Elevator Thoughts (aka Tweet): The Book of Will play at Taproot Theatre. Enthusiastic delivery. Nice Tudor costumes. Love letter to Shakespeare, acting, posterity, and legacy.
Recommendation See it if you enjoyed Bruce or if you’re a Shakespeare fan.
Synopsis from the Theatre: An unforgettable true story! In an act of undying devotion, Shakespeare’s best friends race to do the impossible: Publish every play he wrote. This irreverent, witty, and surprisingly modern tale celebrates friendship, found family, and an unselfish act that changed the world forever. From the author of Silent Sky and the Christmas at Pemberley series.
Attended Performance Date: Opening Night 1/26/24 – Keep your eyes peeled for my preview posts if you want earlier notification of shows I’ve seen. Get your tickets now since the show ends this weekend!
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set? Yes
Prior Exposure/Knowledge Required: Obviously, you should be familiar with Shakespeare references and his major plays.
Defined Plot/Storyline: Yes
Equity Actors: 2
Total Number of Actors: 10
Perceived Pace of the Show: Medium Speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No
Other Rave(s) Not Mentioned Above
Purpose of Theatre/Acting: My favorite scene was at the beginning of the second act when John Heminges (played by Eric Jensen) and Henry Condell (played by Reginald André Jackson) solemnly waxed poetically about the reason for live theatre – it’s so the people in the room can feel. “The faeries aren’t real, but the feeling is.”
Other Musing(s) and Observation(s)
Storyline: It’s not an absolute requirement, but it didn’t feel like the storyline followed the classic narrative structure of the typical plot pyramid/diagram. Additionally, similar to Bruce, there didn’t seem like enough substantial significant conflict or cliffhanger. The deaths seemed random/unnecessary, and characters appeared out of nowhere.
Theatre Company: Taproot Theatre
Venue: Jewell Mainstage at Taproot Theatre
Venue Physical Address: 204 N 85th St, Seattle, WA 98103
Pictures: See pictures below and in video above by John Ulman.
Reginald André Jackson, Nolan Palmer, and Eric Jensen in The Book of Will at Taproot Theatre. Photo by John Ulman.Nolan Palmer and Melanie Godsey in The Book of Will at Taproot Theatre. Photo by John Ulman.Andrew Litzky and Nik Doner in The Book of Will at Taproot Theatre. Photo by John Ulman.Reginald André Jackson and Eric Jensen in The Book of Will at Taproot Theatre. Photo by John Ulman.Llysa Holland, Nikki Visel, Eric Jensen, and Reginald André Jackson in The Book of Will at Taproot Theatre. Photo by John Ulman.Reginald André Jackson, Melanie Godsey, Nik Doner, and Eric Jensen in The Book of Will at Taproot Theatre. Photo by John Ulman.Eric Jensen and Llysa Holland in The Book of Will at Taproot Theatre. Photo by John Ulman.
Elevator Thoughts (aka Tweet): Georgiana & Kitty play at Taproot Theatre. Final chapter in Lauren Gunderson’s and Margot Melcon’s “Christmas at Pemberley” Pride and Prejudice trilogy. Filled with the hallmark themes of Jane Austen’s stories. Relatable to online dating.
Recommendation
See it if you enjoyed Pride and Prejudice.
Synopsis from the Theatre: Georgiana Darcy is an accomplished pianist but wary of romance. Kitty Bennet is a bright-eyed optimist and a perfect best friend. These two younger sisters are ready for their own adventures in life and love, starting with the arrival of an admirer and secret correspondent. Meddlesome families and outmoded expectations won’t stop these determined friends from forging their own way in a holiday tale filled with music, ambition, sisterhood, and forgiveness. The third and final play in the trilogy by Lauren Gunderson and Margot Melcon.
Attended Performance Date: Opening Night 11/24/23 – See my previous preview posts here.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: (Very?) Few
Static (Stationary) Set?: Yes
Prior Exposure/Knowledge Required: Pride and Prejudice is required reading (or “watching” if you prefer a movie/play) to understand and appreciate this play. Don’t worry if you didn’t see the previous two chapters in the “Christmas at Pemberley” trilogy. I saw the 2nd and 3rd chapters sequentially without seeing the 1st chapter and I still enjoyed the shows. But if you’re like me and you’re not an ardent Pride and Prejudice aficionado, I highly recommend reviewing the helpful family tree in the program on page A-3.
Defined Plot/Storyline: Yes
Equity Actors: 2
Total Number of Actors: 9
Perceived Pace of the Show: Medium Speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No, but it was good. Since I saw the 2nd and 3rd chapters of this trilogy, I’m now curious to see the 1st chapter.
Other Rave(s) Not Mentioned Above
Favorite Line: When Mr. Darcy said, “There’s always a letter” which was a wink to the audience on how Jane Austen’s conflicts often start with a letter.
Georgiana Casting: As someone regularly featured in Seattle’s theatre music scene, Clair Marx was perfectly cast as the virtuoso Georgiana Darcy.
Modern Dating: Whether or not it was the playwrights’ intention, I loved how the script evoked feelings experienced in online dating. The Jane Austen-esqe letters remind me of how chatting on the dating apps builds so much anticipation/expectation potentially leading up an endearingly awkward meeting in-person (or a horrible catfish!). There was one such meeting in the play that was reminiscent of an old HappySlip sketch (see 1:50 to 2:50).
Reprised Roles: Many key characters in this production were previously cast in Taproot Theatre’s past “Christmas at Pemberley” productions. For example, in the 1st and 3rd chapter, Shanna Allman played Mary Bennet and Melanie Hampton portrayed Jane Bingley. Annie Yim played Elizabeth Darcy (nee Bennet) in the 2nd and 3rd chapter. Throughout the entire trilogy, Kelley Karcher portrayed the narcissistic Lydia Wickam while Brian Pucheu played the cold Mr. Darcy. This role reprisal promoted a feeling of continuity and familiarity between productions.
Rant(s)
Keyboard: As I mentioned in Village Theatre’s current Beautiful production, there’s a Seattle live theatre problem with cheap-sounding on-stage electric keyboards. While I’m always happy to hear Claire Marx performing live music, I wish she could play a real piano on-stage in this production. An upright piano would have fit the bill perfectly for the small theatre space.
William Eames and Jeremy Steckler in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.William Eames and Claire Marx in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.Claire Marx and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.Jeremy Steckler and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.Claire Marx with Melanie Hampton, Kelly Karcher, Shanna Allman, and Annie Yim in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
ROLE
NAME
Kitty Bennet
Ays Garcia*
Elizabeth Darcy
Annie Yim
Fitzwilliam Darcy
Brian Pucheu
Henry Grey
William Eames
Georgiana Darcy
Claire Marx
Jane Bingley
Melame Hampton
Mary Bennet
Shanna Allman
Lydia Wickham
Kelly Karcher*
Thomas O’Brien
Jeremy Steckler
—
—
Georgiana, Lydia, & Jane U/S
Rebecca Gelzer
Darcy & Thomas U/S
Elijah Spreier
Kitty, Lizzy, & Mary U/S
Ariel Rose
Darcy & Henry U/S
David Breyman
—
—
PRODUCTION TEAM
Director
Karen Lund**
Assistant Director
Bretteney Beverly
Playwrights
Lauren Gunderson, Margot Melcon
Original Compositions
Michael Nutting
Associate Artistic Director
Bretteney Beverly
Co-Scenic Designer
Amanda Sweger
Sound & Co-Scenic Designer
Mark Lund
Costume Designer
Pete Rush
Lighting Designer
Tim Wratten
Stage Manager
Nik Nolen*
Dialect Coach
Dimitri Woods
Property Master
Andrea Spraycar
Dramaturg Team
Kelly Flynt, Sonja Lowe, Dami Munroe
Assistant Stage Manager
Nicola Krause
Backstage Crew Swing
Ashley Burns
Casting Director
Bretteney Beverly
Casting Consultant
Jes Spencer
Dresser
Luna McMeen, Brooke Thomas
Draper
Martha Mitchell
Stitcher
Veronica Dimoff, Scian Hayes, Lucy Cavener
Wig Designer
Joyce Degenfelder
Wig Specialist
Jenn Hill
Master Electrician
Aiyana Stephens
Scenic Carpenter
Tim Samland ^
Light Board Operator
Matthew Ray
Sound Board Operator
Andi Villegas
Electricians
Clint Bull, Morgan Poirer, Matthew Ray, Anna Van Vleet, Jacob Viramontes
Scenic Strike/Load-in
Elke Johnson ^, Kimmy Mar ^, M. Stephanie Watson^
* Member of Actors’ Equity Association ** Member of Stage Directors and Choreographers Society ^ Member of IATSE Local No. 15