Congrats Merry for winning a ticket courtesy of Shows I’ve Seen to Broadway at the Paramount’s and Seattle Theatre Group’s Tina: The Tina Turner Musical, which is on-stage at Paramount Theatre till September 17, 2023. Read my review at showsiveseen.com/6480 #musical #theatre #TinaTurner #Tina #showsiveseen @tinaturner
Elevator Thoughts (aka Tweet): Tina – The Tina Turner Musical with Broadway Seattle and Seattle Theatre Group at the Paramount Theatre starring Ari Groover. Dazzling lights and projections. Roz White was a delightful mom. Surprising amount of domestic violence in the 1st act!
Synopsis from the Theatre: THERE IS ONLY ONE. HER VOICE IS UNDENIABLE. HER FIRE IS UNSTOPPABLE. HER TRIUMPH IS UNLIKE ANY OTHER. An uplifting comeback story like no other, Tina – The Tina Turner Musical is the inspiring journey of a woman who broke barriers and became the Queen of Rock n’ Roll. One of the world’s best-selling artists of all time, Tina Turner has won 12 Grammy Awards and her live shows have been seen by millions, with more concert tickets sold than any other solo performer in music history. Featuring her much loved songs, Tina – The Tina Turner Musical is written by Pulitzer Prize-winning playwright Katori Hall and directed by the internationally acclaimed Phyllida Lloyd.
Prior Exposure/Knowledge Required: Obviously, you’d probably enjoy this more if you’re familiar with Tina Turner’s hits. I’m surprised I was only familiar with two songs “Proud Mary” and “What’s Love Got to Do with It?”
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes
Equity Actors: All
Total Number of Actors: Too many to count
Perceived Pace of the Show: Medium but a little slow in the beginning of the first act
Length (Including Any Intermission): 3 hours
Intermission Included: Yes
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: No
Recommendation: See it if either 1) you’re a Tina Turner fan 2) or you watch Lifetime TV dramas with domestic violence.
Other Rave(s) Not Mentioned in Elevator Thoughts
Mother: Roz White (as Tina Turner’s mom Zelma) was so delightful despite her character’s lack of maternal warmth. I actually thought she was a stepmom.
Projections: The projections seemed inspired by the psychedelic 1970s. They were especially mesmerizing immediately after the “Proud Mary” number.
Light Design: The lights were dazzling … even painful with the sudden spotlights in the Brazil concert scene!
Wigs: Ari Groover showcased a plethora of Tina Turner hairstyles throughout the show. My favorite was probably “the Farrah Fawcett” worn at the beginning of the second act.
Favorite Song: Other than the obvious recognizable hits “Proud Mary” and “What’s Love Got To Do With It,” I liked “Shake a Tailfeather” because the choreography reminded me of Hairspray.
Favorite Line: Regarding Tina’s signature hairstyle, her mom said something like “Looks like a cat’s been sucking on it.”
Rant(s)
Heat and Humidity: Let’s turn on the A/C or dehumidifier Paramount Theatre!
White Savior: Even though it might be historically accurate that Roger Davies (played by Zachary Freier-Harrison) was the catalyst for Tina’s icon status, it reminded me of the “white savior” trope like in the movies The Help and Hidden Figures.
Other Musing(s) and Observation(s)
Domestic Abuse: The first act was filled with domestic violence/abuse like a Lifetime TV drama! Maybe that’s why I enjoyed the second act more.
Chant: A mystic Buddhist mantra theme was woven throughout the musical. I honestly thought it was an indigenous tribal chant until I read about it the next day. The script should explain this mantra more.
Theatre Company: National Tour from Broadway Across America and Seattle Theatre Group
Venue: Paramount Theatre
Venue Physical Address: 911 Pine St, Seattle, WA 98101
Price: Medium to Expensive
Ticket Affordability Options: Seattle Theatre Group might partner with an organization you’re affiliated with for discount tickets. For example, I believe UW employees and students are eligible for an organization discount.
Dates: September 12 to 17, 2023
Seating: Assigned Seating
Parking: Paid street parking and paid garage parking. The best parking garage is under the convention center w/ the entrance on Pike around the Pike and Terry intersection. Last I checked, this is one of the cheapest, least busy, and closest garages. Alternatively, you can probably find street parking as you move closer to the West Precinct (810 Virginia St, Seattle, WA 98101). Do NOT park where the Paramount subscribers park. Last I checked, they usually park in the garage attached to the Cheesecake Factory. It’ll take you at least 30 minutes to exit that garage after the show.
Garrett Turner as ‘Ike Turner’ and Roz White as ‘Zelma’ in the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade, 2022 Naomi Rodgers performing “River Deep – Mountain High” as ‘Tina Turner’ in the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade, 2022Naomi Rodgers performing “Proud Mary” as ‘Tina Turner’ and the cast of the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade, 2022 Naomi Rodgers as ‘Tina Turner’ in the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy for MurphyMade, 2022Garrett Turner as ‘Ike Turner’ in the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade, 2022Garrett Turner as ‘Ike Turner’ in the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade, 2022Ayvah Johnson as ‘Young Anna-Mae’ and the cast of the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade, 2022Ann Nesby as ‘Gran Georgeanna’ in the North American touring production of TINA – THE TINA TURNER MUSICAL. Photo by Matthew Murphy and Evan Zimmerman for MurphyMade, 2022
Leave a comment mentioning your favorite Tina Turner song & why. I’ll chose a winner after 9/13 11:59 PM.
Post your comment submission on my Facebook, Instagram, Twitter, or Threads. This is a free SINGLE ticket courtesy of Shows I’ve Seen in price level F (worth about $60 if you include Ticketmaster fees) to any remaining Tina – The Tina Turner Musical performance which ends 9/17 at the Broadway Seattle and Seattle Theatre Group Paramount Theatre. Subject to seat availability. Stay tuned for my full review! #theatre #showsiveseen #musical #TinaTurner
Leave a comment mentioning your favorite Disney song & why. I’ll chose a winner after 9/3 11:59 PM. Post your comment submission on my Facebook, Instagram, Twitter, or Threads. Thanks to The 5th Avenue Theatre for providing this FREE PAIR of tickets in price zone 3 (worth up to $278 total) to The Little Mermaid on 9/8, 9/9, 9/10, 9/13, or 9/14. Subject to seat availability.
Elevator Thoughts (aka Tweet): 1776 musical at the 5th Avenue Theatre starring Gisela Adisa. Directed by Jeffrey L Page & Diane Paulus. An inclusive female, trans, & nonbinary cast of diverse races & ethnicities portraying our cis white American forefathers as they commenced the “Great American Experiment” and signed the Declaration of Independence. Genteel, silky smooth Southern drawl accents like molasses spilling out of their mouths. Good debate scenes.
Synopsis from the Theatre: What will it take to get two dozen powerfully passionate, exceedingly complicated, and all-too-human individuals to settle their differences, while they hold the very future of a nation in their hands? American Repertory Theater at Harvard University/Roundabout Theatre Company’s new production of the Tony Award®-winning Best Musical, 1776, is a tuneful, witty, “bold and exuberant” (Variety) reexamination of a pivotal moment in American history from directors Jeffrey L. Page (Violet) and Diane Paulus (Waitress). 1776 comes to Seattle with a cast that reflects multiple representations of race, gender, and ethnicity. You may never think about our country—who we are and why—the same way again.
Reviewed Performance: 8/2/23 (Opening Night)
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: A couple
Prior Exposure/Knowledge Required: You’d probably understand this show more if you studied American history in school.
Defined Plot/Storyline: It was more debate and history than story/plot.
Musicals that are more play than music (there were only 13 songs)
Or shows that are less story, more debate, and more (dry?) history.
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Probably not but it was well-performed
Rating Compared to Other Shows with the Same Production Value: 4 stars (Out of 5 Stars)
Equity Actors: 22
Total Number of Actors: 22
Perceived Pace of the Show: Slow to medium speed
Length (Including Any Intermission): 2.75 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Favorite Line: John Dickinson of Pennsylvania (played by Joanna Glushak) said “Don’t forget that most men with nothing would rather protect the possibility of becoming rich than face the reality of being poor.” What a poignant commentary of today’s political climate!
Slideshow: Nice background video during “The Egg” song.
Rant(s)
Stage Curtain: Stage curtains that resemble shower curtains or actual window curtains don’t work well for a huge professional stage. It makes the top half of the stage look empty and the bottom half of the stage look cheap.
Other Musing(s) and Observation(s)
Intermission Placement: The intermission was inserted in a weird place. Usually it’s right after a cliffhanger or showstopper. I suggest the 1st act end a little earlier since it was a little too long anyway.
First Independant Colony: I didn’t know that the USA was the first colony in world history to successfully gain independence.
Theatre Company: The 5th Avenue Theatre
Venue: The 5th Avenue Theatre
Venue Physical Address: 1308 5th Ave, Seattle, WA 98101
Price: Expensive
Ticket Affordability Options: $30 day-of-show rush tickets at the box office are available for in Zones 3, 4, and 5. Contact the theatre directly for organizational discount affiliation possibilities like from your job. Goldstar or TodayTix usually offer good options too.
Dates: August 2 to 6, 2023 – Sorry for the late review! I didn’t realize the show closed this weekend.
Seating: Assigned Seating
Parking: When I don’t walk to the theatre or park on the street, I park in the paid garage at the Motif hotel NW of the theatre. The entrance is on 5th Ave. Do NOT park in the Hilton garage (entrance on 6th ave). That’s where most of the audience parks, so it’s a nightmare to leave. However, the Hilton garage is the closest garage to the theatre and you can access the theatre underground if you want to avoid the elements. But this benefit is not worth the time wasted leaving in my opinion.
(From L) Liz Mikel as Benjamin Franklin, Nancy Anderson as Thomas Jefferson and Gisela Adisa as John Adams in the National Tour of 1776. Photo Credit: Joan Marcus.“Sit Down, John” – The National Tour Cast of 1776. Photo Credit: Joan Marcus.“Cool, Cool Considerate Men” – (Center) Joanna Glushak as John Dickinson and the National Tour Cast of 1776. Photo Credit: Joan Marcus.The National Tour Cast of 1776. Photo Credit: Joan Marcus.“Momma, Look Sharp” – (Left) Tiffani Barbour as Andrew McNair and (center) Brooke Simpson as The Courier and the National Tour Cast of 1776. Photo Credit: Joan Marcus.“The Egg” – (From L) Gisela Adisa as John Adams, Nancy Anderson as Thomas Jefferson and Liz Mikel as Benjamin Franklin in the National Tour of 1776. Photo Credit: Joan Marcus.Liz Mikel as Benjamin Franklin in the National Tour of 1776. Photo Credit: Joan Marcus.