Little Women – Play – Seattle Rep

Elevator Thoughts (aka Tweet): Kate Hamill’s Little Women play at Seattle Rep starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles and growing up. Pleasantly surprised to find a Christmas theme in this winter show. #tomboy #ComingOfAge #LittleWomen #xmas

Recommendation
See it, especially if you enjoy plays about defying traditional gender roles.


Synopsis from the Theatre: Jo March isn’t concerned with what’s “ladylike.” Actually, she’s not sure she wants to be a lady at all. An aspiring writer, the headstrong Jo must negotiate with rigid societal norms to realize her dreams of independence. Against the backdrop of the Civil War, the beloved March siblings grow together and apart, discovering love, joy, and friendship as they learn the importance of family and being true to oneself. Kate Hamill’s (Pride and Prejudice, 2017) fresh and lively adaptation of Louisa May Alcott’s classic novel will bring the entire family together this holiday season.

Attended Performance Date: Opening Night 11/15/23 – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set: Mostly no

Prior Exposure/Knowledge Required: You’d probably appreciate this play more if you read the original classic novel. I did not, but I constantly wondered during the performance how the book and the play differed.

Defined Plot/Storyline: Yes

Equity Actors: 9

Total Number of Actors: 9

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 2.5 hours

Was there an intermission? Yes

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? Probably not but it was good

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Scenic Design: The dollhouse-like motif was well-chosen in light of the script’s “defy gender norms” message.
  • Christmas Theme: I’m typically not a fan of Christmas shows since they typically lack depth and seem more of a way for theatres to milk audiences for extra holiday revenue. But I appreciated how the playwright/author included Christmas themes while not making the story solely about Christmas. The theatre synopsis didn’t even tout this as a holiday show! The first act was heavy on the feel-good old-timey movie-like Christmas theme. To quote the script, it was like the “sentimental lady stories” Jo was instructed to write. On the other hand, I don’t think the second act mentioned Christmas much at all and it was less sentimental (aka better than the first act).
  • Favorite Quote: “Can’t you play something gayer?”

Rant(s)

Other Musing(s) and Observation(s)

  • Battle Hymn of the Republic: What’s the deal with the sisters singing “Glory, glory, halleluiah!” occasionally throughout the show?
  • Atrocity: A character committed a grave atrocity in the middle of the second act, but I don’t think they portrayed it to the audience (unless I missed it). I would have loved to see the drama of the scene occur, especially since it preceded a delicious argument scene.
  • Friends Episode: I kept thinking about the Friends TV show episode “The One Where Monica and Richard are Friends” where Joey was too emotionally invested in the characters when he read the book, especially when somebody (who honestly lived an insignificant life in my opinion) died. I kind of wish I didn’t know the book spoilers from that episode so I’d feel more surprised.
  • End of 1st Act: The first act uniquely didn’t end in a cliffhanger. It felt similar to when the first act of Into the Woods ended. I literally thought there wasn’t a second act in both shows!

Theatre Company: Seattle Rep

Venue: Bagley Wright Theater at Seattle Rep

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price: Medium to Expensive

Tickets: https://www.seattlerep.org/plays/202324-season/little-women/

Ticket Affordability Options:

Dates: November 10 to December 17, 2023

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Other Video +/- Pictures: See pictures under video by Bronwen Houck

Cast and Production Team: See after pictures and/or video below

@showsiveseen @Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on t@Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy #ComingOfAge #LittleWomen #xmas #theatre #showsiveseen he original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy #ComingOfAge #LittleWomen #xmas #theatre #showsiveseen ♬ Reasons – STAR SEED
Katie Peabody, Amelio García, Cy Paolantonio, and Rebecca Cort in Little Women. Photo by Bronwen Houck.
Katie Peabody, Rebecca Cort, Cy Paolantonio, and Amelio García in Little Women. Photo by Bronwen Houck.
Chiké Johnson and Katie Peabody in Little Women. Photo by Bronwen Houck.
Rebecca Cort, Katie Peabody, Colleen Madden, Amelio García, and Cy Paolantonio in Little Women. Photo by Bronwen Houck.
Amelio García and Austin Winter in Little Women. Photo by Bronwen Houck.
Rebecca Cort, Cy Paolantonio, Katie Peabody, and Amelio García in Little Women. Photo by Bronwen Houck.
Richard Nguyen Sloniker, Colleen Madden, Amelio García, and Rebecca Cort in Little Women. Photo by Bronwen Houck.
RoleName
Amy MarchRebecca Cort
Jo MarchAmelio Garcia
Hannah/Mrs. Mingott/MessengerMacall Gordon
Mr. Laurence/Robert March/DoctorChiké Johnson
Marmee March/Aunt MarchColleen Madden
Meg MarchCy Paolantonio
Beth MarchKatie Peabody
John Brooks/Parrot/Mr. DashwoodRichard Nguyen Sloniker
LaurieAustin Winter
Understudy for Beth/Meg/Hannah/Mrs. Mingott/MessengerCheyenne Barton
Understudy for Laurie/Brooks/Parrot/Mr. DashwoodMiguel Castellano
Understudy for Marmee March/Aunt MarchMacall Gordon
Understudy for Mr. Laurence/Robert March/DoctorVincent “VJ” Orduna
Understudy for Jo/AmyLeah Sainz-Jones
PlaywrightKate Hamill adapted from the novel by Louisa May Alcott
DirectorMarti Lyons
Scenic DesignerCollette Pollard
Movement Director & CaptainCy Paolantonio
Costume DesignerAn-Lin Dauber
Lighting DesignerReza Behjat
Fight Director & Intimacy ConsultantAlyssa Kay
DramaturgPaul Adolphsen
Sound Designer & Original MusicJane Shaw
Music DirectorAaron M. Davis Norman
Assistant DirectorDaira Rodriguez Miranda
Stage ManagerJessica C. Bomball
Assistant Stage ManagerShay Trusty
Milwaukee Rep CastingJonathan Hetler
Seattle Rep CastingKaytlin McIntyre & Shawna Grajek
Scenic AssistantDelena Bradley
Spanish Show Program & Youth Guide EditorAlejandra Campoy
Marketing & Engagement ContractorAna María Campoy
Spanish Script TranslatorDaniel Jáquez
Assistant Lighting DesignerLily McLeod
Spanish Content TranslatorGrecia Leal Pardo
Production AssistantAnahita Sepehri
Stage Management ApprenticeSam Smith

Preview Post – Little Women – Play – Seattle Rep

Celebrating Seattle Rep’s 60th anniversary at the Little Women play opening night w/ a special visit from the Seattle mayor. Performing until 12/17/23. Stay tuned for my full review! #littleWomen #showsiveseen #theatre

Final Review (Posted 11/29/23): https://www.showsiveseen.com/little-women-play-seattle-rep/

Tickets: https://www.seattlerep.org/plays/202324-season/little-women/

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Islander – Musical – Seattle Rep

Elevator Thoughts (aka Tweet): Finn Anderson & Stewart Melton’s Islander musical at Seattle Rep staring Sylvie Stenson, Stephanie MacGaraidh, Lois Craig, & Julia Murray. Novel audio concept that every played accompaniment & sound effect was dynamically recorded on-stage minutes/seconds earlier. High improv-like stakes!

Recommendation
See it if either 1) you like non-traditional musicals with a novel gimmick like Freestyle Love Supreme 2) you appreciate modern British theatre 3) or you’re okay with small-cast shows.


Synopsis from the Theatre: Myth and reality collide when the tide washes a mysterious stranger onto the shore of Eilidh’s lonely island, changing her life forever. Join us for a musical showcase of epic storytelling, intimately staged with a contemporary Scottish folk-inspired score. Two actors embody a host of characters while weaving, building, and layering their voices using live looping technology. This internationally acclaimed hit will create an expansive, ethereal soundscape for the ears and imagination as Seattle Rep kicks off the North American Tour.

Attended Performance Date: 10/25/23 (Opening Night) – See my previous preview posts here.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set: Yes, because it was austere

Prior Exposure/Knowledge Required: You need to understand fast British accents.

Defined Plot/Storyline: Yes

Live Band/Orchestra: The performers and the mixing boards were the “band” in that they recorded sounds on-stage and dynamically generated an accompaniment when they weren’t singing acapella. There were no instruments or pre-recorded tracks … although we can’t prove the absence of pre-recorded tracks!

Equity Actors: Zero but I assume it was because this tour was from the UK

Total Number of Actors: 2

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 1.5 hours

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now? No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Unique Audio Source: All the sound effects and accompaniment were recorded and mixed on-stage in front of the audience. Seconds or minutes later, the audience would hear the sounds interleaved in an audio track with different autotuned pitches and rhythms. Every time I heard a new sound, I tried to determine what portion of the show it was recorded from. Sometimes the actors would later harmonize with a recording of their own voice. This was very similar to how Taylor Swift performed her 1989 world tour “Blank Space” song in this clip (see 3:45 – 5:15). In musicals, performers are expected to dance, act, and sing. Add “operate a mixing board” to that list of duties in this musical!
  • Storm Scene Lighting: The strobe-like flashing lights were a cool (albeit easy) way to depict a lightning and rain storm.
  • Favorite Line: “Can I ask you something?” “You just did.”

Rant(s)

  • Story Comprehension: It was difficult to differentiate between characters since there was extensive cast doubling with only two performers. Plus, there were no costume changes between characters. The strong British accents also made it difficult to follow the dialogue. This is coming from someone who doesn’t attend much Shakespeare because the old English is hard to understand.

Other Musing(s) and Observation(s)

  • Pedal: Will anybody enlighten me what happened when someone pressed the foot pedal? Leave a comment on my social media links below!

Theatre Company: National Tour

Venue: Seattle Repertory Theatre

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price: Medium to Expensive

Tickets: https://www.seattlerep.org/plays/202324-season/islander/

Ticket Affordability Options:

Dates: October 20 to November 19, 2023

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Other Video +/- Pictures: See pictures in video and under video

Cast and Production Team: See after pictures and/or video below

@showsiveseen Finn Anderson & Stewart Melton's @islandermusical at @seattlerep staring Sylvie Stenson, @Steph MacGaraidh, @Lois Craig, & Julia Murray. Directed by Amy Draper. Novel audio concept that every played accompaniment & sound effect was dynamically recorded on-stage minutes/seconds earlier. High improv-like stakes! Review: showsiveseen.com/7197 #Islander #showsiveseen #theatre #scottish #scotland #whale #whales #musical ♬ love song (hesitations) (sped up) – Lofuu & Shiloh Dynasty & dprk
Stephanie MacGaraidh and Sylvie Stenson in Islander. Photo by Nate Watters.
Stephanie MacGaraidh and Sylvie Stenson in Islander. Photo by Nate Watters.
Julia Murray and Lois Craig in Islander. Photo by Sayed Alamy.
Sylvie Stenson and Stephanie MacGaraidh in Islander. Photo by Steve Tanner.
Sylvie Stenson and Stephanie MacGaraidh in Islander. Photo by Steve Tanner.
Lois Craig and Julia Murray in Islander. Photo by Steve Tanner.
Julia Murray and Lois Craig in Islander. Photo by Steve Tanner.

Preview Post – Islander – Musical – Seattle Repertory Theatre

Islander Scottish musical opening night of the national tour at Seattle Rep. Performing until 11/19/23. Stay tuned for my full review! #showsiveseen #theatre #Scotland

Tickets: https://www.seattlerep.org/plays/202324-season/islander/

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Passengers – Cirque Show – Seattle Rep

Elevator Thoughts (aka Tweet): Passengers cirque show at Seattle Rep by The 7 Fingers. Directed, written, & choreographed by Shana Carroll. Effortless #acrobatics. Included some occasional singing. #showsiveseen #theatre #circus #acrobat

Synopsis from the Theatre: Your train is about to depart the station and a cirque spectacular awaits. Through contemporary dance, music, and extraordinary acrobatics, a breathtaking series of vignettes tells the unique stories of reunions and goodbyes from the strangers that surround you onboard. From contemporary physical theater troupe The 7 Fingers comes this jaw-dropping ride you must see to believe.

Attended Performance Date: 9/30/23 (Opening Weekend) – Preview Posts

Type: Cirque Show

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Static (Stationary) Set: No

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: No

Live Band/Orchestra: Mostly no but Santiago Rivera Laugerud played the ukelele and sang during one segment. Of note, Kisha Kessalines-Wright also sang during one segment.

Equity Actors: Zero but I think it’s because 1) this not an American company 2) and this show was more cirque/acrobatics and less of a play/musical.

Total Number of Actors: 9

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 1.5 hours

Was there an intermission?: No

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now?: No

Recommendation: See it if 1) you appreciate shows from Cirque Du Soleil or Teatro Zinzanni 2) and you’re okay with no plot

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Effortless Feats: The performers effortlessly showcased their talents with the hula hoop, aerial acts (especially Eduardo De Azevedo Grillo and Kisha Kessalines-Wright), acrobatics, and the Chinese pole (Marco Ingaramo).

Other Musing(s) and Observation(s)

  • Dropped Props: The hula hoop and juggling balls dropped a couple of times. I couldn’t determine if this was intentionally part of the act or an actual mistake.
  • Concurrent Performances: Throughout the show, there were often two separate acts showcased at the same time, and it was a little difficult to appreciate both performances equally. Maybe it’s because I sat really close (with a great view BTW). First world problems, right?

Theatre Company: The 7 Fingers

Venue: Seattle Repertory Theatre

Venue Physical Address: 155 Mercer St, Seattle, WA 98109

Price: Cheap to Expensive

Ticket Affordability Options:

Dates: September 22 to October 15, 2023

Seating: Assigned Seating

Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also a lot of street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.

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Cast and Production Team: See after pictures and/or video below

@showsiveseen #Passengers #cirque #show at @seattlerep by @@les7doigts. Directed, written, & choreographed by Shana Carroll. Effortless #acrobatics. Included some occasional singing. Review: showsiveseen.com/6806 #showsiveseen #circus #acrobat #theatre ♬ Trip – Siine
Sereno Aguilar and the company of Passengers. Photo by Alexandre Galliez.
Sereno Aguilar, Sabine Van Rensburg, and the company of Passengers. Photo by Alexandre Galliez.
Méliejade Tremblay-Bouchard in Passengers. Photo by Martine Poulin.
Méliejade Tremblay-Bouchard, Marco Ingaramo, and Santiago Rivera Laugerud in Passengers. Photo by Martine Poulin.
Mandi Orozco in Passengers. Photo by Lucille Audoineau-Maire.
Andrew Sumner and the company of Passengers. Photo by Lucille Audoineau-Maire.
RoleName
Cast Eric Bates
Valérie Benoit-Charbonneau
Eduardo de Azevedo Grillo
Kaisha Dessalines-Wright
Marco Ingaramo
Nella Niva
Mandi Orozco
Santiago Rivera Laugerud
Méliejade Tremblay-Bouchard
Director, Writer & Choreographer Shana Carroll
Assistant to the Director Isabelle Chassé
ScenographerAna Cappelluto
Costume Designer Camille Thibault-Bedard
Musical Director Colin Gagné
Video Designer Johnny Ranger
Video Animation Yannick Doucet
Remi Borgeal
Head Coach Francisco Cruz
TextsShana Carroll
Text, Einstein’train Conor Wild
Project ManagerSabrina Gilbert
Production Coordinator Yagub Allahverdiyev
Technical Director Simon Lachance
Michel Bisson
Lighting DesignerEric Champoux
Stage Manager Charlotte Legault
Karine Perron
Assistant to the Technical DirectorMarie-Hélene Grisé
Video Coordinator Dominique Hawry
Video Programmation Laura-Rose R. Grenier
DOP – Shooting Mark O Fearghail
Harley Francis
Sound Engineer Jérome Guilleaume
Light Programmation Stéphane Lecavalier
Electric Chief Gabriel Fournier-El Ayachi
Trapeze Coach Véronique Thibault
Creation Rigger Stéphane Beauchet
Nicolas Lemieux
Set Design Assistant Dominique Coughlin
Costume Assistant Catherine Veri
Rigging Intern Joanie Audet
Music, Lyrics, Sound Design & Arrangements Colin Gagné
Contortion, Hula-Hoop & Trapeze Arrangements Jean-Sébastien Leblanc
Juggling Lyrics Boogat
Juggling Arrangements Jérome Guilleaume
Music Composer: Opening, Tight Wire & Epilogue Raphael Cruz
Tour ManagerGuillaume Biron
Tour Technical DirectorSimon Carriere-Legris
Tour RIggerMax Jouanneau
Tour Light OperatorLoriane Foisy
Tour Sound and Video OperatorMichael Amstadt