“Cabaret the Musical” w/ Seattle Gilbert & Sullivan Society. Professional quality talent. This season’s hidden gem of Seattle’s local theatre scene. Intimate immersive feel of a cabaret captured in 12th Avenue Arts. #willkommen #Holocaust
“Is God Is” at 12th Avenue Arts w/ Washington Ensemble Theatre. Vividly descriptive. Good fight choreography. Great acting. But couldn’t see beyond the violence & grasp the deeper meaning of this Afro Punk play. #revenge
“Take Me Out” w/ Strawberry Theatre Workshop. Nearly the entire male cast was naked at some point (very distracting). Good soliloquy style. Excellent climactic scenes of heightened emotion. But not quite sure what was the play’s message. #nudity #gay #lgbt
Watched the musical stage adaptation of Schoolhouse Rock! Interjections, conjunctions, bills, oh my! Learning is fun. Wished they used microphones though.
Watched the original stage play version of Prelude to a Kiss. Started out as a fun light-hearted romantic comedy that suddenly transformed into freaky friday. Good plot progression. Totally missed the allusion to the HIV/AIDS epidemic.
Sold out show of the rock opera musical The Who’s Tommy. In true Seattle fashion, their casting was so gratuitously gender/color blind that 5 actors portrayed Tommy instead of 3. So confusing! Good production though.
Watched Disenchanted – A New Musical Comedy, a parody of Disney princesses. Huge stage. Funny but borderline corny. Loved the Mulan’s lesbian bit. — attending Disenchanted! at 12th Avenue Arts.
Watched the play How I Learned to Drive. Amazing how the playwright/actors created a disarming pedophile that evoked both disgust & sympathy. Complex, ambiguous, and unconventional. I so wish there was a talkback!
