Elevator Thoughts (aka Tweet): Packed closing weekend show to “Dancing at Lughnasa” play at SecondStory Repertory. One more show left tomorrow! Thanks Mary Guthrie for the suggestion/ticket! Stay tuned for my full review/video. #showsiveseen #theatre #ireland
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Elevator Thoughts (aka Tweet): “Hedda Gabler” Ibsen play by new theatre company General Gabler’s Theatre at West of Lenin staring Natalie Schmidt and a cast of only female or non-binary actors. There’s something alluring about an antihero.
Synopsis from the Theatre: Join us in 19th century Christiania (Oslo) at the spacious home of a woman with plenty of will but no room to exact it. She thought she made a wise deal with the man she just married. She would be his wife, and he would provide her with the safe and respectable means to occupy her active mind. But when it becomes clear that her husband can’t fulfill his end of the bargain, her active mind quickly turns toward the dangerous.
Several or Few Scenes: I think it was just 3 scenes
Several or Few Settings/Locations: One
Prior Exposure/Knowledge Required: No
Defined Plot/Storyline: Yes, but there’s only so much that can occur in a single room and 3 scenes. Most of the storyline was conveyed through storytelling and not action.
Recommendation: See it if you’re okay with plays that contain few scenes and locations
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: I’d consider seeing an Equity production
Rating Compared to Other Shows with the Same Production Value: 4 (Out of 5 Stars)
Equity Actors: 0
Total Number of Actors: 7
Perceived Pace of the Show: Slow to medium
Length (Including Any Intermission): 2 hours
Intermission Included: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Favorite Characters/Actors: I enjoyed Judge Brack (played by Joyce Thi Brew) and Hedda Gabler (played by Natalie Schimidt) the most. They reminded me of the toxic interactions between Chuck Bass and Blair Waldorf in the Gossip Girl TV show especially with the negative, cold, controlling/calculating personalities of Hedda and Blair.
Other Musing(s) and Observation(s)
Moral of the Story: What message was the playwright trying to convey with this work? Was the play purely for entertainment value or was there a moral to the story?
Fire: The fire in Hedda Gabler reminded me of the circumstances surrounding the fire in Ibsen’s Ghosts.
Theatre Company: General Gabler’s Theatre
Venue: West of Lenin
Venue Physical Address: 203 N 36th St #204, Seattle, WA 98103
Price: Cheap
Ticket Affordability Options: Pay-what-you-can … even free!
Dates: August 4 to 12, 2023 – Sorry, for the late post! I attended a closing weekend performance.
Seating: General Admission Seating
Parking: There’s paid lot parking or free street parking. I can usually find street parking behind the theatre closer to the water.
Elevator Thoughts (aka Tweet): “Champagne + Sodomy: The Art & Crime of Oscar Wilde” show by The Williams Project at Base: Experimental Arts + Space featuring “Gross Indecency: The Three Trials of Oscar Wilde” play by Moisés Kaufman and “The Importance of Being Earnest” by Oscar Wilde. Directed by Ryan Guzzo Purcell & starring Grant Chapman. Photos by Truman Buffett.
Synopsis from the Theatre: At Champagne + Sodomy: The Art and Crime of Oscar Wilde, a new immersive theatrical event, you’ll be thrust from the decadent drawing room to the reactionary courtroom with a champagne flute still in your hand. Pairing Wilde’s beloved comedy The Importance of Being Earnest with the story of his persecution by the state, as told in Moisés Kaufman’s docu-play Gross Indecency: The Three Trials of Oscar Wilde, The Williams Project presents an evening-length, genre-defying performance exploring how our culture is obsessed with queer art but terrified of the queers who make it.
Performance Date: 8/5/23 (Closing Show)
Type: Immersive Theatrical Event/Play
World Premiere: Yes and no – It was a developmental workshop featuring two combined plays. Because of the show’s developmental nature, the theatre company requested no reviews and I did not include any opinion elements in this post.
Was This the First Time I Attended a Production of this Show: Yes
Length (Including Any Intermission): 2.5 hours
Intermission Included: Yes
Theatre Company: The Williams Project
Venue: Base: Experimental Arts + Space
Venue Physical Address: 6520 5th Ave S #122, Seattle, WA 98108
Price: $0-$60
Dates: July 28 to August 5, 2023 – Sorry, for the late post! I attended the closing performance.
Seating: General Admission Seating/Standing
Parking: Free street parking on 5th Ave South in front of the art space entrance.
Cast and Production Team: See after pictures and video below
@showsiveseen "#Champagne + #Sodomy: The Art & Crime of Oscar Wilde" closing show by The Williams Project at Base: Experimental Arts + Space featuring "Gross Indecency: The Three Trials of Oscar Wilde" #play by Moisés Kaufman & "The Importance of Being Earnest" by #OscarWilde. Directed by Ryan Guzzo Purcell & starring Grant Chapman. Photos by Truman Buffett. Post: showsiveseen.com/6318 #theatre#showsiveseen♬ Dress – Charlotte Sands
Name
Role
Nicholas Japaul Bernard*
Lady Bracknell, Clarke, Lockwood, Narrator 2, and Others
Grant Chapman*
Algernon, Oscar Wilde
Rebecca Gibel*
Jack, Harris, Carson, Gill, Narrator 3, and Others
Ricky Spaulding
Gwendolyn, Lord Alfred Douglass, Parker, Atkins, Narrator 1, and Others
Jomar Tagatac*
Lane, Queensberry, Wood, Mavor, Narrator 4, and Others
—
—
Oscar Wilde for The Importance of Being Earnest Moisés Kaufman for Gross Indecency: The Three Trials of Oscar Wilde
Playwrights
Ryan Guzzo Purcell
Director
An-lin Dauber†
Production Designer
Nick O’Leary
Video Designer
Robin Macartney
Props Designer
Brandon David Riel
Associate Set and Lighting Designer
Briana Schwartz
Assistant Costume Designer
Tori Thompson*
Stage Manager
Nicola Krause
Assistant Stage Manager
Charlinda Brewster
Graphic Design
Photographer
Truman Buffett
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the USA †Member of United Scenic Artists, Local USA 829, IATSE
Elevator Thoughts (aka Tweet): Julia Izumi’s play “Sometimes the Rain, Sometimes the Sea” by Dacha Theatre at the lawn/park behind UW’s Glenn Hughes Penthouse Theater. Later at Port Townsend’s Chetzemoka Park. Directed by Kate Drummond. Playful ode to Hans Christian Andersen’s “The Little Mermaid.” Complete with a sentient cloud & a talking cow. #littleMermaid #theLittleMermaid #HansChristianAndersen
Synopsis from the Theatre: The Little Mermaid is Hans Christian Andersen’s most beloved and well-known fairy tale, which is why it’s NOT the story our friend, Dolan, is going to tell you today. No, he’s going to tell you the story about a Little Rain Cloud who falls in love with a human. They are not the same story at all, he swears. Julia Izumi’s brilliant play is a collision of multiple narratives, framed as a sort-of retelling of The Little Mermaid that erupts into a voyage through Hans Christian Andersen’s tempestuous real-life relationships. Brimming with heartfelt candor, Sometimes the Rain, Sometimes the Sea is a deep-sea dive into what love really looks like.
Reviewed Performance: 7/21/23 (Opening Night) – Sorry for the late review! Work has been completely bonkers.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Prior Exposure/Knowledge Required: You’d probably appreciate this more if you’re familiar with Disney’s or Hans Christian Andersen’s “The Little Mermaid.”
Defined Plot/Storyline: Mostly yes, but it was 2-3 concurrent stories.
Port Townsend’s Chetzemoka Park: 1000 Jackson St, Port Townsend, WA 98368
Price: Cheap to Medium
Ticket Affordability Options: Pay-what-you-will options as low as $5
Dates:
UW’s Glenn Hughes Penthouse Theater: July 21 to August 6, 2023
Port Townsend’s Chetzemoka Park: August 11 to August 13, 2023
Seating: General Admission
Parking:
UW’s Glenn Hughes Penthouse Theater: UW neighborhood street parking is horrible. Just give in and park in the UW N5 parking lot (47.66024585621801, -122.30889530684898 gps coordinates) for $6.50.
Port Townsend’s Chetzemoka Park: No idea. I’ve never been to Port Townsend!
Other Video +/- Pictures: See pictures in video and under video by Brett Love.
@showsiveseen Julia Izumi's #play "Sometimes the Rain, Sometimes the Sea" by Dacha Theatre at the lawn/park behind @UW Glenn Hughes Penthouse Theater. Later at Port Townsend's Chetzemoka Park. Directed by Kate Drummond. Playful ode to Hans Christian Andersen's "The Little Mermaid." Complete with a sentient cloud & a talking cow. Photos: Brett Love. Review: showsiveseen.com/6241 #littleMermaid#theLittleMermaid#HansChristianAndersen#theatre#showsiveseen♬ SUMMERTIME – Madi Rindge
Elevator Thoughts (aka Tweet): Solaris play by David Greig based on Stanislaw Lem’s novel. Starring Jay Woods & Ian Bond. Directed by Gus Menary. Book-it Repertory Theatre is closing its doors on a high note. Mysterious sci-fi story w/ many interesting layers. Timely piece in light of today’s rapid AI neural network development. Great scenic design. I’d be interested to read the book one day. Contender for one of my favorite 2023 shows. #theatre
Synopsis from the Theatre: Solaris is a haunting story of love and loneliness on the edge of space that asks the big question: What happens when humans encounter, for the first time, a truly alien intelligence?
For the scientists aboard the space station orbiting Solaris, the strange new planet is a manifestation of their life’s work – a dream come true. To explore an unknown world, learn its nature and design, discover its secrets – isn’t this the meaning of life? But as their mission forces them to confront their own unexplored grief and pain, science proves woefully inadequate, and they must each decide for themselves where the true boundaries to reality lie… and whether the ghosts from their pasts will help or hinder them in building humanity’s future.
This 1961 novel is a heady science fiction gem that suggests that the real final frontier might just be the hazy place where memory and reality intertwine. This heartfelt (and sometimes hair-raising) story presents a message about the dangers of intrusion into the realms of the unknown.
Reviewed Performance: 6/17/23 – Opening Night
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Maybe 3 to 5 rooms on a space station
Prior Exposure/Knowledge Required: You might appreciate this more if you read the book. I did not read the book, but I might one day because the play was so good.
Defined Plot/Storyline: Mostly yes, but there’s only so much action that can occur in 3-5 locations.
Recommendation: See it, especially if you like sci-fi
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: I’d consider seeing another Equity production of this play
Rating Compared to Other Shows with the Same Production Value: 4.75 stars (Out of 5 Stars)
Equity Actors: 3 equity actors and 1 actor from the Stage Directors/Choreographers Society
Total Number of Actors: 6
Perceived Pace of the Show: It felt slow at the beginning, but the pace picked up a little as the story unfolded. In its defense, the slower pace also contributed to the mysterious ambience of the play.
Length (Including Any Intermission): 2.75 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Non-traditional Alien Concept: The Stanislaw Lem created alien life form “characters” that weren’t your run-of-the-mill ET aliens. I wonder if the Avatar movie borrowed concepts from the original Solaris book.
Consciousness: It was interesting to see how consciousness, sentience, and self-awareness can potentially evolve from nothing. Like I touched on earlier, this concept is vogue in today’s AI craze. It kind of reminded me of Adam and Eve’s inception.
Captions: The diary captions displayed periodically above the stage were well chosen. I assume they were actual quotes from the original book. I’d love to reread them already knowing how the story unfolds.
Escapism Theme: For some reason, I’m drawn to stories that deal with escapism, dreaming, and a Matrix-like existence. The last play I saw She Kills Monsters at SecondStory Repertory had a similar theme. Maybe that’s why I’m into live theatre in general.
Humanity: Good commentary on the destructiveness of humanity and our effects on the environment. However, the solution in the play isn’t feasible on Earth.
Bookends: Good use of bookends in the first and last scene
Rant(s)
Scarring: It wasn’t clear what the characters were referring to when they talked about inducing a scar. The script should dwell on the subject more especially since the sci-fi lore sounded intriguing.
Table Jump: One character jumped on a table in distress. If someone was in such distress, they wouldn’t jump on a table. They would lean on the table or collapse on the floor.
Other Musing(s) and Observation(s)
“Overture” Scene (Slight Minor Spoiler): Before the play began, the theatre broadcasted an overhead announcement like a plane or spaceship would take off in 3 minutes and then played sci-fi music in the background. The 3 minutes weirdly ended anticlimactically, but it wasn’t a terrible experience since it introduced a feeling of mysterious anticipation before the play began.
Liquid Nitrogen: They should place dry ice in the liquid nitrogen container to simulate the vapors we usually see when dealing with liquid nitrogen in real life.
Theatre Company: Book-it Repertory Theatre
Venue: Center Theatre at Seattle Center Armory
Venue Physical Address: 305 Harrison St, Seattle, WA 98109
Price: Medium
Ticket Affordability Options: Check out the discount section of their ticketing page. Goldstar and TodayTix usually offer good options too.
Dates: June 17 to July 9, 2023
Seating: Assigned Seating
Parking: Paid street parking or paid lot/garage parking. I usually like to park on the street near the skating park (313 Taylor Ave N, Seattle, WA 98109) East of the theatre. It’s more expensive on Climate Pledge Arena event days though so I ended up parking in South Lake Union since I’m cheap!
Other Video +/- Pictures: See pictures in video and under video by Anthony Floyd.
@showsiveseen “Solaris” #play by David Greig based on Stanislaw Lem’s novel. Starring Jay Woods & Ian Bond. Director Gus Menary is leaving Book-it Repertory Theatre on a high note. #Mysterious#scifi story w/ many interesting layers. Timely piece in light of today’s rapid AI neural network development. I’d be interested to read the book one day. Great scenic design. Contender for one of my favorite 2023 shows. Photos by Anthony Floyd. Review: showsiveseen.com/5995 #theatre♬ Padam Padam