Congrats to Prathidhwani and Seattle Public Theater on the opening weekend of their House of Joy play. Performing till 6/8/25. Watch for my full review! #india #indian #southAsian #lesbian #LGBT #dance
Elevator Thoughts (aka Tweet): Rosie Narasaki’s Unrivaled play by Seattle Public Theater and SIS Productions. Rival frenemy writers in classical Japan! Endearing empress portrayal from Adele Lim. Ending next weekend 6/2. #poetry #haiku #asian #japan #japanese
Recommendation See it if you’re familiar with Japanese history, you’re a Japanophile, or you want to support Asian American live theatre.
Synopsis from the Theatre: 11th century ladies-in-waiting Murasaki Shikibu and Sei Shonagon are, to this day, two of Japan’s most beloved writers. They also kind of hated each other. Unrivaled is about friendship, heartbreak, and what it means to be a female artist. And no matter how much things change, the more they stay the same… even after a thousand years.
Attended Performance Date: 5/10/24 – Keep your eyes peeled for my preview posts on my website and social media if you want earlier notification of shows I’ve seen. Get your tickets now since the show closes 6/2.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set? Yes
Prior Exposure/Knowledge Required: You’d probably appreciate this show more if you’re familiar with Japanese history.
Defined Plot/Storyline: Yes
Equity Actors: 0
Total Number of Actors: 4
Perceived Pace of the Show: Medium speed
Was there an intermission? No
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No
Other Rave(s) Not Mentioned Above
Empress Teishi: Adele Lim portrayed an endearing nice-girl Empress Teishi, with energy similar to her previous role as an endorphin-overloaded sentient cloud in Sometimes the Rain, Sometimes the Sea. I also loved the Sailor Moon-like hairpiece in her Unrivaled costume.
Rant(s)
Floor Sitting: I know it’s customary to portray traditional Japanese characters sitting on the floor, but it’s difficult for the audience to see lower actors. I suggest that they elevate the stage one foot higher.
Other Musing(s) and Observation(s)
Hand Fans: The frequent handheld fan usage gratuitously milked the non-Asian perception of cliche Japanese culture. However, I’m not Japanese (but I am Asian), so if this hand fan overuse is an accurate depiction of Japanese culture, leave a comment on my social media!
Crab Mentality: The story reminded me of crab mentality, which is basically a zero-sum competitive mindset that resents others’ successes rather than supporting and celebrating them. This mindset is prevalent in some Asian cultures. I blame our tiger (grand)parents!
Betrayal: I wish the script explored the betrayal theme more. That’s when the storyline was getting delicious!
Theatre Company: Seattle Public Theater and SIS Productions
Venue: Greenlake Bathhouse Theatre
Venue Physical Address: 7312 West Green Lake Dr N, Seattle, WA 98103
Pearl Lam & Adele Lim. Photo by Kathy Hsieh.Alanah Pascual & Pearl Lam. Photo by Kathy Hsieh.Alanah Pascual & Pearl Lam. Photo by Rick Wong.Alanah Pascual, Pearl Lam, & Adele Lim. Photo by Rick Wong.
Rosie Narasaki’s “Unrivaled” play opening night by Seattle Public Theater & SIS Productions. Performing until 6/2. Stay tuned for my full review! #poetry #haiku #asian #japan #japanese
Elevator Thoughts (aka Tweet): Macbeth: A Rock Musical by an all-femme cast from Seattle Public Theater & Macha Theatre Works. Grungy punk costumes/music/aesthetic were perfect for Seattle. Great score. Entire production run sold out quickly, but rush tickets are still available!
Recommendation
See it, especially if you like Shakespeare and musicals. It’s worth attempting obtaining rush tickets to this sold-out show. FOMO FTW!
Synopsis from the Theatre: The witches’ prophecy swallows Macbeth whole and a murderous nightmare begins. Can Macbeth upend fate? In this all femme punk rock telling of a classic Shakespearean Tragedy, MacBeth’s foul greed and hunger for power distorts his actions.
Attended Performance Date: 10/19/23 – I would have attended opening night a week earlier but it was already sold out! See my previous preview posts here.
Type: Musical
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set: Mostly yes
Prior Exposure/Knowledge Required: You should be able to understand old Shakesperean English. As you might already know from my previous posts, I typically don’t prefer Shakespeare plays since they’re so difficult to understand. But this musical was one of the easier shows to comprehend in old Shakesperean English. It helped that the songs were more modern English. Additionally, you might enjoy this play more if you’re already familiar with the Macbeth story or if you’ve seen the original play, both of which didn’t apply to me. Despite this unfamiliarity, I still was able to enjoy the show and follow the general story.
Defined Plot/Storyline: Yes
Live Band/Orchestra: Yes, and occasionally during the show, they even spoke dialogue (as witches), walked on-stage, and sang.
Equity Actors: 1
Total Number of Actors: 15
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 2.75 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Yes, but maybe only a full professional production
Other Rave(s) Not Mentioned in Elevator Thoughts
Costumes: Lady Macbeth’s red rubber costume and Macbeth’s spiky/sparkly jacket of were well-chosen statement pieces.
Fire: The letter burning stage magic early in the show was pretty cool.
Favorite Song: Lady Macbeth (played by Meg McLynn) sang a song with I think Brandi Birdsong’s and Melissa Owen’s character that I wish I could hear again. Unfortunately, I can’t even find an official soundtrack for this musical online!
Other Musing(s) and Observation(s)
Seat Choice: Like I mentioned from Seattle Public Theater’s last musical, try to make sure your seat is close to the right side of the stage (when facing the stage) since the band on the left side might drown out the lyrics.
The Lion King: Some people sitting close to me mentioned similarities between The Lion King movie and Macbeth, which was pretty interesting to think about while watching the show.
Harmony: Many song portions where they sang in unison definitely had potential for more harmony to add more interesting song facets.
Vocal Ranges: While I support all-femme casting, I find the vocal range disparity distracting. I frequently mention this in previous reviews. Typically, when someone sings a part that was originally written for the opposite gender, it sounds like they’re singing too high or too low. And there are songs in this musical originally written for a male vocal range. Songs should be transposed if singing a part that was originally composed for the opposite gender.
Theatre Company: Seattle Public Theater and Macha Theatre Works
Venue: Seattle Public Theater (aka Bathhouse Theatre)
Venue Physical Address: 7312 West Green Lake Dr N, Seattle, WA 98103
As I mentioned previously, the show is sold out. However, handicap/companion seats are still available online. Rush tickets are available on the day of the performance for $20 each. Box office opens one hour before each performance for rush ticket sales.
Ticket Affordability Options: You can self-select $10 price-accessible tickets.
Dates: October 13 to November 5, 2023
Seating: Assigned Seating
Parking: Free plentiful parking lot of Greenlake Park, which is adjacent to the theatre.
Other Video +/- Pictures: See pictures in video and under video by Joe Iano
Cast and Production Team: See after pictures and/or video below
@showsiveseen Joe Popp & Lisa Tricomi's "#Macbeth: A #Rock#Musical" by an all-femme cast from @seattlepublictheater & Macha Theatre Works. Starring Cristin Hubbard & Meg McLynn. Directed by Amy Poisson. Grungy #punk costumes/music/aesthetic were perfect for Seattle. Great score. Entire production run sold out quickly, but rush tickets are still available! Photos: Joe Iano. Review: showsiveseen.com/7028 #shakespeare#theatre#showsiveseen#femme♬ Bad Decisions – RedHook
Alyssa Keene, Jenn Ruzumna, Dani Davis, Meg McLynn, Erin Stewart, Cristin J. Hubbard, Sydney Maltese, Melissa Owens, Brandi Birdsong, Karis Ho, Melodie Gorow. Photo by Joe Iano. Cristin J. Hubbard, Jenn Ruzumna, Alyssa Keene. Photo by Joe Iano. Alyssa Keene, Erin Stewart, Dani Davis, Sydney Maltese, Jenn Ruzumna. Photo by Joe Iano.Meg McLynn. Photo by Joe Iano. Alicia Healey, Sherri Jerome, Sydney Maltese, Cristin J. Hubbard. Photo by Joe Iano.