constitution Means to Me

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 3

Length (Including Any Intermission): 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Curtain Call: I liked that they let the stagehands take a bow. The stage crew is one of the many undercelebrated essential elements in live theatre.

Rant(s)

  • Lip Sync Segment: Needs to be removed or shortened. Lip synching on-stage is one of my pet peeves.
  • Scene Changes: The props and set furniture movement was distracting between scenes. However, I acknowledge the budget constraints of community theatre.

Other Musing(s) and Observation(s)

  • Comedic Props: The codpiece was a funny addition, but I was originally under the impression those were more popular in England during an earlier time period. I wonder if the codpiece and the shake weight were part of the script or if they were added by the theatre company.
  • Controlled Chaos: Props were falling and rolling everywhere! There were lots of over-the-top reactions and fight choreography.

Theatre Company: Red Curtain Foundation for the Arts

Venue: Red Curtain Foundation for the Arts

Venue Physical Address: 9315 State Ave #J, Marysville, WA 98270

Price: Cheap

Dates: March 3 to 19, 2023

Seating: General Admission

Parking: Free lot parking in the strip mall where this theatre is located.

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Other Video +/- Pictures: See pictures under video by Kenny Randall

Cast and Production Team: See after pictures and video below

@showsiveseen "The Taming" #play at @redcurtainarts by #LaurenGunderson. A lesbian ultra conservative, #MissAmerica, & a liberal social justice warrior are trapped together in a hotel room to debate #USA #politics/#history. How #American that Girl Scouts sold cookies in the lobby! Review: showsiveseen.com/4146. #theatre ♬ original sound – Shows I've Seen
Grace Helmcke as Bianca, Katie Wallace as Katherine, and Britta Grass as Patricia reluctantly agree to work together in “The Taming,” running March 3-19 at the Red Curtain Arts Center, 9315 State Ave. #J in Marysville.
Katherine (Katie Wallace) prepares for the Miss America pageant in “The Taming,” running March 3-19 at the Red Curtain Arts Center, 9315 State Ave. #J in Marysville.
RoleName
Katherine Katie Wallace
Patricia Britta Grass
Bianca Grace Helmcke
DirectorScott B. Randall
PlaywrightLauren Gunderson
Stage ManagerDavine Sholdez
Fight Choreographer Rowan Gallagher
DramaturgJeryn Pasha
Props & Set Dressing Courtney Calkins
Costumes/Dresser Laura Klein
Set Design Scott B Randall
Set Construction LeadWerner “Randy” Randall
Set Construction Scott Randall, Mike Pieckiel, Aiden Pieckiel, Spencer Greer
Lighting DesignScott Randall
Lighting Technician Layton Gaskins
Light Board OperatorAiden Pieckiel
Sound Design Daniel Hanlon
Sound Board Operator Mike Pieckiel
Spotlight OperatorsPaula Van Dalen, Sarah Tallman
Stage Crew Andy Wallington, Krista Patt, Layton Gaskins, Krishan Aggarwal, Paul Grass
Promotional PhotosKenny Randall
Marketing & Publicity Beckye Randall
Bar ManagerMichele Beito
Concessions ManagerKim Shumway