Review – Page 3 – Shows I've Seen

Luchadora! – Play – Review – Seattle Children’s Theatre

@showsiveseen Alvaro Saar Rios's "Luchadora!" #play at Seattle Children's Theatre starring Jordi Montes & Beth Pollack. Rousing fight choreography. Vibrant set, props, lighting, & costumes. Well-written and well-executed. Not just for kids! Get your tickets now since it closes this weekend on 3/17/24! Review: showsiveseen.com/8148 Photos: Truman Buffett Director: Johamy Morales Stage Manager: Elizabeth Yvette Ramirez #theatre #showsiveseen #girlPower #feminism #wrestler #wrestling #LuchaLibre #Mexican ♬ Miedo – Rommel Hunter

Elevator Thoughts (aka Tweet): Luchadora! play at Seattle Children’s Theatre starring Jordi Montes & Beth Pollack. Rousing fight choreography. Vibrant set, props, lighting, & costumes. Well-written and well-executed. Not just for kids!

Recommendation
See it!

Synopsis from the Theatre: Transport yourself to the world of lucha libre—Mexican wrestling, with this inspired adaptation of the Chinese legend Hua Mulan. The discovery of a worn pink wrestling mask prompts Nana Lupita, a Washington grandmother, to share her coming of age story growing up in 1960s Texas. As we follow Lupita’s journey, we witness her life as a daring teen tomboy; bike riding with her friends, working at her father’s flower stand, and lucha libre. When a World Championship match is announced, Lupita’s excitement explodes; she anticipates seeing it until she discovers her ailing father is one of the wrestlers. With the help of a magical mask maker, Lupita secretly trains to take her father’s place. She soon finds it difficult keeping her secret from her friends and, most importantly, her father.

Attended Performance Date: Opening Night 2/23/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen. Get your tickets now since it closes this weekend on 3/17/24!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? It was a static set with many dynamic elements.

Prior Exposure/Knowledge Required: No, but it helps to know some Spanish expressions.

Defined Plot/Storyline: Yes, but it wasn’t linear. The story was presented in flashbacks.

Equity Actors: 2

Total Number of Actors: 7

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 80 minutes

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not, but it was good.

Other Rave(s) Not Mentioned Above

Universal Age Suitablity: While this play targets the teen/tween demographic, adults and younger kids can definitely enjoy it. Honestly, the show could have easily been reworked into a grown-up play. I love finding jewels like this that universally attract all ages similar to Seattle Children’s Theatre’s previous The Boy Who Kissed the Sky musical.

Other Musing(s) and Observation(s)

Magic Potion: My cynical adult side thinks the potion’s magic was just placebo effect. Either that or amphetamines!

Theatre Company: Seattle Children’s Theatre

Venue: Seattle Children’s Theatre

Venue Physical Address: 201 W Thomas St, Seattle, WA 98109

Price: Medium

Tickets: https://www.sct.org/onstage/productions/luchadora-2/

Ticket Affordability Options: Each performance has a value option available online. Also check out the theatre’s discount page.

Dates: February 21 to March 17, 2024

Seating: Assigned Seating

Parking: Paid street parking or various paid parking lots/garages. Street parking is sparse when there’s a major Seattle Center or Climate Pledge Arena event. I usually find good luck with street parking around Lenny Wilkins Way next to the theatre on non-event days. I try to take the bus on event days since even the event street parking costs more than $12.

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Pictures: See pictures below and in video above by Truman Buffett.

James Schilling and Christian Zumbado in *Luchadora!* Photo by Truman Buffett.

Adria LaMorticella, James Schilling, Beth Pollack, Christian Zumbado, and Ana María Campoy in *Luchadora!* Photo by Truman Buffett.

Adria LaMorticella, James Schilling, Christian Zumbado, Beth Pollack, and Ana María Campoy in *Luchadora!* Photo by Truman Buffett.

Jordi Montes, Carter Rodriquez, James Schilling, Adria LaMorticella, and Beth Pollack in *Luchadora!* Photo by Truman Buffett.

Ana María Campoy, Carter Rodriquez, and Beth Pollack in *Luchadora!* Photo by Truman Buffett.

Adria LaMorticella, James Schilling, Beth Pollack, and Christian Zumbado in *Luchadora!* Photo by Truman Buffett.

Memoirs of a Forgotten Man – Play – Review – Thalia’s Umbrella

@showsiveseen "Memoirs of a Forgotten Man" #play by Thalia's Umbrella at 12th Ave Arts. Fascinating premise. Descriptive script. Well-devised unexpected ending twist that brought everything together. Delightful, lively, convincing, delivery from @Patrick. Closes this weekend! Review: showsiveseen.com/8116 Playwright: DW Gregory Stage Manager: @Rik Deskin and Phillip James Randall Director: Terry Edward Moore Photos: Annabel Clark #showsiveseen #theatre #memory #USSR #soviet #sovietUnion #russia #synesthesia ♬ original sound – Shows I've Seen

Elevator Thoughts (aka Tweet): Memoirs of a Forgotten Man play by Thalia’s Umbrella at 12th Ave Arts. Fascinating premise. Descriptive script. Well-devised unexpected ending twist that brought everything together. Delightful, lively, convincing delivery from Patrick Harvey.

Recommendation
See it!

Synopsis from the Theatre: Alexei is an extraordinary man: he has a perfect memory. But he is a journalist in Stalin’s Russia, and when the State tells him to forget someone, he can’t…and then he disappears. A Soviet official is searching for him, and the official tries to enlist the help of the psychologist who studied him. But are the official’s reasons political or personal? or both? A slippery examination of the connections between memory and identity, Memoirs of a Forgotten Man is a celebration of a remarkable man–but it also counts the costs we pay when the State decides what the truth is.

Attended Performance Date: Opening Weekend 2/24/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen. Get your tickets now since the show ends this weekend!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: You should know a little general Soviet Union history like from world history class.

Defined Plot/Storyline: Yes, but it wasn’t linear. The story was presented in flashbacks.

Equity Actors: 3

Total Number of Actors: 4

Perceived Pace of the Show: The show started with a decent hook then proceeded to slow dialogue. Eventually, the script recovered its stride during the first flashback.

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not, but it was good.

Other Rave(s) Not Mentioned Above

Ending (No Spoiler): For the longest time, I didn’t understand Kreplev’s (played by Jon Lutyens) motivation. Throughout the show, I thought his fixation on Alexei (played by Patrick Harvey) didn’t make sense. The playwright (D.W. Gregory) eventually brought it all together in a well-written sad ending epiphany. However, I still don’t quite understand the reason behind Alexei’s permeant actions at the end. Was it to prevent pain?
Favorite Line: Alexei interestingly asked if Dr Berezina (played by Sunam Ellis) wrote things down to forget (similar to a swapfile for any tech brahs reading this) or to remember.
Memory: Patrick Harvey (as Alexei) convincingly portrayed a person with photographic memory and perfect recall. He effectively led the audience to believe/feel that he really memorized the lines on-stage in only a couple seconds. It was so fascinating that I had to look up after the show if his character was based on a real person. When Alexei’s mother (played by Leslie Law) wanted to reminisce about the past, it was sweet (and an interesting premise) how she asked her son to vividly describe what he remembered with exact detail.

Other Musing(s) and Observation(s)

The Lower Depths: It was serendipidous that this script mentioned The Lower Depths on a night that Intiman Theatre was actually performing the play a couple blocks away!
Photo Album: Why did Alexei’s mother blot out faces in the photo album?

Theatre Company: Thalia’s Umbrella

Venue: 12th Ave Arts

Venue Physical Address: 1620 12th Ave, Seattle, WA 98122

Price: Cheap to medium

Tickets: https://thaliamemoirs.brownpapertickets.com/

Ticket Affordability Options: TodayTix/Goldstar

Dates: February 22 to March 9, 2024

Seating: General Admission

Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Even if you can find street parking, it often costs more than some parking lots. I highly recommend the paid lot at 1300 E Olive St with the entrance on 14th Ave.

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Pictures: See pictures below and in video above by Annabel Clark.

Patrick Harvey, Jon Lutyens, and Sunam Ellis. Photo by Annabel Clark.

Born with Teeth – Play – Review – ArtsWest

@showsiveseen Liz Duffy Adams' "Born with Teeth" #play by ArtsWest staring Ricky Spaulding & @Michael Monicatti. Nice catwalk stage. Success comes at a price … eat or be eaten! Proud that I correctly predicted the ending. Closes this weekend! Review: showsiveseen.com/8061 Photos: John McLellan Director: Mathew Wright #theatre #showsiveseen #shakespeare #gay #lgbt ♬ Loving Me – Janine

Elevator Thoughts (aka Tweet): Born with Teeth play by ArtsWest staring Ricky Spaulding & Michael Monicatti. Nice catwalk stage. Success comes at a price … eat or be eaten! Proud that I correctly predicted the ending.

Recommendation
See it if you’re familiar with the history/politics surrounding Shakespeare, Marlow, and Tudor England. Highbrow fancy literary gays would also enjoy this.

Synopsis from the Theatre: An aging authoritarian ruler, a violent police state and a restless, polarized people seething with paranoia: It’s a dangerous time for poets. Two of them — the great Christopher Marlowe and the up-and-comer William Shakespeare — meet in the back room of a pub to collaborate on a history play cycle, navigate the perils of art under a totalitarian regime and flirt like young men with everything to lose. One of them may well be the death of the other in this biting comedy about ambition, ego, and history.

Attended Performance Date: Opening Night 2/1/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen. Get your tickets now since the show ends this weekend!

Type: Play

World Premiere: No

Several or Few Scenes: Just three scenes

Several or Few Settings/Locations: Just one location

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: As I alluded earlier, you should be familiar with the history/politics surrounding Shakespeare, Marlow, and Tudor England. If not, definitely analyze the diagram on the program’s first page below.

Defined Plot/Storyline: No, this play was more dialogue with less action and less story.

Equity Actors: 1

Total Number of Actors: 2

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 1.5 hours

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Other Rave(s) Not Mentioned Above

Acting and Characterization: Ricky Spaulding’s portrayal of William Shakespeare struck me as honest. However, it was difficult to sympathize with Michael Monicatti’s Christopher Marlowe since the character was reminiscent of the tiresome stereotype of insufferable know-it-all bratty selfish Mean Girl gays with a handheld fan and with claws (proverbial or not). I will say though that the most interesting scenes in this play were when Marlow showed his vulnerable soft underbelly. Their interactions reminded me of opposite attractions … but were they really opposites in the end? 😉 Side note, kudos for crying on-demand on-stage!
Romantic Tension : Michael and Ricky created sizzling romantic tension without too much gratuitous visuals. It’s difficult finding this amount of visual modesty in gay art and entertainment … even gay fiction books are typically filled with sex! The only exception was the first scene. While it effectively hooked the audience and the actors looked hot shirtless, the scene felt irrelevant to the play as a whole, and it obviously pandered to sex appeal.

Theatre Company: ArtsWest

Venue: ArtsWest

Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116

Price: Medium

Tickets: https://www.artswest.org/events/born-with-teeth/

Ticket Affordability Options: The ticketing website offers honor code discount options .

Dates: February 1 to February 25, 2024

Seating: Assigned Seating

Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.

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https://www.artswest.org/events/born-with-teeth/

Pictures: See pictures below and in video above by John McLellan.

Ricky Spaulding. Photo by John McLellan.

Ricky Spaulding & Michael Monicatti. Photo by John McLellan.

The Lower Depths – Play – Review – Intiman Theatre & The Seagull Project

@showsiveseen "The Lower Depths" #play by @Intiman Theatre & The Seagull Project at Erickson #Theatre Off Broadway. Desolate portrayal of society's miserable underbelly & squalor. Closes this weekend! Adapted from Maxim Gorky's masterpiece. Review: showsiveseen.com/8027 Photos: Joe Moore Director: Gavin Reub Stage Manager: Emily Doorenbos #showsiveseen ♬ Empty – Letdown.

Elevator Thoughts (aka Tweet): The Lower Depths by Intiman Theatre & The Seagull Project at Erickson Theatre Off Broadway. Desolate portrayal of society’s miserable underbelly & squalor. Closes this weekend!

Recommendation
See it if you enjoyed Arlington (which incidentally also featured Kiki Abba) or the dystopian aspects of Les Misérables.

Synopsis from the Theatre: In the basement of the exploitative King family live nine people on the edge of the world. Card sharps, artists, sex workers, and more make up this dynamic cast of characters, whose dreams and realities bump against the low ceiling society has built for them. When a stranger arrives with a message of hope, their situation is challenged and their lives upended. An ensemble of fourteen actors paint a vivid portrait of life in the margins of society. Love, poverty, addiction, loss, and healing play across the stage in this contemporary adaptation of Maxim Gorky’s classic play. The Lower Depths was first produced by the Moscow Art Theatre on December 18, 1902, where it was directed by Konstantin Stanislavsky. It is Gorky’s best known play and is now a hallmark of Russian realism.

Attended Performance Date: Opening Night 2/8/24 – Keep your eyes peeled for my preview posts if you want earlier notification of shows I’ve seen. Get your tickets now since the show ends this weekend!

Type: Play

World Premiere: No

Several or Few Scenes: A couple

Several or Few Settings/Locations: Two

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: No, but I imagine you’d appreciate this more if you’re familiar with the original play by Maxim Gorky.

Defined Plot/Storyline: This play was more dialogue with less action and less story.

Equity Actors: A whopping 10!

Total Number of Actors: 14

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Other Rave(s) Not Mentioned Above

Dawn: I enjoyed Dawn’s (played by Esther Okech) character the most. Her visual stark transformation in the 1st act was unexpected and she said a poignant statement towards the effect of “If I’m such a burden to society, why do I feel so weighed down.” Plus, I’m always of fan of dramatic dishware smashing.

Theatre Company: The Seagull Project and Intiman Theatre

Venue: Erickson Theatre Off Broadway

Venue Physical Address: 1524 Harvard Ave, Seattle, WA 98122

Price: Cheap to Expensive

Tickets: https://www.intiman.org/depths/

Ticket Affordability Options: The ticketing website offers honor code discount options for students, military, industry, … or anybody. They also offer 20 free rush tickets 1 hour in-person before each performance.

Dates: February 6 to February 24, 2024

Seating: Assigned Seating

Parking: It’s Capitol Hill … so good luck. Try taking the bus. Ironically, the lots on Harvard Avenue across Seattle Central College are cheaper than street parking. Geeez!

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Pictures: See pictures below and in video above by Joe Moore.

Miguel Castellano and Alexandra Tavares in *The Lower Depths*. Photo by Joe Moore.

Julie Briskman and Tyler Polumsky in *The Lower Depths*. Photo by Joe Moore.

Charles Leggett and Julie Briskman in *The Lower Depths*. Photo by Joe Moore.

Amy Thone in *The Lower Depths*. Photo by Joe Moore.

Amy Thone and Sharva Maynard in *The Lower Depths*. Photo by Joe Moore.

Amy Thone, Antonio Mitchell, and Tyler Polumsky in *The Lower Depths*. Photo by Joe Moore.

The Book of Will – Play – Review – Taproot Theatre

@showsiveseen Lauren Gunderson's "The Book of Will" #play at @TaprootTheatre. Enthusiastic delivery. Nice #Tudor costumes. Love letter to #Shakespeare, #acting, posterity, & legacy. #theatre #showsiveseen ♬ Takes forever – Subyub Lee

Elevator Thoughts (aka Tweet): The Book of Will play at Taproot Theatre. Enthusiastic delivery. Nice Tudor costumes. Love letter to Shakespeare, acting, posterity, and legacy.

Recommendation
See it if you enjoyed Bruce or if you’re a Shakespeare fan.

Synopsis from the Theatre: An unforgettable true story! In an act of undying devotion, Shakespeare’s best friends race to do the impossible: Publish every play he wrote. This irreverent, witty, and surprisingly modern tale celebrates friendship, found family, and an unselfish act that changed the world forever. From the author of Silent Sky and the Christmas at Pemberley series.

Attended Performance Date: Opening Night 1/26/24 – Keep your eyes peeled for my preview posts if you want earlier notification of shows I’ve seen. Get your tickets now since the show ends this weekend!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set? Yes

Prior Exposure/Knowledge Required: Obviously, you should be familiar with Shakespeare references and his major plays.

Defined Plot/Storyline: Yes

Equity Actors: 2

Total Number of Actors: 10

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Other Rave(s) Not Mentioned Above

Purpose of Theatre/Acting: My favorite scene was at the beginning of the second act when John Heminges (played by Eric Jensen) and Henry Condell (played by Reginald André Jackson) solemnly waxed poetically about the reason for live theatre – it’s so the people in the room can feel. “The faeries aren’t real, but the feeling is.”

Other Musing(s) and Observation(s)

Storyline: It’s not an absolute requirement, but it didn’t feel like the storyline followed the classic narrative structure of the typical plot pyramid/diagram. Additionally, similar to Bruce, there didn’t seem like enough substantial significant conflict or cliffhanger. The deaths seemed random/unnecessary, and characters appeared out of nowhere.

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Tickets: https://taproottheatre.org/shows/2024/the-book-of-will/

Ticket Affordability Options: TodayTix/Goldstar

Dates: January 24 to February 24, 2024

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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