Elf – Musical – Review – The 5th Avenue Theatre

Elevator Thoughts (aka Tweet): Elf: The Musical at The 5th Avenue Theatre is pure holiday cheer. A swinging live orchestra (led by Matthew Smedal) delivering that classic big-band Broadway showbiz sound and all the sparkle of an NYC Christmas. A joyful, festive escape starring Eric Ankrim.

Recommendation:
See it if you want to get into the Christmas spirit.


Was This the First Time I Attended a Production of this Show? No, I saw the national tour and a community production.

Would I See It Again 3 Years from Now? Probably not, twice is enough for me

Mainstream Appeal: Medium to high

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): Inspired by the film, this light Christmas musical follows Buddy who realizes he’s a human and not a North Pole elf. He journeys to New York City to find his biological father.

Synopsis from the Licensor or Theatre Company: Son of a Nutcracker! Buddy’s back! Buddy the Elf has spent his life fulfilling his elf-ly duties in the North Pole helping Santa get ready for Christmas. The only problem is, he’s always been a little different. He stands feet above everyone else, is slower at making toys, and can’t quite fit in a standard elf-sized bed. After finding out he’s actually a human, Buddy embarks on a journey to the big city to discover his true identity—while also bringing a little Christmas spirit to everyone he meets. Based on the beloved 2003 New Line Cinema film starring Will Ferrell, this musical adaptation is a hilarious, fish-out-of-water comedy that’s full of heart, adventure, and holiday cheer. Whether you’re young, or just young at heart, make sure you’re on the nice list, because this show is a festive treat you don’t want to miss.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Dynamic

Prior Exposure/Knowledge Required: You’ll likely appreciate this more if you saw the movie, but it’s not required. I’ve never seen it.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actor(s): All

Total Actor(s): Too many to count

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Music: The true stars of the evening were the orchestra (led by Matthew Smedal) and the score (by Matthew Skylar). The 5th Avenue Theatre once again proved why it boasts the finest musical theatre orchestra in town, opening the show with a glorious, swinging overture. From there, the big-band, showbiz Broadway sound soared in numbers like “Sparklejollytwinklejingley,” “Nobody Cares About Santa,” and “The Story of Buddy,” before arriving at a standout moment in Jovie’s (played by Tori Gresham) beautifully delivered solo, “Never Fall in Love (With an Elf).” Together, the music and performances effortlessly conjured that cozy, classic New York City Christmas feeling.
  • “There Is a Santa Claus”: Echoing her memorable role in White Christmas at The 5th Avenue Theatre, Cayman Ilika (as mother Emily Hobbs) showcased her gorgeous voice in the duet “There Is a Santa Claus,” joined by the promising young Conor Sullivan (as son Michael Hobbs).

Other Musing(s) and Observation(s)

  • Tap Dance: Throughout the performance, I kept wondering when the quintessential grand tap dance number would appear. It finally surfaced in the final number, which was an oddly placed choice. Usually, it would be somewhere in the middle of the 1st act. However, the dancing itself (choreographed by director Denis Jones) was obviously strong quality like any tap dance number from The 5th Avenue Theatre.
  • Snow: It’s unclear whether this was intentional, but in one scene the actors gazed at the “snow,” which appeared only as a projection. Several minutes later, actual snow finally drifted down from the ceiling, raising the question of whether the delayed snowfall was a deliberate choice or simply a technical malfunction.
  • Plot Holes: The story contained major practical and professional inconsistencies. For instance, a Christmas book commissioned by Christmas would realistically miss the publishing window until the following holiday season. Likewise, the plot glosses over legal concerns, such as the apparent reuse of material from a previous employer without addressing intellectual property rights or non-compete agreements.
  • Holiday Formula: This production openly panders into the Christmas spirit, as many seasonal live theatre shows do. It isn’t especially deep or substantial, but unlike much of the Christmas-themed filler drivel and slop (can we please stop producing A Christmas Carol?!) that floods the stage each year, this show was enjoyable. Its primary aim is simply to put the audience in a festive mood. And in that, it succeeds.

Theatre Company: The 5th Avenue Theatre

Venue: The 5th Avenue Theatre

Venue Physical Address: 1308 5th Ave, Seattle, WA 98101

Price Range: $60-198

Ticket Affordability Options: The 5th Avenue Theatre often partners with organizations you’re affiliated with for discount tickets. For example, they sometimes offer a discount for my employer affiliation and my apartment complex. Rush tickets are typically also available the day of the performance at the box office.

Dates: 11/28/25 to 12/28/25

Seating: Assigned Seating

Parking: When I don’t walk to the theatre or park on the street, I park in the paid garage at the Motif Hotel northwest of the theatre. The entrance is on 5th Ave. Do NOT park in the APA Coast Seattle Downtown Hotel garage (entrance on 6th Ave). That’s where most of the audience (and I think the subscribers) parks, so it’s a nightmare to leave. However, the APA Coast Seattle Downtown Hotel garage is the closest garage to the theatre and you can access the theatre through a tunnel if you want to avoid the elements. But, in my opinion, this benefit is not worth the time wasted leaving the garage.

Like/Comment/Share my Social Media Posts About this Performance:

Buy a Ticket or Learn More:

Photos: See production photos below by Michael B. Maine.

Cast and Production Team: See after photos below.

Eric Ankrim and the Fake Santas in ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Eric Ankrim and Tori-Gresham in ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Richard Ziman and the cast of ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Richard Ziman. Eric Ankrim, and the cast of ELF THE MUSICAL at The 5th Avenue Theatre. Photo by Michael B. Maine.
Credits from printed ENCORE program.
Credits from printed ENCORE program.
Credits from printed ENCORE program.
Credits from printed ENCORE program.

The Lion King – Musical – Review – Paramount Theatre

@showsiveseen @Disney's "The Lion King" #musical at Paramount Theatre from @BwayAmerica & @Seattle Theatre Group. Spectacular synergy between puppetry, costume, & scenic design. Starring Gilbert Domally, Aaron Chao, & Josiah Watson. Performing in Seattle till 1/4/26. Review: showsiveseen.com/14376 Photos: Matthew Murphy, Deen Van Meer, Joan Marcus Director: Julie Taymor Conductor: Karl Shymanovitz Stage Mgr: Charles Underhill Choreo: Garth Fagan #disney #lionKing #theLionKing #theatre ♬ Circle of Life – Ndlovu Youth Choir

Elevator Thoughts (aka Tweet): Happy opening weekend to Disney’s The Lion King musical at Paramount Theatre from Broadway Seattle and Seattle Theatre Group. Spectacular synergy between puppetry, costume, and scenic design. Performing in Seattle till 1/4/26.

Recommendation:
Whether young or old, see it!


Was This the First Time I Attended a Production of this Show? No, I saw the tour the last time it came to Paramount Theatre.

Would I See It Again 3 Years from Now? Probably not, twice is enough for me

Mainstream Appeal: Medium to high

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): Inspired by the classic Disney film, the story follows a young lion prince thrust into exile who must find the courage to reclaim his rightful place as the lion king.

Synopsis from the Licensor or Theatre Company: Giraffes strut. Birds swoop. Gazelles leap. The entire Serengeti comes to life as never before. And as the music soars, Pride Rock slowly emerges from the mist. More than 100 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular – one of the most breathtaking and beloved productions ever to grace the stage. Winner of six Tony Awards®, including Best Musical, The Lion King brings together one of the most imaginative creative teams on Broadway. Tony Award®-winning director Julie Taymor brings to life a story filled with hope and adventure set against an amazing backdrop of stunning visuals. The Lion King also features the extraordinary work of Tony Award®-winning choreographer Garth Fagan and some of Broadway’s most recognizable music, crafted by Tony Award®-winning artists Elton John and Tim Rice. There is simply nothing else like The Lion King.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Dynamic

Prior Exposure/Knowledge Required: You’ll appreciate this more if you saw the movie, but it’s not required.

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actor(s): All

Total Actor(s): Too many to count

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Design: The production’s true star was the extensive puppetry, costume, and scenic design by Julie Taymor, Michael Curry, and Richard Hudson. While reminiscent of the intricate style seen in Life of Pi, the puppetry here was even more ambitious. The designers didn’t limit themselves to the iconic animals of the African savanna. Every element, down to the swaying grass, was transformed into a living, moving piece of costume/puppet art. Among the most memorable creations were the tears built into the lioness’s mask and the mesmerizing gazelle hunt, in which the gazelle’s body fractured into multiple body parts.
  • “Circle of Life” Bookends: The show opens with a glorious hook in “The Circle of Life” song. The stage (and even the audience lovel itself) was alive with action, offering so much to take in that I found myself with a bit of FOMO torn between multiple points of focus. It was overwhelming in a good way. If you have the chance, sit on the orchestra level. I remember watching from the balcony last time and missing much of this immersive energy from the actors roaming the audience. The opening song built to a triumphant climax. The musical came full “circle” in a bookend, closing with the same piece for a thrilling, satisfying conclusion.
  • “He Lives in You”: This song was executed with breathtaking imagination. At first, the staging hinted at Mufasa’s reflection, assimilating gradually like a hidden portrait in an autostereogram optical illusion. The audience sensed it before it suddenly appeared like a revelation. Midway through the number, illuminated faces of the performers materialized as if out of thin air, heightening the sense of revelation. And then, in a final flourish, a burst of vibrantly saturated, rainbow-colored dancers appeared, sharply contrasting the monochromatic palette that had defined the song until that moment.
  • “Be Prepared”: Scar’s (Peter Hargrave) rendition of “Be Prepared” was another standout. It was elevated by several sharply conceived staging choices in gleeful villainous theatrical flair. The hyenas swarmed into the audience and their movements eventually snaped into a militaristic choreography that evoked the rigid precision of a North Korean (dare I say Nazi?) army parade. At one point, the number even shifted into a scene with the pulsing energy of a gay nightclub, as sculpted, bare torso-ed hyenas performed a tango-infused sequence. The whole moment brought to mind Matteo Lane’s joke about Disney villains being gay.
  • Voices: Gilbert Domally’s adult Simba brought an unexpected burst of energy with his surprisingly high voice in “Hakuna Matata.” He reignited that spark again in “He Lives in You.” It’s a shame Domally didn’t get more opportunities to showcase this vocal flair. But, he and Thembelihle Cele (as Nala) created beautifully sweet harmonies in “Can You Feel the Love Tonight.”
  • African Themes: The stage adaptation brought a vibrant African flair that the movie didn’t come close to replicating. It was a refreshing burst of color and energy to Seattle’s typically homogenous scene. I especially loved Rafiki, whose performance (complete with a vividly painted mandrill butt) incorporated African clicking sounds into their speech.

Other Musing(s) and Observation(s)

  • Climax: Disney is notorious for being accused of slipping subtle adult references into its family-friendly fare. In this production, Shenzi the hyena (played by Martina Sykes) delivered an unforgettably … enthusiastic reaction (basically an orgasm) to Mufasa’s name. This was definitely not something I saw in the movie. It was weird observing that sitting next to my nephew!

Theatre Company: National Tour from Broadway Across America and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price Range: $49-230

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees/students are still eligible for an organization discount.

Dates: 12/4/25 to 1/4/26

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the former Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

Like/Comment/Share my Social Media Posts About this Performance:

Buy a Ticket or Learn More:

Photos: See production photos below by Matthew Murphy, Deen Van Meer, Joan Marcus.

Cast and Production Team: See after photos below.

“Circle of Life” Cheetah and Giraffes. Photo by Joan Marcus.
Company of THE LION KING. Photo by Matthew Murphy.
Lionesses Dance. Photo by Deen van Meer.
David Lancy Wilson as Mufasa. Photo by Matthew Murphy.
Mukelisiwe Goba as Rafiki. Photo by Matthew Murphy.
Credits from printed ENCORE program.
Credits from printed ENCORE program.
Credits from printed ENCORE program.

Preview Post – Elf the Musical – The 5th Avenue Theatre

Happy opening weekend to The 5th Avenue Theatre production of Elf the Musical. Performing till 12/28/25. Full review coming soon!

Tickets: https://www.5thavenue.org/shows/2025-26/elf-the-musical/

Like/Comment/Share my Social Media Preview Posts About this Show:

Preview Post – 9 to 5 – Musical – Village Theatre

Happy opening weekend to the Village Theatre production of Dolly Parton’s 9 to 5 musical. On-stage till 1/4/26 in Issaquah and 2/8/26 in Everett. Stay tuned for my full review!

Tickets: https://villagetheatre.org/see-a-show/9to5/

Like/Comment/Share my Social Media Preview Posts About this Show:

Brigadoon – Musical – Review – Village Theatre

@showsiveseen Lerner and Loewe's #Brigadoon #musical at @Village Theatre. Starring Jessica Skerritt & Harter Clingman. Lush heather flower-covered hills motif by scenic designer Parmida Ziaei. Rich, soaring vocals in the classic Golden Age #theatre style. Charming folk dances by Katy Tabb. Idyllic #Scottish fantasy. See it before the enchantment disappears into the mist 11/16/25! Review: showsiveseen.com/14284 Production Video: Nyhuis Creative Director: Karen Lund Stage Mgr: Laurel Nichols #scotland ♬ I'll Go Home with Bonnie Jean – Ross Lekites

Elevator Thoughts (aka Tweet): Lerner and Loewe’s Brigadoon musical at Village Theatre. Lush heather flower-covered hills motif by scenic designer Parmida Ziaei. Rich, soaring vocals in the classic golden-age musical style. Charming folk dances by Katy Tabb. Idyllic Scottish fantasy. See it at Everett before the enchantment disappears into the mist on 11/16/25!

Recommendation:
See it, especially if you enjoy the Golden Age musical style like in Cinderella.


Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Yes

Mainstream Appeal: Medium

If A Random Stranger Asked What Show They Should See This Weekend, Would I Mention This Production? Yes

My Synopsis (No Spoilers): Two city men stumble upon a magical country village hidden in the Scottish Highlands where time seems to have stopped and its inhabitants live in an impossibly idyllic past. Why does everyone live as if they’re from another era? What’s the secret behind this timeless Shangri-La?

Synopsis from the Licensor or Theatre Company: It’s almost like being in love! Dance your way back in time to one of the most romantic musicals ever written, Lerner and Loewe’s Brigadoon. Americans Tommy and Jeff are hiking the Scottish Highlands, when out of the mists they stumble upon the enchanting village of Brigadoon, which appears for only one day every 100 years. But this dreamlike place is far more than it seems—and those who fall in love there might never be the same. From the writers of My Fair Lady and Camelot comes this soaring love story, full of glorious ballet and favorite tunes like “Come to Me, Bend to Me,” “The Heather on the Hill” and “Almost Like Being in Love.” This production features an exquisite new adaptation, which enhances all the romance and magic that makes Brigadoon a truly timeless masterpiece.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) or Dynamic Set: Mostly dynamic

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Yes

Live Band/Orchestra: Yes

Union Actor(s): 6

Total Actor(s): 17

Perceived Pace of the Show: Medium speed

Was there an intermission? Yes, but like many Golden Age musicals, the second act felt short. Honestly, the entire show could have easily played through in a single act without interval.

Length (Including Any Intermission): 2.5 hours

Other Rave(s)

  • Golden Age Style: The production captured the essence of Golden Age musicals through its vocal styling. Jessica Skerritt’s vibrato soared like a bird in “Waitin’ for My Dearie” (supported by a beautiful trio of backup singers) and “From This Day On.” Daniel Velasquez demonstrated similar vocal prowess when singing “I’ll” in “I’ll Go Home with Bonnie Jean.” The rich tenor and baritone notes evoked the era’s signature sound as Harter Clingman brought warmth to “There But For You Go I” and “The Heather on the Hill.” Velasquez tenderly serenaded his love through a door in “Come to Me, Bend to Me.” Skerritt and Clingman’s duet on “Almost Like Being in Love” had genuine chemistry. When the full chorus swelled together, it was like the lush overtures of classic Disney films. Together, these moments transported the audience to the Golden Age of ole timey musical theatre.
  • Accents: Dialect coach Gin Hammond achieved impressive results with the cast. Their Scottish accents were so thick that it took some adjustment to understand. Though I would be none the wiser if they weren’t accurate! The delivery throughout the performance was mostly consistent. However, there was a time or two when an actor accidentally reverted to a non-Scottish accent during a song. It reminded me of Adele losing her cockney accent when she sings.
  • Choreography: Katy Tabb’s folk choreography brought charm to moments like the wedding scene, with dancers more concerned with footwork than their arms in a style that evoked both the Irish step dancing from Legally Blonde: The Musical and the lovely movements of The Sound of Music‘s “Ländler.” However, the stage felt cramped for the large cast’s dance in “I’ll Go Home with Bonnie Jean.”
  • Scenic Design: Parmida Ziaei’s set design featured a striking purple heather-covered hill motif that served both aesthetic and functional purposes. The tiered landscape allowed actors to move vertically through the space, creating varied sightlines and visual depth. Unlike Stereophonic at the Paramount Theatre (where the scenic design elevation alleviated the seats’ inadequate slope) the Village Theatre’s superior sightlines meant Ziaei’s hills enhanced rather than remedied the viewing experience.
  • Plaid: Costume designer Nanette Acosta transformed the stage into a tartan wonderland. Few scripts allow costume designers to embrace plaid so boldly.

Rant(s)

  • Falling in Love: The romance felt rushed. I recognize the constraints of a two-and-a-half-hour runtime, but the couple’s journey from strangers to soulmates needed more breathing room to feel earned.
  • Ending (No Spoilers): The resolution relied on an easy fix that plagues weaker musicals. It was saccharine reminiscent of Disney’s “true love’s kiss” that undercut any complexity the story had been building. The ending needed something more thought out.

Theatre Company: Village Theatre

Venue: Village Theatre

Venue Physical Address:

  • Village Theatre’s Francis J. Gaudette Theatre: 303 Front Street North, Issaquah, WA 98027
  • Everett Performing Arts Center: 2710 Wetmore Avenue, Everett, WA 98201

Price Range: $33-150

Ticket Affordability Options: See the theatre’s official page about discounts and pay-what-you-can performances

Dates:

  • Issaquah: September 16 to October 19, 2025
  • Everett: October 25 to November 16, 2025

Seating: Assigned Seating

Parking:

  • Issaquah: Free street parking and certain free parking lots. Lot parking availability is very difficult to find though. I’ve basically given up on that. I usually end up parking on Rainier Boulevard North. As a last resort, you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that mostly only locals know about.
  • Everett: Free street parking and some paid parking lots/garages.

Like/Comment/Share my Social Media Posts About this Performance:

Buy a Ticket or Learn More:

Photos: See production photos below by Auston James.

Cast and Production Team: See after photos below.

Daniel Velasquez and Susanna Cathryn Ballenski in Village Theatre’s Brigadoon (2025). Photo by Auston James.
Jasmine Jean Sim and Mike Wu in Village Theatre’s Brigadoon (2025). Photo by Auston James.
Harter Clingman and Jessica Skerritt in Village Theatre’s Brigadoon (2025). Photo by Auston James.
Daniel Velasquez and the company of Village Theatre’s Brigadoon (2025). Photo by Auston James.
Carlos Narvaez, Lisa Kay Kwak, Adam Mandala, Mallory Cooney King, and Marquez Linder in Village Theatre’s Brigadoon (2025). Photo by Auston James.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.
Credits from the printed ENCORE program.