Elevator Thoughts (aka Tweet): Langston Hughes’ Black Nativity musical by Intiman Theatre & The Hansberry Project. Black church worship service Christmas pageant complete w/ a collection plate offertory & a hot gospel choir. Second act included an Xmas hymn singalong. Refreshing change of pace from Seattle’s homogeneity. “Amen and tell that!”
Recommendation
See it, especially if you’re looking for a religious-themed Christmas show. It’s also a great way to get your feet wet in the black church experience.
Synopsis from the Theatre: Langston Hughes’ Gospel Song-Play returns to Intiman Theatre in an all-new, reimagined production. The Christmas story gets a soulful retelling with actors, dancers, soaring vocalists, and a rousing city-wide gospel choir. The poetry and vision of Langston Hughes combines with gospel renditions of your favorite carols, and you’ll have the chance to raise your voice and sing-along. A stirring experience for families of all backgrounds and beliefs that shares the importance of hope and community.
Attended Performance Date: Opening Night 12/14/23 – Keep your eyes peeled for my preview posts for earlier notification of shows I’ve seen.
Type: Concert-like Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set? Yes
Prior Exposure/Knowledge Required: No, but you’d probably enjoy this more if you’re familiar with the story of Jesus’ birth and if you were once entrenched in Christian church culture.
Defined Plot/Storyline: Mostly no. Obviously, the story of Jesus’ birth was a storyline, but the church service portion of the show had no storyline.
Live Band/Orchestra: Yes, plus a 16-person gospel choir
Equity Actors: 5
Total Number of Actors: 5 main actors, plus 5 dancers, plus a couple of choir members
Perceived Pace of the Show: Medium Speed
Length (Including Any Intermission): 2 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Probably
Other Rave(s) Not Mentioned Above
Favorite Songs: I was pleasantly surprised to hear the choir perform “Jesus Oh What a Wonderful Child” in the style of Mariah Carey’s classic version. Towards the end of the second act, they also sang tried and true non-Christmas gospel choir favorites like “Total Praise” and “Hallelujah, Salvation, and Glory.” It took me back to my high school choir days in a Christian academy near Louisiana.
Star of Bethlehem: Kearia Keke Duncan gracefully danced in a beautiful golden angel costume during “The Night that Christ was Born.” The scene was very moving.
Young Singers: Maya Michelle, Sa’Nia, and another young singer (comment on my social media if you know her name) sang a Christmas song (was it “Oh Holy Night?”) acapella with tight harmonies. I actually originally wasn’t expecting much from young high schoolers. But color me impressed with these promising up-and-coming artists.
Rant(s)
Second Act Transition (Slight Spoiler): The second act weirdly began with a cheesy premise where the performers broke the fourth wall in an effort to involve the audience in a singalong. It would have felt less awkward if they 1) removed the intermission, 2) removed the cheesy fourth wall lines at the beginning of the second act 3) and immediately involved the audience after the last song of the first act. I think this would have portrayed a more organic, professional transition.
Other Musing(s) and Observation(s)
Collection Plate: Can I just say that it was a great idea (for the theatre at least) to pass around collection plates like we were really at church? I’m cheap and I was even inspired to give some money!
Felicia Loud: She was listed in the program, but she didn’t perform on opening night. I’m so curious to hear what I missed since she was great in The Amen Corner. I hope she’s okay…
Difference from the Original Production: I’m curious how different this production is compared to the original. This show feels like it would allow for a much wider breadth of artistic license compared to traditional theatre shows. For all I know, it could be unrecognizable from the original production!
Theatre Company: Intiman Theatre
Venue: Broadway Performance Hall at Seattle Central College
Venue Physical Address: 1625 Broadway, Seattle, WA 98122
Ticket Affordability Options: The ticketing website offers honor code discount options for students, military, industry, … or anybody. There are also 20 free rush tickets 1 hour before each performance.
Dates: December 12 to December 30, 2023
Seating: Assigned Seating
Parking: It’s Capitol Hill … so good luck. Try to take the bus. I think the cheapest parking lots are 1815 Harvard Ave, Seattle, WA 98122 and 1815 Harvard Ave E, Seattle, WA 98122, which are sometimes even cheaper than street parking. I paid $14 parking on the street!
Like/Comment/Share my Social Media Posts About this Performance:
Choir and Cast of Black Nativity (2023). Photo by Joe Moore.Dancers Kearia Keke Duncan, Alvedo, Iverson Harding, & DaeZhane Day. Photo by Joe Moore.Makayla McGhee, Shaunyce Omar, DaeZhane Day, Esther Okech, Kearia Keke Duncan. Photo by Joe Moore.Dancer Kearia Keke Duncan. Photo by Joe Moore.Rontrell J. Brimmer and Choir. Photo by Joe Moore.Choir and Dancers of Black Nativity (2023). Photo by Joe Moore.Dancers DaeZhane Day and Iverson Harding. Photo by Joe Moore.
Role
Name
Narrator
Shaunyce Omar*
Narrator / Elder / Shepherd
Yusef Seevers*
Narrator / Old Woman
Felicia Loud*
Narrator / Mary / Woman
Esther Okech*
Narrator / Joseph / Man / Shepherd
Jarron A. Williams*
—
—
Director
Valerie Curtis-Newton***
Artistic Director
Jennifer Zeyl**
Managing Director
Wesley Frugé
Creator
Langston Hughes
Music Director
Sam L. Townsend Jr
Choreographer
Vania C. Bynum
Scenic Designer
Jennifer Zeyl**
Costume Designer
Danielle Nieves**
Lighting Designer
Robert Aguilar**
Sound Designer
Matt Starritt**
Stage Manager
Phillip Randall*
Assistant Director
Steve Sneed
Assistant Lighting Designer
Chih-Hung Shao
Assistant Stage Manager
Madelyn Salvucci*
Poster Designer
Cade Roach
—
—
Band Leader, Keyboard
Dotcy Isom Ill
Bass
Arthur Nelson
2nd Keyboard
Chandler Williams
Drums
Philip Winston
—
—
Choir
Sadiaa J. Alexander Lulu Austin Gena Brooks Rontrell J. Brimmer Tommie Burton Sherri L. Charleston Jamila Clemens Dana Jackson Jasmine Gartrell-Hall Javonne Gartrell-Hall Deneen Grant Josephine Howell Maya Michelle Antwoine D. Parmer Samara Reign Sa’nia
Dancers
Alvedo Daezhane Day Kearia Keke Duncan
Iverson Harding Makayla McGhee
* Member of Actors’ Equity Association ** Member of United Scenic Artists USA 829, IATSE *** Member of the Stage Directors and Choreographers Society
Black Nativity Xmas musical opening night by Intiman Theatre and The Hansberry Project at Broadway Performance Hall. Performing until 12/30/23. Stay tuned for my full review! #gospel #church #choir #christmas #showsiveseen #theatre
Cindy of Arc comedy rock concert show (from NYC) w/ Intiman Theatre at Erickson Theatre Off Broadway. Don’t wait for my full review if you want to buy tickets since there’s only 4 more performances left.
Elevator Thoughts (aka Tweet): The Niceties #play by Eleanor Burgess at Intiman Theatre w/ Varinique “V” Davis & Amy Thone highlighting today’s generational/racial divide. It’s rare to find a 2-person play w/ intellectual dialogue as thrilling & delicious as this. Loved the twist at the end of the 1st act. Well-written and well-executed!
Synopsis from the Theatre: A pair of progressive women — a white baby boomer and a Black millennial — are pitted against each other at an elite university as a tenured history professor argues with her student about the effects of slavery on the American Revolution. What begins as a polite clash in perspectives explodes into a dramatic fight that will alter both their lives forever. The play forces us to choose a side as it asks: how much are you willing to sacrifice for the sake of progress?
Reviewed Performance: 4/20/23 Opening Night
Type: Play
World Premiere: No
Several or Few Scenes: Just 2 scenes
Several or Few Settings: Just 1 room
Prior Exposure/Knowledge Required: You need to know a little about the history, politics, and higher education of the United States to appreciate this play. A USA college degree and high school diploma will definitely go far in understanding the nuances.
Defined Plot/Storyline: No, there’s only so much you can do with 2 scenes in 1 room!
Recommendation: See it if you like either
2-person Plays
Intellectual Debates
Leftist/Liberal Idealism
Black Lives Matter
Or Academia
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Probably not but it was really good
Rating Compared to Other Shows with the Same Production Value: 5 stars (Out of 5 Stars) – This is surprising since I usually don’t like shows with few actors!
Equity Actors: 2
Total Number of Actors: 2
Length (Including Any Intermission): 2 hour
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Intellectually Interesting: Honestly, I initially thought the premise was inherently boring. I was pleasantly proved wrong and I actually found the play well written/executed. It was both mentally stimulating and entertaining. Stuffy academics would love listening to Professor Janine (played by Amy Throne) drone on about university. Entertainment seekers (like myself) will want to bust out the popcorn when the uncomfortable conflicts unfold. The playwright (Eleanor Burgess) wrote a great debate with interesting, valid arguments from both sides sprinkled with funny smart quips and several “mini climactic” moments.
Ending of Play (No Spoilers): The play ended abruptly on an emotionally charged note with a significant sentence and the lights suddenly off. I can’t think of many plays that do this and I feel like it’s more exciting this way. The final word of the script caught me off guard too. I had to look up the definition after the show and ponder what the playwright was trying to convey with that word. I’m still wondering! Maybe prompting the audience to ponder days after the performance is a sign of a good play though.
Ending of Each Act (No Spoilers): Both acts presented a different energy but they both also ended with their own unexpected similar juicy twist and sudden conclusion. I wish there was a word to describe this novel writing technique like the “bookends” technique. It’s like the bookends are at the end of each act instead of at the beginning/end of the play. Leave a comment in my social media if you have any ideas what this is called.
Rant(s)
“Line”: One of the actors asked for a line at the beginning of the second act. I’ve only ever seen this happen once or twice. Oh, the magical unpredictability of live theatre! In her defense, 1) it was opening night 2) she recovered well 3) and I’m always amazed at how much material on-stage actors memorize like the 1-2 gripping long-winded nervous breakdown-like tirades she delivered.
Other Musing(s) and Observation(s)
Moral of the Story: While both opposing sides made great points, the script didn’t offer much viable concluding solutions to the racial issues presented. There was no “moral of the story.” But I suppose these issues don’t have an easy solution that you can just tie up neatly with a pretty bow.
Liberal Wet Dream: With such a progressive script, Seattle was the perfect city to produce this show, what with our microaggression police, safe spaces, trigger warnings, land acknowledgements, PC-culture, pronoun-ing, and social justice warriors. Can you tell I’m not from here? 😛 Like I mentioned in my review of Between Two Knees, woke Seattleites with white guilt will be sure to eat this up. BLM protesters would love it too.
Theatre Company: Intiman Theatre
Venue: Erickson Theatre at Seattle Central College
Venue Physical Address: 1524 Harvard Ave, Seattle, WA 98122
Price: Medium
Ticket Affordability Options: The ticketing website offers honor code discount options for students, military, industry, … or anybody. There are also 20 free rush tickets 1 hour before each performance.
Dates: April 18-29, 2023
Seating: General Admission
Parking: It’s Capitol Hill … so good luck. Try to take the bus. The cheapest parking I could find was $14 on the street. Geeez!
Other Video +/- Pictures: See pictures in video and under video below by Joe Moore
Cast and Production Team: See after pictures and video below
@showsiveseen "The Niceties" #play by Eleanor Burgess at #Intiman Theatre w/ Varinique "V" Davis + Amy Thone highlighting today's generational/racial divide. It's rare to find a 2-person play w/ intellectual dialogue as thrilling & delicious as this. Loved the twist at the end of the 1st act. Well-written and well-executed! Photos by Joe Moore. Review: showsiveseen.com/4916 #theatre♬ leave me – Anees
Role
Name
Zoe Reed
Varinique ‘V’ Davis*
Janine Bosko
Amy Thone*
—
—
Playwright
Eleanor Burgess
Director
Sheila Daniels
Associate Director + Fight Choreographer
Jasmine Lomax
Scenic Designer and Intiman Artistic Director
Jennifer Zeyl†
Costume Designer
Isabella Price
Lighting Designer
Vada Briceño
Sound Designer
Matt Starritt†
Stage Manager
Hazel Rose Gibson*
Assistant Lighting Designer
Chih-Hung Shao
Intiman Managing Director
Wesley Frugé
*Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States †Member of United Scenic Artists, Local USA 829, IATSE