Elf – Musical – Review – The 5th Avenue Theatre

Elevator Thoughts (aka Tweet): Elf: The Musical at The 5th Avenue Theatre is pure holiday cheer. A swinging live orchestra (led by Matthew Smedal) delivering that classic big-band Broadway showbiz sound and all the sparkle of an NYC Christmas. A joyful, festive escape starring Eric Ankrim.

Recommendation:
See it if you want to get into the Christmas spirit.


Was This the First Time I Attended a Production of this Show? No, I saw the national tour and a community production.

Would I See It Again 3 Years from Now? Probably not, twice is enough for me

Mainstream Appeal: Medium to high

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): Inspired by the film, this light Christmas musical follows Buddy who realizes he’s a human and not a North Pole elf. He journeys to New York City to find his biological father.

Synopsis from the Licensor or Theatre Company: Son of a Nutcracker! Buddy’s back! Buddy the Elf has spent his life fulfilling his elf-ly duties in the North Pole helping Santa get ready for Christmas. The only problem is, he’s always been a little different. He stands feet above everyone else, is slower at making toys, and can’t quite fit in a standard elf-sized bed. After finding out he’s actually a human, Buddy embarks on a journey to the big city to discover his true identity—while also bringing a little Christmas spirit to everyone he meets. Based on the beloved 2003 New Line Cinema film starring Will Ferrell, this musical adaptation is a hilarious, fish-out-of-water comedy that’s full of heart, adventure, and holiday cheer. Whether you’re young, or just young at heart, make sure you’re on the nice list, because this show is a festive treat you don’t want to miss.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Dynamic

Prior Exposure/Knowledge Required: You’ll likely appreciate this more if you saw the movie, but it’s not required. I’ve never seen it.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actor(s): All

Total Actor(s): Too many to count

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Music: The true stars of the evening were the orchestra (led by Matthew Smedal) and the score (by Matthew Skylar). The 5th Avenue Theatre once again proved why it boasts the finest musical theatre orchestra in town, opening the show with a glorious, swinging overture. From there, the big-band, showbiz Broadway sound soared in numbers like “Sparklejollytwinklejingley,” “Nobody Cares About Santa,” and “The Story of Buddy,” before arriving at a standout moment in Jovie’s (played by Tori Gresham) beautifully delivered solo, “Never Fall in Love (With an Elf).” Together, the music and performances effortlessly conjured that cozy, classic New York City Christmas feeling.
  • “There Is a Santa Claus”: Echoing her memorable role in White Christmas at The 5th Avenue Theatre, Cayman Ilika (as mother Emily Hobbs) showcased her gorgeous voice in the duet “There Is a Santa Claus,” joined by the promising young Conor Sullivan (as son Michael Hobbs).

Other Musing(s) and Observation(s)

  • Tap Dance: Throughout the performance, I kept wondering when the quintessential grand tap dance number would appear. It finally surfaced in the final number, which was an oddly placed choice. Usually, it would be somewhere in the middle of the 1st act. However, the dancing itself (choreographed by director Denis Jones) was obviously strong quality like any tap dance number from The 5th Avenue Theatre.
  • Snow: It’s unclear whether this was intentional, but in one scene the actors gazed at the “snow,” which appeared only as a projection. Several minutes later, actual snow finally drifted down from the ceiling, raising the question of whether the delayed snowfall was a deliberate choice or simply a technical malfunction.
  • Plot Holes: The story contained major practical and professional inconsistencies. For instance, a Christmas book commissioned by Christmas would realistically miss the publishing window until the following holiday season. Likewise, the plot glosses over legal concerns, such as the apparent reuse of material from a previous employer without addressing intellectual property rights or non-compete agreements.
  • Holiday Formula: This production openly panders into the Christmas spirit, as many seasonal live theatre shows do. It isn’t especially deep or substantial, but unlike much of the Christmas-themed filler drivel and slop (can we please stop producing A Christmas Carol?!) that floods the stage each year, this show was enjoyable. Its primary aim is simply to put the audience in a festive mood. And in that, it succeeds.

Theatre Company: The 5th Avenue Theatre

Venue: The 5th Avenue Theatre

Venue Physical Address: 1308 5th Ave, Seattle, WA 98101

Price Range: $60-198

Ticket Affordability Options: The 5th Avenue Theatre often partners with organizations you’re affiliated with for discount tickets. For example, they sometimes offer a discount for my employer affiliation and my apartment complex. Rush tickets are typically also available the day of the performance at the box office.

Dates: 11/28/25 to 12/28/25

Seating: Assigned Seating

Parking: When I don’t walk to the theatre or park on the street, I park in the paid garage at the Motif Hotel northwest of the theatre. The entrance is on 5th Ave. Do NOT park in the APA Coast Seattle Downtown Hotel garage (entrance on 6th Ave). That’s where most of the audience (and I think the subscribers) parks, so it’s a nightmare to leave. However, the APA Coast Seattle Downtown Hotel garage is the closest garage to the theatre and you can access the theatre through a tunnel if you want to avoid the elements. But, in my opinion, this benefit is not worth the time wasted leaving the garage.

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Photos: See production photos below by Michael B. Maine.

Cast and Production Team: See after photos below.

Eric Ankrim and the Fake Santas in ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Eric Ankrim and Tori-Gresham in ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Richard Ziman and the cast of ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Richard Ziman. Eric Ankrim, and the cast of ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Credits from printed ENCORE program.
Credits from printed ENCORE program.
Credits from printed ENCORE program.
Credits from printed ENCORE program.

The Lion King – Musical – Review – Paramount Theatre

@showsiveseen @Disney's "The Lion King" #musical at Paramount Theatre from @BwayAmerica & @Seattle Theatre Group. Spectacular synergy between puppetry, costume, & scenic design. Starring Gilbert Domally, Aaron Chao, & Josiah Watson. Performing in Seattle till 1/4/26. Review: showsiveseen.com/14376 Photos: Matthew Murphy, Deen Van Meer, Joan Marcus Director: Julie Taymor Conductor: Karl Shymanovitz Stage Mgr: Charles Underhill Choreo: Garth Fagan #disney #lionKing #theLionKing #theatre ♬ Circle of Life – Ndlovu Youth Choir

Elevator Thoughts (aka Tweet): Happy opening weekend to Disney’s The Lion King musical at Paramount Theatre from Broadway Seattle and Seattle Theatre Group. Spectacular synergy between puppetry, costume, and scenic design. Performing in Seattle till 1/4/26.

Recommendation:
Whether young or old, see it!


Was This the First Time I Attended a Production of this Show? No, I saw the tour the last time it came to Paramount Theatre.

Would I See It Again 3 Years from Now? Probably not, twice is enough for me

Mainstream Appeal: Medium to high

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): Inspired by the classic Disney film, the story follows a young lion prince thrust into exile who must find the courage to reclaim his rightful place as the lion king.

Synopsis from the Licensor or Theatre Company: Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. More than 100 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. Winner of six Tony Awards®, including Best Musical, The Lion King brings together one of the most imaginative creative teams on Broadway. Tony Award®-winning director Julie Taymor brings to life a story filled with hope and adventure set against an amazing backdrop of stunning visuals. The Lion King also features the extraordinary work of Tony Award®-winning choreographer Garth Fagan and some of Broadway’s most recognizable music, crafted by Tony Award®-winning artists Elton John and Tim Rice. There is simply nothing else like The Lion King.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Dynamic

Prior Exposure/Knowledge Required: You’ll appreciate this more if you saw the movie, but it’s not required.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actor(s): All

Total Actor(s): Too many to count

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Design: The production’s true star was the extensive puppetry, costume, and scenic design by Julie Taymor, Michael Curry, and Richard Hudson. While reminiscent of the intricate style seen in Life of Pi, the puppetry here was even more ambitious. The designers didn’t limit themselves to the iconic animals of the African savanna. Every element, down to the swaying grass, was transformed into a living, moving piece of costume/puppet art. Among the most memorable creations were the tears built into the lioness’s mask and the mesmerizing gazelle hunt, in which the gazelle’s body fractured into multiple body parts.
  • “Circle of Life” Bookends: The show opens with a glorious hook in “The Circle of Life” song. The stage (and even the audience lovel itself) was alive with action, offering so much to take in that I found myself with a bit of FOMO torn between multiple points of focus. It was overwhelming in a good way. If you have the chance, sit on the orchestra level. I remember watching from the balcony last time and missing much of this immersive energy from the actors roaming the audience. The opening song built to a triumphant climax. The musical came full “circle” in a bookend, closing with the same piece for a thrilling, satisfying conclusion.
  • “He Lives in You”: This song was executed with breathtaking imagination. At first, the staging hinted at Mufasa’s reflection, assimilating gradually like a hidden portrait in an autostereogram optical illusion. The audience sensed it before it suddenly appeared like a revelation. Midway through the number, illuminated faces of the performers materialized as if out of thin air, heightening the sense of revelation. And then, in a final flourish, a burst of vibrantly saturated, rainbow-colored dancers appeared, sharply contrasting the monochromatic palette that had defined the song until that moment.
  • “Be Prepared”: Scar’s (Peter Hargrave) rendition of “Be Prepared” was another standout. It was elevated by several sharply conceived staging choices in gleeful villainous theatrical flair. The hyenas swarmed into the audience and their movements eventually snaped into a militaristic choreography that evoked the rigid precision of a North Korean (dare I say Nazi?) army parade. At one point, the number even shifted into a scene with the pulsing energy of a gay nightclub, as sculpted, bare torso-ed hyenas performed a tango-infused sequence. The whole moment brought to mind Matteo Lane’s joke about Disney villains being gay.
  • Voices: Gilbert Domally’s adult Simba brought an unexpected burst of energy with his surprisingly high voice in “Hakuna Matata.” He reignited that spark again in “He Lives in You.” It’s a shame Domally didn’t get more opportunities to showcase this vocal flair. But, he and Thembelihle Cele (as Nala) created beautifully sweet harmonies in “Can You Feel the Love Tonight.”
  • African Themes: The stage adaptation brought a vibrant African flair that the movie didn’t come close to replicating. It was a refreshing burst of color and energy to Seattle’s typically homogenous scene. I especially loved Rafiki, whose performance (complete with a vividly painted mandrill butt) incorporated African clicking sounds into their speech.

Other Musing(s) and Observation(s)

  • Climax: Disney is notorious for being accused of slipping subtle adult references into its family-friendly fare. In this production, Shenzi the hyena (played by Martina Sykes) delivered an unforgettably … enthusiastic reaction (basically an orgasm) to Mufasa’s name. This was definitely not something I saw in the movie. It was weird observing that sitting next to my nephew!

Theatre Company: National Tour from Broadway Across America and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price Range: $49-230

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees/students are still eligible for an organization discount.

Dates: 12/4/25 to 1/4/26

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the former Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

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Photos: See production photos below by Matthew Murphy, Deen Van Meer, Joan Marcus.

Cast and Production Team: See after photos below.

“Circle of Life” Cheetah and Giraffes. Photo by Joan Marcus.
Company of THE LION KING. Photo by Matthew Murphy.
Lionesses Dance. Photo by Deen van Meer.
David Lancy Wilson as Mufasa. Photo by Matthew Murphy.
Mukelisiwe Goba as Rafiki. Photo by Matthew Murphy.
Credits from printed ENCORE program.
Credits from printed ENCORE program.
Credits from printed ENCORE program.

Preview Post – Elf the Musical – The 5th Avenue Theatre

Happy opening weekend to The 5th Avenue Theatre production of Elf the Musical. Performing till 12/28/25. Full review coming soon!

Tickets: https://www.5thavenue.org/shows/2025-26/elf-the-musical/

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Preview Post – 9 to 5 – Musical – Village Theatre

Happy opening weekend to the Village Theatre production of Dolly Parton’s 9 to 5 musical. On-stage till 1/4/26 in Issaquah and 2/8/26 in Everett. Stay tuned for my full review!

Tickets: https://villagetheatre.org/see-a-show/9to5/

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Shucked – Musical – Review – Paramount Theatre

@showsiveseen 🌽 Robert Horn, Brandy Clark, & Shane McAnally’s #Shucked #musical national tour courtesy of Broadway Seattle & @Seattle Theatre Group. Witty script was a cornucopia of sly clever corny dad jokes. Foot-tapping #country melodies. @Danielle Wade was like a modern-day young Dolly Parton. Hilarious, thought-provoking musings from Mike Nappi. See it before it closes 11/9/25!   Review: showsiveseen.com/14214 Director: Jack O'Brien  Stage Mgr: Alan D Knight Choreo: Sarah O'Gleby  Music Supervision: Jason Howland  Music Director: Nick Williams  #corn #theatre @Shucked Musical ♬ Independently Owned – Alex Newell & Original Broadway Cast of Shucked

Elevator Thoughts (aka Tweet):🌽 Robert Horn, Brandy Clark, & Shane McAnally’s Shucked musical national tour courtesy of Broadway Seattle & Seattle Theatre Group. Witty script was a cornucopia of sly corny clever dad jokes. Foot-tapping country melodies. Danielle Wade was like a modern-day young Dolly Parton. Hilarious, thought-provoking musings from Mike Nappi. See it before it closes 11/9/25! #heartland #midwest #corn

Recommendation:
See it!


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Yes

Mainstream Appeal: Medium to high

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Absolutely

My Synopsis (No Spoilers): In a small Midwestern town where corn is the lifeblood of the community, the crops begin to mysteriously wither. At the cusp of her wedding, “Maizy” leaves heartland America for the big city in search of a cure for the corn. She pins her hopes on the so-called Tampa “Corn Doctor” to save her hometown.

Synopsis from the Licensor or Theatre Company: Shucked is the Tony Award®–winning musical comedy The Wall Street Journal calls “flat out hilarious!” And nobody knows funny like economists. Featuring a book by Tony Award winner Robert Horn (Tootsie), a score by the Grammy® Award–winning songwriting team of Brandy Clark and Shane McAnally (Kacey Musgraves’ “Follow Your Arrow”), and directed by Tony Award winner Jack O’Brien (Hairspray), this corn-fed, corn-bred American musical is sure to satisfy your appetite for great musical theater.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Mostly dynamic

Prior Exposure/Knowledge Required: You’ve got to think fast to keep up with the jokes. Those punchlines come quicker than you’d expect!

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actor(s): All

Total Actor(s): 15

Perceived Pace of the Show: Medium to fast speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Cornucopia of Comedy: I was genuinely blown away by how many sly, blink-and-you’ll-miss-them jokes Robert Horn packed in the script and I completely lost track of the number of laugh-out-loud moments. I haven’t laughed this much at a show in ages. The humor was a smart blend of dad jokes, clever wordplay, “corny” puns, and small-town pearls of wisdom.

    Like Clue: Live on Stage!, this production demanded quick thinking. You have to stay sharp to catch every punchline, or risk FOMO when everyone else is cracking up.

    In the spirit of all that fast wit, absurdity, and corn, I couldn’t help but think of Titus Andromedon from Unbreakable Kimmy Schmidt. It was theatrical, self-aware, and just the right amount of ridiculous.
  • Peanut: One of the funniest characters was Peanut (played by Mike Nappi), the small-town idiot savant. His running gag was prefacing his offbeat musings with “I think.” They never failed to elicit a laugh. And they always made you go, “hmmm.” A seemingly simple-minded character beginning a statement with “I think” only added to the irony. My personal favorite insight from this simpleton was “I think if a movie is based on a true story, it’s probably true, just with ugly people.”
  • Danielle Wade: Danielle Wade, who portrayed the female lead Maizy, delivered a performance marked by a beautifully distinctive voice. Her singing and speaking carried the charm and vivacity of a contemporary Dolly Parton, effortlessly blending youthful energy with a timeless, melodic country warmth.
  • Music: The music by Brandy Clark and Shane McAnally leaned a bit on the formulaic Broadway side. But honestly, that’s exactly how I like my musicals: light, catchy, and mainstream. It exuded a foot-tapping country flair so infectious that I could literally feel someone next to me tapping along. With Reba McEntire serving as co-producer and the musical’s “Official Stalksperson,” that down-home, approachable energy makes perfect sense.

    “Independently Owned,” performed by Lulu (played by Miki Abraham), was a standout number, echoing the same confident, feminist “take me as I am” attitude as Hairspray’s “Big Blonde and Beautiful.” Meanwhile, the elevator-style background music during the montage with Gordy (Quinn VanAntwerp) and Maizy in Tampa surprisingly worked well. That kind of understated, almost banal style is rarely heard in musicals, which made it feel unexpectedly refreshing.
  • Narrators: The narrator duo evoked the dynamic of Janis (albeit kinder) and Damien from the Mean Girls musical with Joe Moeller as the semi-flamboyant gay Storyteller 2 and Maya Lagerstam, his “hag” best friend Storyteller 1. I don’t often comment on inclusive casting, but this production made a thoughtful, meaningful choice by casting BIPOC actors as Storyteller 1 and their family member. It’s a refreshing reminder that not every story in the rural country should be told as all-white.
  • Nick Bailey: Nick Bailey was perfectly cast as Beau, the quintessential handsome all-American, corn-fed, small-town country boy. He shined in his plaintive ballads “Somebody Will” and “Ok” while delivering a masculine rustic voice rarely heard in musical theatre.

Other Musing(s) and Observation(s)

  • Country Folk: The production portrayed entertaining boisterous caricatures of backwoods hillbillies complete with a small-town methhead, corn spirit moonshine, trailer-trash, and a distinctly conservative bend. God, country, and Trump, y’all! There was even a line “In Cob County, people think ‘Roe vs. Wade’ is a debate about the best way to cross a river.” It’s easy to feel superior and almost verges on punching down when watching this show in an educated wealthy liberal city like Seattle. I wonder how audiences in more rural, Americana communities might receive this show though.

Theatre Company: National Tour Courtesy of Broadway Across America and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price Range: $43-166

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees/students are still eligible for an organization discount.

Dates: November 4 – 9, 2025

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the former Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

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Photos: See production photos below by Matthew Murphy and Evan Zimmerman.

Cast and Production Team: See after photos below.

The Cast of The North American Tour of SHUCKED. Photo by Matthew Murphy and Evan Zimmerman.
Maya Lagerstam as Storyteller 1 and Tyler Joseph Ellis as Storyteller 2 in The North American Tour of SHUCKED. Photo by Matthew Murphy and Evan Zimmerman.
Jake Odmark as Beau and Danielle Wade as Maizy in The North American Tour of SHUCKED. Photo by Matthew Murphy and Evan Zimmerman.
Quinn VanAntwerp as Gordy and Miki Abraham as Lulu in The North American Tour of SHUCKED. Photo by Matthew Murphy and Evan Zimmerman.
Miki Abraham as Lulu and Ryan Fitzgerald in The North American Tour of SHUCKED. Photo by Matthew Murphy and Evan Zimmerman.
Mike Nappi as Peanut in The North American Tour of SHUCKED. Photo by Matthew Murphy and Evan Zimmerman.
Credits from printed ENCORE program.
Credits from printed ENCORE program.
Credits from printed ENCORE program.