Fellow Passengers – Play – Review – Strawberry Theatre Workshop

Elevator Thoughts (aka Tweet): Fellow Passengers play by Strawberry Theatre Workshop. A play-within-a-play where the outer play was silent and the inner play was a spoken reenactment of A Christmas Carol. Solid, well-developed storytelling delivery. Realistically-designed basement set. Live sound effects from Ayako Okano.

Recommendation
See it if you’re interested in a uniquely-presented version of A Christmas Carol.


Synopsis from the Theatre: In a fortuitous turn of events, Strawshop is proud to announce that Fellow Passengers—originally scheduled at Book-It Repertory Theatre—opens December 1 for a four-week revival at it’s original home: Strawberry Theatre Workshop. Told in the narrative style that Book-It made famous in Seattle, “Passengers” is every page of Charles Dickens’ A Christmas Carol performed by just three actors, who bring over fifty characters to the stage.

Attended Performance Date: Opening Night 12/2/23 – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: It was a play within a play. The outer play was just one location (a basement) and the inner play was several locations from A Christmas Carol.

Static (Stationary) Set?: Yes, the outer play set was “set in stone.” The inner play definitely required more imagination from the audiance than than most other shows.

Prior Exposure/Knowledge Required: No, but if you’d probably appreciate the show more if you’re familiar with the original A Christmas Carol story.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Ayako Okano generated live sound effects and some music. She used bells, chimes, chains, an electronic keyboard, and a milk crate of all things.

Equity Actors: 2

Total Number of Actors: 3

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not, but it was good

Other Rave(s) Not Mentioned Above

  • Storytelling: When I saw Amy Thone on the cast list, I knew the acting would be top notch. The actors delivered their lines like professionals with enthusiasm and energy. Often on opening night (even with professional shows), I can tell when a show needs more time to “cure.” But this production was solid on day one.
  • Tiny Tim: As I’ve mentioned previously, I absolutely loathe the Tiny Tim Christmas trope. I’m so relieved there was no cutesy child actor portraying Tiny Tim in this play.

Other Musing(s) and Observation(s)

  • Book-It Repertory Theatre: The play exuded the distinctive narration style of the recently-late Book-It Repertory Theatre. Book-It was actually supposed to produce the show this season, but they prematurely closed their doors forever. I wonder how much of the show Book-It already originally produced. For example, did Book-It already imagine/create the scenic design before they closed, and Strawberry Theatre Workshop continued where Book-It left off?
  • New Scenes: There were a couple of scenes towards the end that I don’t remember from the traditional A Christmas Carol story. For example, there was a scene involving people on a ship.

Theatre Company: Strawberry Theatre Workshop

Venue: 12th Avenue Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap to medium

Tickets: https://www.strawshop.org/fellow-passengers.html

Dates: December 1 – 23, 2023

Seating: Assigned Seating

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. The cheapest paid lot close by is at 1300 E Olive St with the entrance on 14th Ave. I highly suggest parking far away or taking the bus since parking lots and street parking are expensive in Capitol Hill.

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Cast and Production Team: See after pictures and/or video below

@showsiveseen Greg Carter's "Fellow Passengers" #play by Strawberry Theatre Workshop. A play-within-a-play where the outer play was silent and the inner play was a spoken reenactment of #CharlesDickens #AChristmasCarol." Solid, well-developed storytelling delivery. Realistically-designed basement set. Live sound effects from Ayako Okano. Photos: John Ulman. Review: showsiveseen.com/7640 #theatre #showsiveseen #xmas #humbug #dickens #ChristmasCarol #Scrooge #Christmas ♬ Merry Christmas Baby – Sture Zetterberg
RoleName
PerformersShermona Mitchell
Galen Joseph Osier^
Amy Thone^
Daniel Christensen (Understudy)
PlaywrightGreg Carter adapting from from Charles Dickens’ A Christmas Carol
DirectorRhonda J Soikowski
MusicianAyako Okono
Stage ManagerP Alyda Sorm
Graphic DesignerMelanie Wang
Box Office ManagerMegan Carleton
Designers and ConstructorsAdam Zopfi Hulse
Reed Nakayama
KD Schill
Kyle Thompson
Greg Carter
Megan Carleton
Forrest Leonard
Rhonda J Soikowski
Nona Schroeder
Lighting DesignerReed Nakayama
Property DesignerAdam Zopfi Hulse
Scenic DesignerGreg Carter
^ Member of Actors Equity Association

Georgiana & Kitty: Christmas at Pemberley – Play – Taproot Theatre

Elevator Thoughts (aka Tweet): Georgiana & Kitty play at Taproot Theatre. Final chapter in Lauren Gunderson’s and Margot Melcon’s “Christmas at Pemberley” Pride and Prejudice trilogy. Filled with the hallmark themes of Jane Austen’s stories. Relatable to online dating.

Recommendation
See it if you enjoyed Pride and Prejudice.


Synopsis from the Theatre: Georgiana Darcy is an accomplished pianist but wary of romance. Kitty Bennet is a bright-eyed optimist and a perfect best friend. These two younger sisters are ready for their own adventures in life and love, starting with the arrival of an admirer and secret correspondent. Meddlesome families and outmoded expectations won’t stop these determined friends from forging their own way in a holiday tale filled with music, ambition, sisterhood, and forgiveness. The third and final play in the trilogy by Lauren Gunderson and Margot Melcon.

Attended Performance Date: Opening Night 11/24/23 – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: (Very?) Few

Static (Stationary) Set?: Yes

Prior Exposure/Knowledge Required: Pride and Prejudice is required reading (or “watching” if you prefer a movie/play) to understand and appreciate this play. Don’t worry if you didn’t see the previous two chapters in the “Christmas at Pemberley” trilogy. I saw the 2nd and 3rd chapters sequentially without seeing the 1st chapter and I still enjoyed the shows. But if you’re like me and you’re not an ardent Pride and Prejudice aficionado, I highly recommend reviewing the helpful family tree in the program on page A-3.

Defined Plot/Storyline: Yes

Equity Actors: 2

Total Number of Actors: 9

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No, but it was good. Since I saw the 2nd and 3rd chapters of this trilogy, I’m now curious to see the 1st chapter.

Other Rave(s) Not Mentioned Above

  • Favorite Line: When Mr. Darcy said, “There’s always a letter” which was a wink to the audience on how Jane Austen’s conflicts often start with a letter.
  • Georgiana Casting: As someone regularly featured in Seattle’s theatre music scene, Clair Marx was perfectly cast as the virtuoso Georgiana Darcy.
  • Modern Dating: Whether or not it was the playwrights’ intention, I loved how the script evoked feelings experienced in online dating. The Jane Austen-esqe letters remind me of how chatting on the dating apps builds so much anticipation/expectation potentially leading up an endearingly awkward meeting in-person (or a horrible catfish!). There was one such meeting in the play that was reminiscent of an old HappySlip sketch (see 1:50 to 2:50).
  • Reprised Roles: Many key characters in this production were previously cast in Taproot Theatre’s past “Christmas at Pemberley” productions. For example, in the 1st and 3rd chapter, Shanna Allman played Mary Bennet and Melanie Hampton portrayed Jane Bingley. Annie Yim played Elizabeth Darcy (nee Bennet) in the 2nd and 3rd chapter. Throughout the entire trilogy, Kelley Karcher portrayed the narcissistic Lydia Wickam while Brian Pucheu played the cold Mr. Darcy. This role reprisal promoted a feeling of continuity and familiarity between productions.

Rant(s)

  • Keyboard: As I mentioned in Village Theatre’s current Beautiful production, there’s a Seattle live theatre problem with cheap-sounding on-stage electric keyboards. While I’m always happy to hear Claire Marx performing live music, I wish she could play a real piano on-stage in this production. An upright piano would have fit the bill perfectly for the small theatre space.

Other Musing(s) and Observation(s)

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Tickets: https://taproottheatre.org/shows/2023/georgiana-kitty-christmas-at-pemberley/

Ticket Affordability Options: TodayTix

Dates: November 22 to December 30, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures under video and in video by Robert Wade Photography.

Cast and Production Team: See after pictures and/or video below

@showsiveseen "Georgiana & Kitty" #play at @TaprootTheatre starring Claire Marx & @Ays Garcia. Directed by Karen Lund. Final chapter of Lauren Gunderson's and Margot Melcon's "#Christmas at #Pemberley" #JaneAusten trilogy. Filled with the #hallmark themes of #PrideAndPrejudice. Relatable to online dating. Photos: Robert Wade. Review: showsiveseen.com/7519 #theatre #showsiveseen #xmas ♬ Please Santa Please – Pentatonix
William Eames and Jeremy Steckler in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
William Eames and Claire Marx in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
Claire Marx and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
Jeremy Steckler and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
Claire Marx with Melanie Hampton, Kelly Karcher, Shanna Allman, and Annie Yim in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
ROLENAME
Kitty BennetAys Garcia*
Elizabeth DarcyAnnie Yim
Fitzwilliam DarcyBrian Pucheu
Henry GreyWilliam Eames
Georgiana DarcyClaire Marx
Jane BingleyMelame Hampton
Mary BennetShanna Allman
Lydia WickhamKelly Karcher*
Thomas O’BrienJeremy Steckler
Georgiana, Lydia, & Jane U/SRebecca Gelzer
Darcy & Thomas U/SElijah Spreier
Kitty, Lizzy, & Mary U/SAriel Rose
Darcy & Henry U/SDavid Breyman
PRODUCTION TEAM
DirectorKaren Lund**
Assistant DirectorBretteney Beverly
PlaywrightsLauren Gunderson, Margot Melcon
Original CompositionsMichael Nutting
Associate Artistic DirectorBretteney Beverly
Co-Scenic DesignerAmanda Sweger
Sound & Co-Scenic DesignerMark Lund
Costume DesignerPete Rush
Lighting DesignerTim Wratten
Stage ManagerNik Nolen*
Dialect CoachDimitri Woods
Property MasterAndrea Spraycar
Dramaturg TeamKelly Flynt, Sonja Lowe, Dami Munroe
Assistant Stage ManagerNicola Krause
Backstage Crew SwingAshley Burns
Casting DirectorBretteney Beverly
Casting ConsultantJes Spencer
DresserLuna McMeen, Brooke Thomas
DraperMartha Mitchell
StitcherVeronica Dimoff, Scian Hayes, Lucy Cavener
Wig DesignerJoyce Degenfelder
Wig SpecialistJenn Hill
Master ElectricianAiyana Stephens
Scenic CarpenterTim Samland ^
Light Board OperatorMatthew Ray
Sound Board OperatorAndi Villegas
ElectriciansClint Bull, Morgan Poirer, Matthew Ray, Anna Van Vleet, Jacob Viramontes
Scenic Strike/Load-inElke Johnson ^, Kimmy Mar ^, M. Stephanie Watson^
* Member of Actors’ Equity Association
** Member of Stage Directors and Choreographers Society
^ Member of IATSE Local No. 15

Preview Post – Fellow Passengers – Play – Strawberry Theatre Workshop

Fellow Passengers play opening night by Strawberry Theatre Workshop at 12th Ave Arts. Performing until 12/23/23. Stay tuned for my full review! #christmas #xmas #humbug #dickens #AChristmasCarol #CharlesDickens #Scrooge

Full Final Review (Posted 12/20/23): https://www.showsiveseen.com/fellow-passengers-play-review-strawberry-theatre-workshop/

Tickets: https://www.strawshop.org/fellow-passengers.html

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Little Women – Play – Seattle Rep

Elevator Thoughts (aka Tweet): Kate Hamill’s Little Women play at Seattle Rep starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles and growing up. Pleasantly surprised to find a Christmas theme in this winter show. #tomboy #ComingOfAge #LittleWomen #xmas

Recommendation
See it, especially if you enjoy plays about defying traditional gender roles.


Synopsis from the Theatre: Jo March isn’t concerned with what’s “ladylike.” Actually, she’s not sure she wants to be a lady at all. An aspiring writer, the headstrong Jo must negotiate with rigid societal norms to realize her dreams of independence. Against the backdrop of the Civil War, the beloved March siblings grow together and apart, discovering love, joy, and friendship as they learn the importance of family and being true to oneself. Kate Hamill’s (Pride and Prejudice, 2017) fresh and lively adaptation of Louisa May Alcott’s classic novel will bring the entire family together this holiday season.

Attended Performance Date: Opening Night 11/15/23 – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set: Mostly no

Prior Exposure/Knowledge Required: You’d probably appreciate this play more if you read the original classic novel. I did not, but I constantly wondered during the performance how the book and the play differed.

Defined Plot/Storyline: Yes

Equity Actors: 9

Total Number of Actors: 9

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not but it was good

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Scenic Design: The dollhouse-like motif was well-chosen in light of the script’s “defy gender norms” message.
  • Christmas Theme: I’m typically not a fan of Christmas shows since they typically lack depth and seem more of a way for theatres to milk audiences for extra holiday revenue. But I appreciated how the playwright/author included Christmas themes while not making the story solely about Christmas. The theatre synopsis didn’t even tout this as a holiday show! The first act was heavy on the feel-good old-timey movie-like Christmas theme. To quote the script, it was like the “sentimental lady stories” Jo was instructed to write. On the other hand, I don’t think the second act mentioned Christmas much at all and it was less sentimental (aka better than the first act).
  • Favorite Quote: “Can’t you play something gayer?”

Rant(s)

Other Musing(s) and Observation(s)

  • Battle Hymn of the Republic: What’s the deal with the sisters singing “Glory, glory, halleluiah!” occasionally throughout the show?
  • Atrocity: A character committed a grave atrocity in the middle of the second act, but I don’t think they portrayed it to the audience (unless I missed it). I would have loved to see the drama of the scene occur, especially since it preceded a delicious argument scene.
  • Friends Episode: I kept thinking about the Friends TV show episode “The One Where Monica and Richard are Friends” where Joey was too emotionally invested in the characters when he read the book, especially when somebody (who honestly lived an insignificant life in my opinion) died. I kind of wish I didn’t know the book spoilers from that episode so I’d feel more surprised.
  • End of 1st Act: The first act uniquely didn’t end in a cliffhanger. It felt similar to when the first act of Into the Woods ended. I literally thought there wasn’t a second act in both shows!

Theatre Company: Seattle Rep

Venue: Bagley Wright Theater at Seattle Rep

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price: Medium to Expensive

Tickets: https://www.seattlerep.org/plays/202324-season/little-women/

Ticket Affordability Options:

Dates: November 10 to December 17, 2023

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Other Video +/- Pictures: See pictures under video by Bronwen Houck

Cast and Production Team: See after pictures and/or video below

@showsiveseen @Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on t@Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy #ComingOfAge #LittleWomen #xmas #theatre #showsiveseen he original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy #ComingOfAge #LittleWomen #xmas #theatre #showsiveseen ♬ Reasons – STAR SEED
Katie Peabody, Amelio García, Cy Paolantonio, and Rebecca Cort in Little Women. Photo by Bronwen Houck.
Katie Peabody, Rebecca Cort, Cy Paolantonio, and Amelio García in Little Women. Photo by Bronwen Houck.
Chiké Johnson and Katie Peabody in Little Women. Photo by Bronwen Houck.
Rebecca Cort, Katie Peabody, Colleen Madden, Amelio García, and Cy Paolantonio in Little Women. Photo by Bronwen Houck.
Amelio García and Austin Winter in Little Women. Photo by Bronwen Houck.
Rebecca Cort, Cy Paolantonio, Katie Peabody, and Amelio García in Little Women. Photo by Bronwen Houck.
Richard Nguyen Sloniker, Colleen Madden, Amelio García, and Rebecca Cort in Little Women. Photo by Bronwen Houck.
RoleName
Amy MarchRebecca Cort
Jo MarchAmelio Garcia
Hannah/Mrs. Mingott/MessengerMacall Gordon
Mr. Laurence/Robert March/DoctorChiké Johnson
Marmee March/Aunt MarchColleen Madden
Meg MarchCy Paolantonio
Beth MarchKatie Peabody
John Brooks/Parrot/Mr. DashwoodRichard Nguyen Sloniker
LaurieAustin Winter
Understudy for Beth/Meg/Hannah/Mrs. Mingott/MessengerCheyenne Barton
Understudy for Laurie/Brooks/Parrot/Mr. DashwoodMiguel Castellano
Understudy for Marmee March/Aunt MarchMacall Gordon
Understudy for Mr. Laurence/Robert March/DoctorVincent “VJ” Orduna
Understudy for Jo/AmyLeah Sainz-Jones
PlaywrightKate Hamill adapted from the novel by Louisa May Alcott
DirectorMarti Lyons
Scenic DesignerCollette Pollard
Movement Director & CaptainCy Paolantonio
Costume DesignerAn-Lin Dauber
Lighting DesignerReza Behjat
Fight Director & Intimacy ConsultantAlyssa Kay
DramaturgPaul Adolphsen
Sound Designer & Original MusicJane Shaw
Music DirectorAaron M. Davis Norman
Assistant DirectorDaira Rodriguez Miranda
Stage ManagerJessica C. Bomball
Assistant Stage ManagerShay Trusty
Milwaukee Rep CastingJonathan Hetler
Seattle Rep CastingKaytlin McIntyre & Shawna Grajek
Scenic AssistantDelena Bradley
Spanish Show Program & Youth Guide EditorAlejandra Campoy
Marketing & Engagement ContractorAna María Campoy
Spanish Script TranslatorDaniel Jáquez
Assistant Lighting DesignerLily McLeod
Spanish Content TranslatorGrecia Leal Pardo
Production AssistantAnahita Sepehri
Stage Management ApprenticeSam Smith

Preview Post – Georgiana & Kitty: Christmas at Pemberley – Play – Taproot Theatre

Georgiana & Kitty: Christmas at Pemberley play opening night w/ Taproot Theatre. Performing until 12/30/23. Stay tuned for my full review!

Final Full Review (Posted 12/12/23): https://www.showsiveseen.com/georgiana-kitty-christmas-at-pemberley-play-taproot-theatre/

Tickets: https://taproottheatre.org/shows/2023/georgiana-kitty-christmas-at-pemberley/

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