Elevator Thoughts (aka Tweet): The Shawshank Redemption play based on the Stephen King novel. Starring Mason Quinn & Mark Peterson. Directed by Blake R York. Must be awful at the mercy of fellow inmates & the prison system. So much potential for abuse of power!
Synopsis from the Theatre: Based on the novella by Stephen King, this adaptation of The Shawshank Redemption hearkens to the 1994 critically acclaimed film, bringing audiences to the edge of their seats. Andy Dufresne is convicted of the murder of his wife and her lover and sentenced to life imprisonment at Shawshank prison. While at Shawshank, Andy befriends some of the other inmates, namely a character known as Red. Over time Andy finds a way to live out life with as much relative ease as one can find in prison, leaving a message for all that while the body may be locked away in a cell, the spirit can never be truly imprisoned.
Reviewed Performance: 6/3/23 – Opening Weekend
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several locations at a prison facility
Prior Exposure/Knowledge Required: No, but I assume you’d appreciate it more if read the book or watched the movie. I saw neither but I was still able to enjoy it.
Defined Plot/Storyline: Mostly yes, but there’s only so much plot that can occur in a single penitentiary
Recommendation: See it if you like prison dramas or dystopian stories
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Probably not
Rating Compared to Other Shows with the Same Production Value: 4 stars (Out of 5 Stars)
Equity Actors: 0
Total Number of Actors: 15
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 2.25 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Scenic Design: Nice harsh utilitarian design of an austere prison. I’m glad Tacoma Little Theatre didn’t rely heavily on the projections during this production. While Tacoma Little Theatre usually produces decent-quality projections, the previous shows this season seemed to start leaning a little too generously on the stage technology.
Other Musing(s) and Observation(s)
Male Nudity: For a play with a warning about “some adult male nudity,” I was surprised how little nudity was shown … at least for a PNW show. Coming from Texas, I noticed y’all love nudity here in the PNW! I was promised full wang! 😛
Theatre Company: Tacoma Little Theatre
Venue: Tacoma Little Theatre
Venue Physical Address: 210 N I St, Tacoma, WA 98403
Price: Cheap
Dates: June 2 to 18, 2023
Seating: Assigned Seating
Parking: Mostly street parking. I usually like to park one block away on North Yakima Ave. Season ticket holders and donors can access a free parking lot.
Other Video +/- Pictures: See pictures in video and under video by Dennis K Photography.
@showsiveseen “The #Shawshank Redemption” #play based on the #StephenKing novel. Directed by Blake R York. Relying on the mercy of fellow inmates & the prison system must be awful. So much potential for abuse of power! Photos by Dennis K Photography. Review: showsiveseen.com/5782 #theatre♬ Great Escape
The inmates of The Shawshank Redemption. Andy (Mason Quinn) & Red (Mark Peterson)Tommy (Darius Sakui) & Andy (Mason Quinn)Brooksie (Roger Iverson) & Andy (Mason Quinn)Tommy (Darius Sakui) and the inmates of The Shawshank RedemptionDawkins (Beau Prichard), Pinky (Jeffrey K. York), Rooster (Paul Richter) Bogs Diamond (Joshua Olver), Rico (Ton Williams), Red (Mark Peterson), Prisoner #5271 (Russ Coffey), Prisoner #7159 (Nathan Lovitt) & Prisoner #3861 (Glenn Fischer)Entwistle (Alex Vowles), Hadley (Joshua Johnson) & the inmatesRooster (Paul Richter), Red (Mark Peterson), Dawkins (Beau Prichard) & Andy (Mason Quinn)Hadley (Joshua Johnson) & Andy (Mason Quinn)Red (Mark Peterson), Warden Stammas (Joseph Grant) & Andy (Mason Quinn)
Elevator Thoughts (aka Tweet): Jeeves Takes a Bow play at Taproot Theatre directed by Scott Nolte adapted by Margaret Raether based on PG Wodehouse stories. Fast-moving light play … just how I like it! Chaotic comedy! Great job Jeeves understudy Mark Waldstein. It must be nice to have a butler to cushion your falls in life!
Synopsis from the Theatre: Bertie’s back! And this time his talent for trouble trails him to the Big Apple. When childhood chum Binkey Binkersteth knocks, one knacky notion leads to masterful mayhem and soon the notorious Knuckles McCann is fitting Bertie for a Chicago overcoat. Fortunately, the unflappable Jeeves is close at hand with a stiff cuppa joe and a penchant for putting things right!
Reviewed Performance: 5/19/23 – Opening Night
Type: Play
World Premiere: No
Several or Few Scenes: Few
Several or Few Settings/Locations: One, the living room of a luxurious New York City apartment
Prior Exposure/Knowledge Required: No, but I suspect you’d probably appreciate the play more if you’re familiar with PG Wodehouse’s Jeeves character. I only knew about Ask Jeeves from the 1990s prior to this performance.
Defined Plot/Storyline: Not particularly extensive. There’s only so much story that can unfold in a single room. It was more about comedic antics than unfolding complex plot.
Recommendation: See it, especially if you like chaotic comedies that Taproot Theatre tends to produce like The Nerd and See How They Run. Usually, I don’t prefer shows with focused on hijinks and antics but this one was actually pretty good.
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Probably not, but it was good
Rating Compared to Other Shows with the Same Production Value: 4.5 stars (Out of 5 Stars)
Equity Actors: 2
Total Number of Actors: 6
Perceived Pace of Show: Fast
Length (Including Any Intermission): 2 hours that flew by. Time flies when you’re having fun!
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Delightful Characters: Many amusing personalities filled this play with funny 1930s dialogue. The prude Vivienne Duckworth was probably my favorite since I grew up with her repressive moralistic mentality. Kelly Karcher’s energetic portrayal of Vivienne reminded me of her previous Taproot Theatre role where she shined as Lydia in The Wickhams: Christmas at Pemberley. The flapper-like NYC stardom-obsessed Ruby LeRoy (played by Claire Marx) was a wonderful contrast to prim British Vivienne. Speaking of contrasts, there was an “opposites attract” storyline, which I always eat up. It’s also worth mentioning Calder Shilling’s (Bertram Wilberforce Wooster) and Miguel Castellano’s (Nigel Bingham-Binkersteth, aka “Binkey”) lively portrayals of their British characters.
Scenic Design: While the design didn’t feel like 1910s-1920s era (seemed more 1980s-1990s), it was still visually pleasing. I was particularly drawn to the way high rise windows and the fire escape was designed.
Song: I was pleasantly surprised when Claire Marx sang a number in the second act. When I saw her name in the program, I remarked to myself that I usually see her in more music-related roles instead of pure acting parts. I’m glad she still briefly showcased her great musicality in her Ruby character.
Other Musing(s) and Observation(s)
Opening Remarks: The mundane opening remarks (like acknowledging the show sponsors) we hear before live theatre was pre-recorded like an old timey on-era NPR-like radio broadcast. Nice attention to detail.
Twist: Good unexpected twist with the gangster at the end of the first act!
Western Play Segment: Where did this chaotic scene come from? Very left field in my opinion.
Theatre Company: Taproot Theatre
Venue: Jewell Mainstage at Taproot Theatre
Venue Physical Address: 204 N 85th St, Seattle, WA 98103
Other Video +/- Pictures: See pictures in video and under video
@showsiveseen "Jeeves Takes a Bow" #play at @TaprootTheatre directed by Scott Nolte adapted by Margaret Raether based on PG Wodehouse stories. Opening night starring understudy Mark Waldstein & Calder Shilling w/ food from @Zylberschtein’s. Fast-moving light show – just how I like it. Chaotic #comedy! Photos by Robert Wade & @Giao Nguyen. Review: showsiveseen.com/5611 #theatre♬ original sound – Shows I've Seen
Left to right: Calder Shilling and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade.Left to right: Calder Shilling, Richard Nguyen Sloniker, and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.Left to Right: Claire Marx and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.Left to Right: Richard Nguyen Sloniker and Calder Shilling in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.Left to Right: Calder Shilling and Richard Nguyen Sloniker in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen. Clockwise from left: Calder Shilling, Claire Marx, Miguel Castellano, and Richard Nguyen Sloniker in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.Calder Shilling and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade. Left to right: Calder Shilling and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade. Calder Shilling in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade. Left to right: Tyler Matthew Campbell and Kelly Karcher in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade. Miguel Castellano on the floor, then left to right: Calder Shilling, Claire Marx, Kelly Karcher, and Tyler Matthew Campbell in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade.
Elevator Thoughts (aka Tweet): Monstrous Regiment play adaptation (by Christopher Hainsworth) of Terry Pratchett’s Discworld novel. Directed by Christopher Kidder-Mostrom. Latitude Theatre’s historic first show ever! A group of monstrous/misfit army underdogs defy traditional gender roles. Unexpected reveal at the end. #girlPower #igor #vampire #troll #Discworld
Synopsis from the Theatre: From the pages of the Discworld(TM) novels, comes a story filled with loyalty, love, monsters, and mayhem. Borogravia is at war. Again. When Polly Perks’ brother goes missing in action, she disguises herself as a young man, enlists in the army and heads to the front lines in search of her sibling. But all is not as it seems, and Polly soon learns that she isn’t the only one in this band of “brothers” protecting secrets. Making their way to the front, this misfit company might just overcome insurmountable odds to become unlikely victors. A wickedly funny look at the absurdities of war and ambiguities of identity.
Reviewed Performance: 5/18/23 – Opening night and debut show of Latitude Theatre’s inception!
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Prior Exposure/Knowledge Required: No, but you’d probably appreciate it more if you read the book. I haven’t read the book and I was still able to follow the story.
Defined Plot/Storyline: Yes
Was This the First Time I Attended a Production of this Show: Yes
Equity Actors: 0
Total Number of Actors: 11
Length (Including Any Intermission): 3 hours-ish , which was a bit too long
Intermission: Yes
Theatre Company: Latitude Theatre
Venue: Isaac Studio at Taproot Theatre
Venue Physical Address: 212 N 85th St, Seattle, WA 98103
Price: Cheap
Dates: May 18 to June 4, 2023
Seating: General Admission
Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.
Cast and Production Team: See after pictures and video below
@showsiveseen "Monstrous Regiment" #play adaptation (by Christopher Hainsworth) of Terry Pratchett's #Discworld novel. Directed by Christopher Kidder-Mostrom. Latitude Theatre's historic first show ever! A group of monstrous/misfit army underdogs defy traditional #gender roles. Unexpected reveal at the end. Photos by James Murphy. Review: showsiveseen.com/5577 #girlPower#igor#vampire#troll#theatre♬ original sound – Shows I've Seen
The evil Prince Heinrich (Rowan Gallagher, center) is captured by members of the Monstrous Regiment (Jacq Babb, Ali Kidder-Mostrom, Steven Sterne, L-R) in the stage adaptation of Terry Pratchett’s Monstrous Regiment adapted by Christopher Hainsworth, directed by Christopher Kidder-Mostrom No playing at the Isaac Studio Theatre, produced by Latitude Theatre.Sergeant Jackrum (Steven Sterne, right) prepares the members of the Monstrous Regiment for the realities of war in Latitude Theatre’s production of Terry Pratchett’s Monstrous Regiment adapted by Christopher Hainsworth.Polly (Lola Rei Fukushima, center) holds her own sparring against Corporal Strappi (David Elwyn, right) under the watchful eye of Sergeant Jackrum (Steven Sterne, left) in Latitude Theatre’s production of Terry Pratchett’s Monstrous Regiment adapted by Christopher Hainsworth, directed by Christopher Kidder-Mostrom.
Role
Name
Polly Perks
Lola Rei Fukushima
Igor
Ali Kidder-Mostrom
Maladict
Jacq Babb
Carborundum
Kirsten Traylor-Thorson
Tonker
Leah Sainz-Jones
Lofty
Annabel Klein
Wazzer
Emily Fortuna
Sgt Jackrum
Steven Sterne
Lt Blouse, Barman
Jonathan Swindle
Cpl Strappi, Sgt Towering, Gen Froc
David Elwyn
Handsome Young Man, Death, Lord Rust
Rowan Gallagher
Polly (Understudy)
Annabel Klein
Maladict/Lt Blouse (Understudy)
Skye Farrell
Igor/Carborundum/Tonker/Lofty/Wazzer (Understudy)
Jacqueline Alves
Strappi, et al/Death, et al (Understudy)
Alex Hogue
—
—
Director
Christopher Kidder-Mostrom *
Assistant Director
Hannah Lund
Playwright
Terry Pratchett
Set Designer
Rhys Strohmayer
Set Builder
Benji Strohmayer, Niclas Brown, Alex Hogue
Costume Designer
Ali Kidder-Mostrom
Costume Assistants
Jane Ryan, Jennifer Nielsen
Lighting Designer
Gwyn Skone
Sound Designer
Amber Granger
Composer
Charlie Sandford
Props Designer
Jennifer Nielsen
Stage Manager
Sam Williamson
Assistant Stage Manager
Alex Hogue
Fight Choreographer
Stacey Bush
Fight Captain
Kirsten Traylor-Thorson
Dialect Coach
Rowan Gallagher
*Member of the Stage Directors and Choreographers Society, a national theatrical labor union
Elevator Thoughts (aka Tweet): Wolf Play at ACT Theatre by Hansol Jung directed by Rosa Joshi. Interesting story about a lesbian queer couple, unconventional adoption, parenting, betrayal, & boxing. Novel puppetry. #LGBT #LGBTQ
Synopsis from the Theatre: When an online adoption process goes sideways, the young boy caught in the middle launches himself into a lone wolf’s journey to find a pack he can call his own. From South Korean playwright Hansol Jung, one of the most imaginative story tellers in the field, comes a wild new play employing puppetry, boxing, and crackling dialogue to tell the affecting story of trust, love, identity, and the families we choose and unchoose.
Reviewed Performance: 5/11/23 Opening Night
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Prior Exposure/Knowledge Required: None
Defined Plot/Storyline: Yes
Recommendation: See it, especially if you’re a(n) (aspiring) gay parent or if you like watching on-stage puppetry. This was not your typical furry Muppets or Avenue Q puppetry though! Read more below.
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Probably not, but it was good
Rating Compared to Other Shows with the Same Production Value: 4.5 stars (Out of 5 Stars)
Equity Actors: 2
Total Number of Actors: 5
Length (Including Any Intermission): 2 hours
Intermission: No
Other Rave(s) Not Mentioned in Elevator Thoughts
Puppetry: I usually don’t like puppetry on-stage (and thankfully only the main character was a puppet), but I’ll admit that the puppetry design/presentation in this play was unique. Throughout the show, Morgan Gwilym Tso portrayed a child (Wolf) as a life-sized non-furry puppet. A side benefit was that it let the theatre avoid casting a child actor, which can be problematic.
Courtroom Scene: They lowered poles from the ceiling to simulate a boxing ring in the courtroom.
Lesbian MomsLGBTQ Parents (Updated 5/21): This play showcases an LGBTQ couple with a lipstick female (Robin) and a more butch non-binary person (Ash) who was originally born a female. Ash was a boxer with a beard and hairy armpits! I originally described them as a “lesbian couple” since that’s how Concord Theatricals (the organization that licensed the play performing rights to ACT Theatre) described them. But a reader messaged me that “queer couple” is more accurate.
Rant(s)
Opening Monologe : The play started slow with a monologue but eventually hit its stride. I suggest cutting or shortening the monologue. You want to hook the audience at the very beginning.
Other Musing(s) and Observation(s)
eBay Adoptions: The premise is that a lesbian queer couple adopts a child online from a family who changed their mind about raising an adopted kid. It’s like a how one might adopt a dog at the shelter and later decide to give it away to another family because the dog pees on the carpet. I never really considered people might actually commit this atrocity in real life until this play. Sadly, it probably happens more than we realize.
Theatre Company: ACT Theatre
Venue: Allen Theatre at ACT Theatre
Venue Physical Address: 700 Union St, Seattle, WA 98101
Price: Medium
Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.
Dates: May 5 to 21, 2023 – Opening night was only 5/11 and they’re already ending the production 5/21! Have ACT Theatre runs always ended this early? I remember the same thing for History of Theatre.
Seating: Assigned Seating
Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.
Puppet designed by Amanda Villalobos in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettXander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettS. Franco setting sights on their opponent in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettS. Franco throws a punch as Vahishta Vafadari and Morgan Gwilym Tso cheer in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettActor Morgan Gwilym Tso and puppet howl like wolves in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettVahishta Vafadari kicks Xander DeAngeles for being rude in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Vahishta Vafadari and Xander DeAngeles blow up balloons in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Aaron Blakely holds puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim BennettAaron Blakely, Morgan Gwilym Tso and puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Vahishta Vafadari, Morgan Gwilym Tso, and puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Puppet designed by Amanda Villalobos in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Role
Name
Wolf
Morgan Gwilym Tso
Ash
S. Franco
Robin
Vahishta Vafadari
Ryan
Xander DenAngeles*
Peter
Aaron Blakely*
Wolf (Understudy)
Koo Park
Ash/Robin (Understudy)
Ayodele Ngozi Tushinde
Ryan (Understudy)
Darius Sakui
Peter (Understudy)
Christopher Clark
—
—
Director
Rosa Joshi
Playwright
Hansol Jung
Assistant Director
Dylan Tomas Nieves
Scenic Designer
Andrea Bush
Costume Designer
Christine Tschirgi
Lighting Designer
Connie Yun^
Sound Designer
Meghan Roche
Puppet Designer
Amanda Villalobos
Puppet Coach
Annett Mateo
Intimacy & Fight Choreographer
Helen Roundhill
Boxing Coach
Laura Wright
Assistant Lighting Designer
Thorn Michaels
Stage Manager
Tori Thompson
Production Assistant
Michelle Chesley
*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
Elevator Thoughts (aka Tweet): Hometown Boy play by Keiko Green at Seattle Public Theater. A city boy visits his rural hometown and opens old wounds. Good acting and outburst scenes. Is it better to rectify past wrongs or just go on with your life?
Synopsis from the Theatre: James hasn’t been back to his rural Georgia hometown in over a decade, but reluctantly returns to check in on his father, whose behavior has become worryingly erratic. And since the South has a way of holding onto secrets, he soon stumbles into a life he thought he had left behind as a child. That stench in the air isn’t just his father’s decaying house, but the rotten core of long-buried secrets teeming just under the surface and ready to explode.
Reviewed Performance: 5/6/23 Opening Weekend
Type: Play
World Premiere: No, this is the play’s second production
Several or Few Scenes: Several
Several or Few Settings/Locations: Only around 3 locations
Prior Exposure/Knowledge Required: None
Defined Plot/Storyline: There was a storyline, but it wasn’t particularly extensive. Instead, the play was filled with dialogue and reminiscing.
Recommendation: See it if you like plays that are more dialogue than action
Was This the First Time I Attended a Production of this Show: Yes
Would I See It Again 3 Years from Now: Probably not but it was good
Rating Compared to Other Shows with the Same Production Value: 4.5 stars (Out of 5 Stars)
Equity Actors: 1
Total Number of Actors: 6
Length (Including Any Intermission): 2 hours
Intermission: Yes
Other Rave(s) Not Mentioned in Elevator Thoughts
Multitasking Dialogue: There were two scenes that reminded me of TikTok/Reel “sludge content” … in a good way! In one scene, bartender Collin (Tim Gouran) mixed a drink while reciting his lines. And in the other scene, Sam (Jennifer Ewing) decorated a cake also while reciting her lines. Just like “sludge content,” these bits were mesmerizing and strangely beneficial for my attention span. They were reminiscent of ACT Theatre’s production of Skylight when one of the characters sauteed onions/garlic and cooked Italian dish while reciting their lines.
Other Musing(s) and Observation(s)
First Act Ending (No Spoiler): The first act ended at a weird point in the story. It would have been better to end it at a cliffhanger when they revealed the unexpected twist at the beginning of the second act.
Motivations: It wasn’t clear why the main character’s dad stayed in the boondocks many years ago. Let me know your thoughts in the comments of my social media links below!
Theatre Company: Seattle Public Theater
Venue: Seattle Public Theatre (aka Bathhouse Theatre)
Venue Physical Address: 7312 West Green Lake Dr N, Seattle, WA 98103
Price: Cheap
Ticket Affordability Options: You can self-select ticket prices as low as $5 on the ticketing website if you find the higher options a financial barrier to enjoying great theatre. There is also no seat placement difference between ticket prices.
Dates: May 4 – 28, 2023
Seating: Assigned Seating
Parking: Free plentiful parking lot of Greenlake Park, which is adjacent to the theatre.
Other Video +/- Pictures: See pictures in video and under video by John Ulman Photography
@showsiveseen "Hometown Boy" #play by Keiko Green directed by @annielareau1 at @seattlepublictheater. A city boy visits his rural Southern hometown & opens old wounds. Good acting & outburst scenes. Is it better to rectify past wrongs or just go on w/ your life? Photos by John Ulman. Review: showsiveseen.com/5285 #theatre♬ HURT SO BAD – RØNIN
Michael Wu, Tim Hyland (Actors Equity Association Member), Stephen Sumida, Rachel Mae Guyer-Mafune. Photo by John Ulman Photography.Tim Hyland (Actors Equity Association Member). Photo by John Ulman Photography.Jennifer Ewing. Photo by John Ulman Photography.Tim Gouran (background), Micheal Wu. Photo by John Ulman Photography.Tim Gouran. Photo by John Ulman Photography.Rachel Mae Guyer-Mafune. Photo by John Ulman Photography.Stephen Sumida, Michael Wu. Photo by John Ulman Photography.
