53% Of – Play – Review – Sound Theatre Company

@showsiveseen Steph Del Rosso's "53% Of" #play by @Sound Theatre Company at @Seattle Center Theatre. Funny parody of social justice warriors. And I always love a portrayal of conservative WASPy suburban housewives. Good dialogue & execution. Show closes on 6/30! #whitePeople #whiteGuilt #caucasians #showsiveseen #theatre Review: showsiveseen.com/8997 Photos: @giaoo2 Directors: @Mona_Lisa_Turtle ♬ Blue Butterfly – Neon Dreams

Elevator Thoughts (aka Tweet): Steph Del Rosso’s 53% Of play by Sound Theatre Company at Seattle Center Theatre. Funny parody of social justice warriors. And I always love a good portrayal of conservative WASPy suburban housewives. #whitePeople #whiteGuilt #caucasians

Recommendation
See it if you’re okay with plays that are more dialogue than action.


Synopsis from the Licensor or Theatre Company: Named for the percentage of white women who (according to initial exit polls) voted for Trump in 2016, 53% Of skewers different voter demographics: a conservative Pennsylvania moms group, their husbands, an enclave of progressive 20-something New Yorkers planning a march–as long as it doesn’t interfere with their yoga. This election year satire, set during 2016-17 with an all-female-presenting cast, holds an unfiltered mirror while asking us how truthfully we see ourselves.

My Synopsis (No Spoilers): Listen to conversations between white Americans on the right and left of the political spectrum. None are in the center.

Attended Performance Date: Opening Night 6/15/24 – Keep your eyes peeled for preview posts on my website and social media if you want earlier notification of shows I’ve seen. Buy your tickets now since the show closes on 6/30.

Type: Play

World Premiere: No

Several or Few Scenes: 4 scenes

Several or Few Settings/Locations: 4 locations

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: You should be aware of the American political zeitgeist before and after the 2016 election.

Defined Plot/Storyline: No, it was more dialogue than plot. Usually, I don’t enjoy dialogue plays as much, but this one was actually alright.

Equity Actors: 1

Total Number of Actors: 6

Perceived Pace of the Show: Medium to fast speed. Usually, I frequently check the clock in dialogue plays, but this time I did not.

Was there an intermission? No

Length (Including Any Intermission): 100 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Mainstream Appeal: Medium to Low

Other Rave(s) Not Mentioned Above

  • Social Justice Warrior Scene: Coming from a Texan living in woke Seattle, I enjoyed the parody of holier-than-thou Brooklyn social justice warriors one-upping each other and finding new ways to be triggered/offended. I had to look up what the heck “intersectionality” meant after the show! Were the necklaces made of tampons? The scene culminated into a bizarre white guilt frenzy reminiscent of Pentecostals speaking in tongues.
  • Conservative Suburban Housewives: I always love a good portrayal of WASP-y suburban (desperate) housewives. The more “Stepford,” the better. Bring in the marshmallow salad and PTA mom cat fights! Clutch those pearls and let the red wine flow in the Real Housewives of Bethlehem, Pennsylvania.

Rant(s)

  • Male Portrayal: The male characters played by female actors didn’t seem very realistic. I’m not sure if it was the script or the execution.

Other Musing(s) and Observation(s)

  • Message from the Playwright: The play was entertaining, but I couldn’t decipher the moral of the story. Was it just “Both conservatives and liberals are crazy?”
  • Title: I rarely read the synopsis of a show before I attend it. Throughout watching this this play, I continued to wonder why the playwright named it 53% Of. I still don’t understand why even after the seeing show and after reading the synopsis. The play wasn’t about the 53% of white women Trump supporters.

Theatre Company: Sound Theatre Company

Venue: Center Theatre at Seattle Center

Venue Physical Address: 305 Harrison St, Seattle, WA 98109

Price: $25

Tickets: https://ci.ovationtix.com/36643/production/1199127

Ticket Affordability Options: You can self-select the $5 inclusion price level on the ticketing website.

Dates: June 15 to June 30, 2024

Seating: General Admission

Parking: Paid street parking or paid lot/garage parking. I usually park on the street near the skating park (313 Taylor Ave N, Seattle, WA 98109) East of the theatre. It’s more expensive on Climate Pledge Arena event days though. In that case, I might take the bus or park in South Lake Union around Dexter Avenue and Harrison Street.

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Pictures: See pictures below and in video by Giao Nguyen.

Photo by Giao Nguyen.
Photo by Giao Nguyen.
Photo by Giao Nguyen.
Photo by Giao Nguyen.
Photo by Giao Nguyen.
Photo by Giao Nguyen.

Clyde’s – Play – Review – ArtsWest & The Hansberry Project

@showsiveseen So #hungry from Lynn Nottage's "Clyde's" #play by ArtsWest & The Hansberry Project that I bought a #sandwich after the show. Wonderful realistic scenic design of a gritty #restaurant #kitchen from Jennifer Zeyl. Good commentary on #exfelons' reintegration into society. Performing until 6/30. #excriminals #exconvicts #theatre #showsiveseen #food ♬ Don't Let the Green Grass Fool You (2006 Remaster) [Single Version] – Wilson Pickett

Elevator Thoughts (aka Tweet): So hungry from Lynn Nottage’s Clyde’s play by ArtsWest & The Hansberry Project that I bought a sandwich after the show. Wonderful realistic scenic design of a gritty restaurant kitchen from Jennifer Zeyl. Good commentary on ex-felons’ reintegration into society. #excriminals #exconvicts

Recommendation
See it, especially if you enjoy plays that are more dialogue than action.


Synopsis from the Theatre or Licensor: In CLYDE’S, a truck stop sandwich shop offers its formerly incarcerated kitchen staff a shot at redemption. Even as the shop’s callous owner tries to keep them down, the staff members learn to reclaim their lives, find purpose, and become inspired to dream by their shared quest to create the perfect sandwich.

Attended Performance Date: Opening Weekend 6/8/24 – Keep your eyes peeled for preview posts on my website and social media if you want earlier notification of shows I’ve seen. Buy your tickets now since the run ends 6/30.

Type: Play

World Premiere: No

Several or Few Scenes: A couple

Several or Few Settings/Locations: One, a kitchen

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: The script was less action and more dialogue. I usually don’t prefer dialogue plays, but this script was easier to enjoy than other plays with less story.

Equity Actors: 2

Total Number of Actors: 5

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Length (Including Any Intermission): 90 minutes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good

Other Rave(s) Not Mentioned Above

  • Food-themed Plays: Incorporating food in live theatre is such an effective (and easy?) way to win over the audience. It awakens the primal hunger response in all of us. Even now, I’m still making sandwiches at home because of the play … and I usually don’t make sandwiches. I even started making my own mayonnaise!

Other Musing(s) and Observation(s)

  • Clyde: It took me a while to realize that Tracy Michelle Hughes was Clyde. I was expecting a guy.
  • Symbolism: The script makes you think. And I have so many unanswered questions on its symbolism. Like, what did the relish represent? What did Clyde represent? Did a sandwich represent hope? What did Clyde eating represent? What did the fire represent?
  • Ending (No Spoiler): Similarly, I didn’t understand play’s last couple seconds. Also, what was the script’s ultimate message?

Theatre Company: ArtsWest and The Hansberry Project

Venue: ArtsWest

Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116

Price: $40-45

Tickets: https://www.artswest.org/events/clydes/

Dates: June 6 to June 30, 2024

Seating: Assigned Seating

Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.

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Pictures: See pictures below and in video above by John Mclellan.

In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.
In Partnership with The Hansberry Project ArtsWest presents Clyde’s by Lynn Nottage. Directed by Valerie Curtis-Newton. Photo by John Mclellan.

Preview Post – 53% Of – Play – Sound Theatre Company

Happy opening night to Sound Theatre Company’s “53% Of” play production at Seattle Center Theatre. Performing until 6/30. Stay tuned for my full review! #Liberals #Conservatives #whitePeople #whiteGuilt #caucasians

Final Full Review (Posted 06/27/24): https://www.showsiveseen.com/53-of-play-review-sound-theatre-company/

Tickets: https://soundtheatrecompany.org/2024-season/53-of/

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Preview Post – Clyde’s – Play – ArtsWest & The Hansberry Project

Happy opening weekend to Lynn Nottage’s Clyde’s play at ArtsWest with The Hansberry Project. Performing until 6/30. Stay tuned for my full review! #sandwich #hungry #food #felons #criminals #excons #restaurant #kitchen

Final Full Review (Posted 6/21/24): https://www.showsiveseen.com/clydes-play-review-artswest-the-hansberry-project/

Tickets: https://www.artswest.org/events/clydes/

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Sherlock Holmes & the Precarious Position – Play – Review – Taproot Theatre

@showsiveseen Margaret Raether's "Sherlock Holmes & the Precarious Position" #mystery #play at @TaprootTheatre. Strong cast doubling & comical portrayals from Nathan Brockett & Sophia Franzella. Audible gasps from the audience during the unexpected twists at the end! #showsiveseen #theatre #sherlockholmes ♬ Retro Shimmy – Amy Rider

Elevator Thoughts (aka Tweet): Sherlock Holmes & the Precarious Position mystery play at Taproot Theatre. Strong cast doubling and comical portrayals from Nathan Brockett & Sophia Franzella. Audible gasps from the audience during the unexpected twists at the end! #sherlockholmes

Recommendation
See it, especially if you enjoy British comedy or mystery plays.


Synopsis from the Theatre: Corsets, crowns, and a missing royal jewel set the stage for a battle of wits in this tale of deception, suspense, and deduction. When the bookish Perkins sisters approach Sherlock Holmes with a case, they unveil a theatrical scheme of encyclopedic proportions. Four actors play multiple characters and the mystery turns deadly.

Attended Performance Date: 5/18/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? There was a small rotating stage device that allowed distinctly transitioning between scenes

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Yes

Equity Actors: 2

Total Number of Actors: 4

Perceived Pace of the Show: Medium speed

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: $25-62

Tickets: https://taproottheatre.org/shows/2024/sherlock-holmes-and-the-precarious-position/

Dates: May 15 to June 22, 2024

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Pictures: See pictures below and in video above by Robert Wade Photography.

Nathan Brockett and Sophia Franzella in Sherlock Holmes and the Precarious Position at Taproot Theatre. Photo by Robert Wade.
Calder Jameson Shilling and Nathaniel Tenenbaum in Sherlock Holmes and the Precarious Position at Taproot Theatre. Photo by Robert Wade.
Calder Jameson Shilling and Nathaniel Tenenbaum in Sherlock Holmes and the Precarious Position at Taproot Theatre. Photo by Robert Wade.
Calder Jameson Shilling with Nathaniel Tenenbaum and Sophia Franzella in Sherlock Holmes and the Precarious Position at Taproot Theatre. Photo by Robert Wade.
Nathaniel Tenenbaum and Calder Jameson Shilling in Sherlock Holmes and the Precarious Position at Taproot Theatre. Photo by Robert Wade.