Ain’t Too Proud – The Life and Times of the Temptations – Musical – Paramount Theatre

Elevator Thoughts (aka Tweet): Ain’t Too Proud – The Life and Times of the Temptations jukebox musical w/ Broadway at the Paramount and Seattle Theatre Group. Imagine a mashup of the musicals Motown and Jersey Boys. Tight harmonies and smooth dance moves. Even the synchronized stage clapping sounded good! #theatre #retro

Synopsis from the Theatre: Ain’t Too Proud – The Life and Times of The Temptations is the electrifying, new smash-hit Broadway musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. With their signature dance moves and silky-smooth harmonies, they rose to the top of the charts creating an amazing 42 Top Ten Hits with 14 reaching number one. Nominated for 12 Tony® Awards and the winner of the 2019 Tony Award for Best Choreography, Ain’t Too Proud tells the thrilling story of brotherhood, family, loyalty, and betrayal, as the group’s personal and political conflicts threatened to tear them apart during a decade of civil unrest in America. Written by three-time Obie Award winner Dominique Morisseau, directed by two-time Tony Award winner Des McAnuff (Jersey Boys), and featuring the Tony-winning choreography of Sergio Trujillo (Jersey Boys, On Your Feet!), the unforgettable story of this legendary quintet is set to the beat of the group’s treasured hits, including “My Girl,” “Just My Imagination,” “Get Ready,” “Papa Was a Rolling Stone,” and so many more.

Reviewed Performance: 1/24/23 – Opening Night

Type: Jukebox Musical

World Premiere: No

Awards: 2019 Tony Award for Best Choreography

Defined Plot/Storyline: Plot was semi-defined but not strong. But this is typical in a jukebox musical. It is also expected from shows written in biographical form (like this one). There is no strong plot in real life!

Live Band/Orchestra: Yes

Recommendation: See it especially if you’re a fan of the Temptations group. You don’t need to be a fan of their music to enjoy the show. I only knew 1/4 of the songs and my dad only knew 2 of the songs.

Was This the First Time I Saw a Production of this Show: Yes

Would I See It Again 3 Years from Now: Maybe

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: All of them

Number of Actors: 22

Length: 2.5 to 2.75 hours, which felt a little longer than what I’m used to

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Voices: Obviously, all the actors had amazing voices. But a special shoutout goes to Devin Price (Al Bryant) with his powerful tenor in “(You Make Me Want to) Shout.” Elijah Ahmad Lewis (David Ruffin) was a great replacement for Devin when the Temptations kicked Devin’s character out the group. The tenors don’t get all the glory in this show though. Harrell Holmes Jr showcased his incredible bass voice as Melvin Franklin. He “got bass lower than the devil!”
  • Lighting Design: The stage haze elegantly highlighted the simple clean lines of the bright spotlights dramatically shining directly downward on each of the Temptations. The marquees on the set reminded me of ritzy classic showbiz. The large lightbulbs that suddenly shined directly behind the Temptations were elegant and glamourous. The designers even included details like “hot lights” on TV set video recorders in the American Bandstand scenes.
  • Costumes: The costumes conveyed a vintage feel. I was strangely drawn to the funeral attire, which was very elegant, simple, and old money. The classic black umbrellas were also a nice addition to the funeral scene.
  • Supremes: I was pleasantly surprised that they included some numbers sung by the Supremes like “Can’t Buy Me Love.”

Rant(s)

  • Views in the Paramount Theatre: Warning, soapbox ahead! Let me just start out saying that I’m extremely thankful for the opportunity to review this show and my seat was well-placed. It was on the aisle at the center where I could theoretically see everything. It was also not too close or far from the stage. However, most patrons at the Paramount Theatre tend to significantly obstruct the view of the person directly behind them. I’ve been burned too many times by this. I’ve even sat in the third row of the center main floor orchestra and a head still annoyingly blocked my view, which was very disappointing especially after paying more than $100 on that ticket. Several regular Seattle theatre patrons have voiced the same concern with Paramount Theatre seats. It is ironic that the arguably most prestigious theatre in the city (which also hosts most touring Broadway shows) also has the highest possibility of an obstructed view. I’ve never experienced this at 5th Avenue Theatre, Village Theatre, or ACT Theatre. Unfortunately, at the Paramount Theatre, you’re only safe with a view in a section’s first row (whether orchestra or mezzanine) with a walkway buffer in front of you. You’d also be safe in the back row of a section propped up by two seat pillows. I wish the Paramount Theatre could change the elevation grade/slope to be steeper and I also wish they would stagger the seats better. Hopefully the “Save a Seat” program will prevent obstructed views that make it difficult to review/enjoy shows. First world problems, right? 😛

Other Thought(s)

  • Historical Anecdotes: A couple interesting historical facts were mentioned throughout the show. For example, apparently there have been more than 25 Temptations members since the group’s inception. Also, one of the past members was known for sneaking on-stage to perform after the group fired him!

Theatre Company: National Tour from Broadway Across America and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine Street, Seattle, WA 98101

Price: Medium to Expensive

Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees and students are eligible for an organization discount.

Dates: January 24 – February 5, 2023

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

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Other Video +/- Pictures: See pictures under video

@showsiveseen “Ain’t Too Proud: The Life & Times of the #Temptations#jukebox #musical w/ @seattletheatregroup at Paramount #Theatre. Imagine a mashup of the musicals #Motown & Jersey Boys. Tight harmonies & smooth dance moves. Even the synchronized stage clapping sounded good! Review: showsiveseen.com/3482 @motownrecords #retro @officialtemptations ♬ My Girl (from “My Girl”) – Hollywood Session Singers
National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Original Broadway Company of Ain’t Too Proud. Photo by Matthew Murphy.
Harrell Holmes Jr., Jalen Harris, Harris Matthew, Marcus Paul James, James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Jalen Harris and the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Harrell Holmes Jr., Elijah Ahmad Lewis, Jalen Harris, Marcus Paul James, James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Traci Elaine Lee, Deri’Andra Tucker, Shayla Brielle G. from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Elijah Ahmad Lewis, Jalen Harris, Marcus Paul James, Harrell Holmes Jr., James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.
Marcus Paul James, Jalen Harris, Elijah Ahmad Lewis, Harrell Holmes Jr., James T. Lane from the National Touring Company of Ain’t Too Proud. Credit: © 2021 Emilio Madrid.

Once On This Island – Musical – Tacoma Musical Playhouse

Elevator Thoughts (aka Tweet): Once On This Island musical at Tacoma Musical Playhouse w/ the 1st live band since the 2019! Novel tribal-like choreography. Excellent Mother. Refreshing diverse tropical vibes desperately needed in the cloudy PNW winter.

Synopsis from the Theatre: From the Tony Award-winning songwriting team of Lynn Ahrens and Stephen Flaherty (Seussical, Ragtime), comes the Olivier Award-winning Once on This Island. This highly original and theatrical Caribbean adaptation of the popular fairy tale, The Little Mermaid, garnered eight Tony nominations for its Broadway run, including Best Musical, Book and Score.

Reviewed Performance: 1/13/23 Opening Night

Type:Musical

World Premiere: No

Awards: Olivier Award

Live Band/Orchestra: Yes – This was the first live band at TMP since the beginning of the pandemic. It significantly improved the caliber of the production compared to the shows that utilized an accompaniment recording.

Recommendation: See it if you like tropical genres like Tarzan or The Jungle Book

Was This the First Time I Saw a Production of this Show: No, I previously saw this from Ludus Performing Arts

Would I See It Again 3 Years from Now: Yes, if it was an Equity production

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: Zero

Length: 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Voices: LaNita Hudson Walters was my favorite performer from this production especially with her distinct voice. She portrayed Mama Euralie, a gristly old Caribbean peasant woman. Honorable mention to Chanel Finnie (Asaka godess of Earth) and Jadyn Muralt (Ti Moune the main character) as well.

Rant(s)

  • Death Explanation: The script doesn’t adequately explain a how a significant death occurred. I won’t say more to avoid spoiling the plot for readers who haven’t seen the musical yet.

Other Thought(s)

  • Scenic Design: Great hotel facade especially with the closing front gates. It was a little weird though seeing the hotel behind the peasant scenes. The hotel facade should only appear during the townsfolk scenes. The peasants needed their own more primitive backdrop. But I regonize the constraints of community theatre budget.
  • Blind Love: Can I just say that love makes you do stupid things? As a pragmatic person who has never fallen in love, I’m appalled at the nonsensical decisions in this story for the sake of love.

Theatre Company: Tacoma Musical Playhouse

Venue: Tacoma Musical Playhouse

Venue Physical Address: 7116 6th Ave, Tacoma, WA 98406

Price: Cheap

Dates: January 13 to February 5, 2023

Seating: Assigned Seating

Parking: Free parking is available in the Park-and-Ride lot directly across Sixth Avenue from the theater.

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Other Video +/- Pictures: See pictures in video and under video.

@showsiveseen “Once On This #Island#musical at @tacomamusicalplayhouse w/ the 1st live band since the 2019! Novel tribal-like choreography. Excellent Mother (@lanitahudson). Refreshing diverse #tropical vibes desperately needed in the cloudy PNW winter. Review: showsiveseen.com/3179 #theatre ♬ Mama Will Provide – Kecia Lewis-Evans & Once on This Island Ensemble
Jeffery Wallace II (Daniel) and Jadyn Muralt (Ti Moune) In the back on the left is Chanel Finnie as Asaka and on the right is Loucas T. Curry as Papa Ge
Clover Curry (Little Girl) with the full company behind her
Full company of Once on this Island
LaNita Hudson Walters (Mama Euralie), Jadyn Muralt (Ti Moune) and Jeffery Wallace II (Daniel)
Jeffery Wallace II (Daniel), Clover Curry (Little Girl) and Jadyn Muralt (Ti Moune)
Full company of Once on this Island
Jadyn Muralt as Ti Moune singing “Waiting For Life” Darryin Cunningham, LaNita Hudson Walters, Anton johnson Jr. behind her from left to right. 

Scenes & Songs: An Improvised Concept Musical – Unexpected Productions

Elevator Thoughts (aka Tweet): Scenes & Songs: An Improvised Concept Musical at Unexpected Productions. Opening night theme was about petty lawbreaking. Audience supplied piracy, jaywalking, & tray sledding examples as inspiration for the vignettes. Quick-thinking seemingly-telepathic performers! #theatre #improv

Synopsis from the Theatre: One piano, one pianist, a handful of improvisers, and YOU. Created right before your eyes, from themes provided by the audience, our imaginative performers weave together entertaining and touching songs, stories, and characters all centered around one main concept. This improvised concept musical show is a genuine musical collaboration between the audience, improvisers, and the musician. Inspired by concept musicals like Company, Assassins, and Working.

Reviewed Performance: 1/6/23 Opening Night

Type: Improvised Comedy Musical

World Premiere: Technically, every performance in this improvised musical is a world premiere

Live Band/Orchestra: One Pianist

Recommendation: See it if you like improv

Was This the First Time I Saw a Production of this Show: Yes, this is also actually the first time I attended a performance at this theatre. I wanted to see where many of Book-it Repertory Theatre’s Austen Unbound actors usually perform.

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: There was no program to check this.

Length: 60 mins

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Hive Mind: It was sometimes impressive how in-tune the performers were with each others’ next intentions. It’s like they had telepathy!

Rant(s)

  • Songs: The number of songs in this opening night performance was significantly less than what I’d expect from a musical. Hopefully, their subsequent performance will include more. Update 1/10/23, one of the actors messaged me that the cast will focus on adding more songs. 🙂

Theatre Company: Unexpected Productions

Venue: Unexpected Productions

Venue Physical Address: 1428 Post Alley, Seattle, WA 98101 at the gum wall

Price: Cheap

Dates: January 6 to February 11, 2023

Seating: General Admission

Parking: I usually walk or transit anywhere near Pike Place Market. Street parking is typically difficult around here. I think the cheapest evening garage lot is Pike Place garage (1531 Western Ave P, Seattle, WA 98101).

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Other Video +/- Pictures: See additional pictures under video by Bill Grinnell .

Cast: See below pictures

@showsiveseen “Scenes & Songs: An #Improvised Concept #Musical” at @up_improv_seattle. Opening night theme was about petty lawbreaking. Audience supplied piracy, jaywalking, & tray sledding examples as inspiration for the vignettes. Quick-thinking seemingly-telepathic performers! Review: showsiveseen.com/3132 #theatre #improv ♬ A Musical – Brad Oscar & Brian d’Arcy James & ‘Something Rotten’ Ensemble & Wayne Kirkpatrick & Karey Kirkpatrick
RoleName
Performers (in reverse alphabetical order by first name)Paul Levy
Michelle Hippe
Mark Shone
Jill Farris
David Bestock
Cynthia Lair
Audrey Sigel
PianistMatt Hohensee

Moulin Rouge! The Musical – Paramount Theatre

Elevator Thoughts (aka Tweet): Moulin Rouge! The Musical w/ Broadway at The Paramount & Seattle Theatre Group. Ostentatious dazzling scenic design. Fabulous costumes. Endless catchy modern pop culture song mashups not in the movie. Dances set to exciting heart-pounding beats. Truth, beauty, freedom, love! #bohemia #extravaganza #theatre #jukebox

Synopsis from the Theatre: Enter a world of splendor and romance, of eye-popping excess, of glitz, grandeur, and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to Moulin Rouge! The Musical! Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award® winner John Logan; music supervision, orchestrations, and arrangements by Tony Award® winner Justin Levine; and choreography by Tony Award® winner Sonya Tayeh, Moulin Rouge! is more than a musical — it is a state of mind.

Reviewed Performance: 12/16 Opening Press Night – There were major call outs that required the understudies. Denzel Tsopnang portrayed the Duke, which was usually David Harris. Andrew Brewer portrayed Christian, which was usually Conor Ryan. And Adéa Michelle Sessoms portrayed La Chocolat, which was usually Harper Miles.

Type: Musical

World Premiere: No

Live Band/Orchestra: Yes

Recommendation: See it whether or not you watched the movie. I’m still in awe at how breathtaking and entertaining the show was.

Was This the First Time I Saw a Production of this Show: Yes but I’ve seen the movie

Would I See It Again 3 Years from Now: Yes!

Rating Compared to Other Shows with the Same Production Value:
5 Stars (Out of 5 Stars)

Equity Actors: The program doesn’t mention this but I assume all of them are Equity.

Length: 2.5 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Song Mashups: I’m simply amazed at the number of pop culture songs they fit into this jukebox musical. They must pay through the nose in royalties! The original classic songs in the movie (like “Diamonds Are a Girl’s Best Friend”) were outnumbered by reimagined mashups of more modern songs written after the film was released. There were times I couldn’t determine if the heavy thump in my chest was from the orchestra’s strong driving beat or my excitement from hearing songs like Britney Spears’s “Toxic” and Lady Gaga’s “Bad Romance.” The chorus in Katy Perry’s “Firework” was also particularly spectacular. A couple other favorites include Adele’s “Rolling in the Deep,” Regina Spektor’s “Fidelity,” Natalie Imbruglia’s “Torn,” & Sia’s “Chandelier.”
  • Scenic Designs: Gorgeous, stunning, gaudy, and glamorous! There were lots of diamonds, hearts, and saturated colors everywhere. At times, it felt like Valentines Day and Lisa Frank exploded on stage … in a good way! The sets of the Parisian scenes outside the Moulin Rouge establishment were starkly opposite and it definitely shows the range of talent from the scenic designers.
  • Male Lead Understudy: Andrew Brewer, the understudy for Christian, had such a nice voice.
  • Opening Scene: The performers effectively hooked the audience early on with the glitz and glamour of the Moulin Rouge establishment. This is in contrast to other musicals like Wicked and The Wiz that honestly start out a little boring.
  • Absinthe: Novel green-lit props showed absinthe’s eerie properties and the amount the characters consumed.
  • Breakup Scene: Maybe it’s the “Mean Girl” in me but the way Satine (Courtney Reed) cut Christian at the knees for his safety was particularly delicious.
  • Costumes: They were extravagant, interesting, and intricate. Two favorites were the tuxedo tutu dresses and the headpiece that looked like fallopian tubes.
  • Favorite Lines: A couple include “Gaga ooo la la? Hmmm … we might want to rethink that” and “I want to make desperate love to each and every one of you.” The double entendre scene where Satine was talking about sex while Christian was talking about singing was also particularly funny. When Baby Doll replied, “Tell me about it” to Satine saying, “This corset hurts like hell, I’m all tied down,” were they making a drag queen joke about tucking? Let me know in my social media links below!

Rant(s)

  • Trumpets: The actors playing the trumpets should make it look more realistic.
  • “Shut Up and Dance” Song: I was pleasantly surprised to hear them include this Walk the Moon song in the Moulin Rouge! The Musical repertoire since it’s often played in my car playlist. But I was a little disappointed with the weak execution. I think it’s an inherant problem with the composition since the original Broadway cast recording of this song sounds weak too.

Other Thought(s)

  • Tuberculosis: As a healthcare professional especially in the COVID era, I couldn’t stop thinking about how Satine was just spreading her consumption to all her friends. Mask up gurl!
  • Sword Trick: What stage magic allowed the actors to swallow swords in the beginning? Leave a comment in my social media links below if you have any ideas!

Theatre Company: Broadway Across America Tour and Seattle Theatre Group

Venue: Paramount Theatre

Venue Physical Address: 911 Pine St, Seattle, WA 98101

Price: Expensive

Dates: Dec 14, 2022 – Jan 1, 2023

Seating: Assigned Seating

Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you get closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, the usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.

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Other Video +/- Pictures: There are additional picture under below video below.

@showsiveseen @moulinrougebway #jukebox #musical at the Paramount Theatre w/ @seattletheatregroup. #Ostentatious dazzling scenic design. #Fabulous costumes. Endless catchy modern pop culture song #mashups not in the movie. Dances set to exciting heart-pounding beats. Truth, beauty, freedom, love! Review: showsiveseen.com/2828 #bohemia #extravaganza #theatre #MoulinRouge ♬ original sound – Shows I’ve Seen

Courtney Reed and Conor Ryan in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Courtney Reed and David Harris in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Courtney Reed and Conor Ryan in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Austin Durant and the cast of the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Conor Ryan in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
Courtney Reed in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Conor Ryan as Christian and Courtney Reed as Satine in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Harper Miles, Libby Lloyd, Nicci Claspell and Andres Quintero in the North American Tour of Moulin Rouge! The Musical, photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Gabe MartÍnez as Santiago and Libby Lloyd as Nini in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
The cast of the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Conor Ryan as Christian, Gabe MartÍnez as Santiago, André Ward as Toulouse-Lautrec and Austin Durant as Harold Zidler in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
David Harris as The Duke of Monroth in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Adéa Michelle Sessoms and Jennifer Wolfe in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Courtney Reed as Satine in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade
Conor Ryan as Christian and Courtney Reed as Satine in the North American Tour of Moulin Rouge! The Musical, Photo by Matthew Murphy for MurphyMade

The Lightning Thief – The Percy Jackson Musical – Village Theatre

Elevator Thoughts (aka Tweet): The Lightning Thief: The Percy Jackson Musical at Village Theatre by developing youth actors. Interesting to see how a 6-7 person show works w/ 15 people. Favorite line was something like “He met a fury. No you’re a furry!” #percyJackson #greekMythology #musical #theatre

Synopsis from the Theatre: As the half-blood son of a Greek god, Percy Jackson has newly discovered powers he can’t control, a destiny he doesn’t want, and a mythology textbook’s worth of monsters on his trail. When Zeus’s master lightning bolt is stolen and Percy becomes the prime suspect, he has to find and return the bolt to prove his innocence and prevent a war between the gods. To succeed on his quest, Percy will have to do more than catch the thief. He must travel to the Underworld and back; solve the riddle of the Oracle, which warns him of betrayal by a friend; and come to terms with the father who abandoned him. Adapted from the best-selling book The Lightning Thief by Rick Riordan and featuring a thrilling original rock score, The Lightning Thief: The Percy Jackson Musical is an action-packed mythical adventure “worthy of the gods” (Time Out New York). –Concord Theatricals

Type: Musical

World Premiere: No

Live Band/Orchestra: Yes

Recommendation: See it if you like supporting developing actors in high school. Many talented major Seattle actors participated in Village Theatre’s Kidstage program growing up. For example, I think the Kataka Corn, who played Dorothy (lead role) in 5th Ave Theatre’s The Wiz, is a Village Theatre Kidstage alumnus.

Would I See It Again 3 Years from Now?: Yes if it was an Equity production. This is actually the second time I’ve seen this musical. The first time was the national tour.

Equity Actors: 0

Length: 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Playbill: Loved their new upgraded glossy playbill. In the past, Village Theatre Kidstage productions didn’t print color graphics or actor headshots.
  • Favorite Actors: Powerful steady voice from Mia Basulto (Clarisse – Ares’ Daughter) and good acting from River DeJong (Ares/Gabe/Ensemble)

Other Thought(s)

  • Deviations from the Original Productions: Did the tour or original production refer to the Oracle as a “mummy?” I don’t remember that. Was the Medusa scene in the original productions or was that a new?

Theatre Company: Village Theatre Kidstage

Venue: Village Theatre First Stage

Venue Physical Address: 120 Front St N, Issaquah, WA 98027

Price: Cheap

Dates: December 2 to December 18, 2022

Seating: Assigned Seating

Parking: Free street parking and free lot parking. If you park in the lot, make sure the spot is not reserved for a business. As a last resort, I think you can always find parking at the library (10 W Sunset Way, Issaquah, WA 98027) but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that most non-locals don’t know about.

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@showsiveseen "The Lightning Thief: The Percy Jackson #Musical" at #VillageTheatre by developing youth actors. Interesting to see how a 6-7 person show works w/ 15 people. Favorite line was something like "He met a fury. No you're a furry!" Review: showsiveseen.com/2807 #percyJackson #greekMythology #theatre ♬ Drive – Chris McCarrell & Kristin Stokes & George Salazar & James Hayden Rodriguez & The Lightning Thief Company & Rob Rokicki