Becoming Dr. Ruth play opening night at Village Theatre. Performing until 2/18/24 in Issaquah then performing till 3/17/24 in Everett. Stay tuned for my full review! #Jew #Jewish #holocaust #showsiveseen #theatre #storytelling
Elevator Thoughts (aka Tweet): Fellow Passengers play by Strawberry Theatre Workshop. A play-within-a-play where the outer play was silent and the inner play was a spoken reenactment of A Christmas Carol. Solid, well-developed storytelling delivery. Realistically-designed basement set. Live sound effects from Ayako Okano.
Recommendation
See it if you’re interested in a uniquely-presented version of A Christmas Carol.
Synopsis from the Theatre: In a fortuitous turn of events, Strawshop is proud to announce that Fellow Passengers—originally scheduled at Book-It Repertory Theatre—opens December 1 for a four-week revival at it’s original home: Strawberry Theatre Workshop. Told in the narrative style that Book-It made famous in Seattle, “Passengers” is every page of Charles Dickens’ A Christmas Carol performed by just three actors, who bring over fifty characters to the stage.
Attended Performance Date: Opening Night 12/2/23 – See my previous preview posts here.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: It was a play within a play. The outer play was just one location (a basement) and the inner play was several locations from A Christmas Carol.
Static (Stationary) Set?: Yes, the outer play set was “set in stone.” The inner play definitely required more imagination from the audiance than than most other shows.
Prior Exposure/Knowledge Required: No, but if you’d probably appreciate the show more if you’re familiar with the original A Christmas Carol story.
Defined Plot/Storyline: Yes
Live Band/Orchestra: Ayako Okano generated live sound effects and some music. She used bells, chimes, chains, an electronic keyboard, and a milk crate of all things.
Equity Actors: 2
Total Number of Actors: 3
Perceived Pace of the Show: Medium Speed
Length (Including Any Intermission): 2 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Probably not, but it was good
Other Rave(s) Not Mentioned Above
Storytelling: When I saw Amy Thone on the cast list, I knew the acting would be top notch. The actors delivered their lines like professionals with enthusiasm and energy. Often on opening night (even with professional shows), I can tell when a show needs more time to “cure.” But this production was solid on day one.
Tiny Tim: As I’ve mentioned previously, I absolutely loathe the Tiny Tim Christmas trope. I’m so relieved there was no cutesy child actor portraying Tiny Tim in this play.
Other Musing(s) and Observation(s)
Book-It Repertory Theatre: The play exuded the distinctive narration style of the recently-late Book-It Repertory Theatre. Book-It was actually supposed to produce the show this season, but they prematurely closed their doors forever. I wonder how much of the show Book-It already originally produced. For example, did Book-It already imagine/create the scenic design before they closed, and Strawberry Theatre Workshop continued where Book-It left off?
New Scenes: There were a couple of scenes towards the end that I don’t remember from the traditional A Christmas Carol story. For example, there was a scene involving people on a ship.
Theatre Company: Strawberry Theatre Workshop
Venue: 12th Avenue Arts
Venue Physical Address: 1620 12th Ave, Seattle, WA 98122
Parking: Paid lot or paid street parking. Street parking is extremely limited since it’s Capitol Hill. Your best luck would be East of Cal Anderson Park on 11th or 12th Ave. The cheapest paid lot close by is at 1300 E Olive St with the entrance on 14th Ave. I highly suggest parking far away or taking the bus since parking lots and street parking are expensive in Capitol Hill.
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Elevator Thoughts (aka Tweet): Georgiana & Kitty play at Taproot Theatre. Final chapter in Lauren Gunderson’s and Margot Melcon’s “Christmas at Pemberley” Pride and Prejudice trilogy. Filled with the hallmark themes of Jane Austen’s stories. Relatable to online dating.
Recommendation
See it if you enjoyed Pride and Prejudice.
Synopsis from the Theatre: Georgiana Darcy is an accomplished pianist but wary of romance. Kitty Bennet is a bright-eyed optimist and a perfect best friend. These two younger sisters are ready for their own adventures in life and love, starting with the arrival of an admirer and secret correspondent. Meddlesome families and outmoded expectations won’t stop these determined friends from forging their own way in a holiday tale filled with music, ambition, sisterhood, and forgiveness. The third and final play in the trilogy by Lauren Gunderson and Margot Melcon.
Attended Performance Date: Opening Night 11/24/23 – See my previous preview posts here.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: (Very?) Few
Static (Stationary) Set?: Yes
Prior Exposure/Knowledge Required: Pride and Prejudice is required reading (or “watching” if you prefer a movie/play) to understand and appreciate this play. Don’t worry if you didn’t see the previous two chapters in the “Christmas at Pemberley” trilogy. I saw the 2nd and 3rd chapters sequentially without seeing the 1st chapter and I still enjoyed the shows. But if you’re like me and you’re not an ardent Pride and Prejudice aficionado, I highly recommend reviewing the helpful family tree in the program on page A-3.
Defined Plot/Storyline: Yes
Equity Actors: 2
Total Number of Actors: 9
Perceived Pace of the Show: Medium Speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? No, but it was good. Since I saw the 2nd and 3rd chapters of this trilogy, I’m now curious to see the 1st chapter.
Other Rave(s) Not Mentioned Above
Favorite Line: When Mr. Darcy said, “There’s always a letter” which was a wink to the audience on how Jane Austen’s conflicts often start with a letter.
Georgiana Casting: As someone regularly featured in Seattle’s theatre music scene, Clair Marx was perfectly cast as the virtuoso Georgiana Darcy.
Modern Dating: Whether or not it was the playwrights’ intention, I loved how the script evoked feelings experienced in online dating. The Jane Austen-esqe letters remind me of how chatting on the dating apps builds so much anticipation/expectation potentially leading up an endearingly awkward meeting in-person (or a horrible catfish!). There was one such meeting in the play that was reminiscent of an old HappySlip sketch (see 1:50 to 2:50).
Reprised Roles: Many key characters in this production were previously cast in Taproot Theatre’s past “Christmas at Pemberley” productions. For example, in the 1st and 3rd chapter, Shanna Allman played Mary Bennet and Melanie Hampton portrayed Jane Bingley. Annie Yim played Elizabeth Darcy (nee Bennet) in the 2nd and 3rd chapter. Throughout the entire trilogy, Kelley Karcher portrayed the narcissistic Lydia Wickam while Brian Pucheu played the cold Mr. Darcy. This role reprisal promoted a feeling of continuity and familiarity between productions.
Rant(s)
Keyboard: As I mentioned in Village Theatre’s current Beautiful production, there’s a Seattle live theatre problem with cheap-sounding on-stage electric keyboards. While I’m always happy to hear Claire Marx performing live music, I wish she could play a real piano on-stage in this production. An upright piano would have fit the bill perfectly for the small theatre space.
William Eames and Jeremy Steckler in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.William Eames and Claire Marx in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.Claire Marx and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.Jeremy Steckler and Ays Garcia in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.Claire Marx with Melanie Hampton, Kelly Karcher, Shanna Allman, and Annie Yim in Georgiana and Kitty: Christmas at Pemberley by Lauren Gunderson and Margot Melcon. Photo by Robert Wade Photography.
ROLE
NAME
Kitty Bennet
Ays Garcia*
Elizabeth Darcy
Annie Yim
Fitzwilliam Darcy
Brian Pucheu
Henry Grey
William Eames
Georgiana Darcy
Claire Marx
Jane Bingley
Melame Hampton
Mary Bennet
Shanna Allman
Lydia Wickham
Kelly Karcher*
Thomas O’Brien
Jeremy Steckler
—
—
Georgiana, Lydia, & Jane U/S
Rebecca Gelzer
Darcy & Thomas U/S
Elijah Spreier
Kitty, Lizzy, & Mary U/S
Ariel Rose
Darcy & Henry U/S
David Breyman
—
—
PRODUCTION TEAM
Director
Karen Lund**
Assistant Director
Bretteney Beverly
Playwrights
Lauren Gunderson, Margot Melcon
Original Compositions
Michael Nutting
Associate Artistic Director
Bretteney Beverly
Co-Scenic Designer
Amanda Sweger
Sound & Co-Scenic Designer
Mark Lund
Costume Designer
Pete Rush
Lighting Designer
Tim Wratten
Stage Manager
Nik Nolen*
Dialect Coach
Dimitri Woods
Property Master
Andrea Spraycar
Dramaturg Team
Kelly Flynt, Sonja Lowe, Dami Munroe
Assistant Stage Manager
Nicola Krause
Backstage Crew Swing
Ashley Burns
Casting Director
Bretteney Beverly
Casting Consultant
Jes Spencer
Dresser
Luna McMeen, Brooke Thomas
Draper
Martha Mitchell
Stitcher
Veronica Dimoff, Scian Hayes, Lucy Cavener
Wig Designer
Joyce Degenfelder
Wig Specialist
Jenn Hill
Master Electrician
Aiyana Stephens
Scenic Carpenter
Tim Samland ^
Light Board Operator
Matthew Ray
Sound Board Operator
Andi Villegas
Electricians
Clint Bull, Morgan Poirer, Matthew Ray, Anna Van Vleet, Jacob Viramontes
Scenic Strike/Load-in
Elke Johnson ^, Kimmy Mar ^, M. Stephanie Watson^
* Member of Actors’ Equity Association ** Member of Stage Directors and Choreographers Society ^ Member of IATSE Local No. 15
Fellow Passengers play opening night by Strawberry Theatre Workshop at 12th Ave Arts. Performing until 12/23/23. Stay tuned for my full review! #christmas #xmas #humbug #dickens #AChristmasCarol #CharlesDickens #Scrooge
Elevator Thoughts (aka Tweet): Kate Hamill’s Little Women play at Seattle Rep starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles and growing up. Pleasantly surprised to find a Christmas theme in this winter show. #tomboy #ComingOfAge #LittleWomen #xmas
Recommendation
See it, especially if you enjoy plays about defying traditional gender roles.
Synopsis from the Theatre: Jo March isn’t concerned with what’s “ladylike.” Actually, she’s not sure she wants to be a lady at all. An aspiring writer, the headstrong Jo must negotiate with rigid societal norms to realize her dreams of independence. Against the backdrop of the Civil War, the beloved March siblings grow together and apart, discovering love, joy, and friendship as they learn the importance of family and being true to oneself. Kate Hamill’s (Pride and Prejudice, 2017) fresh and lively adaptation of Louisa May Alcott’s classic novel will bring the entire family together this holiday season.
Attended Performance Date: Opening Night 11/15/23 – See my previous preview posts here.
Type: Play
World Premiere: No
Several or Few Scenes: Several
Several or Few Settings/Locations: Several
Static (Stationary) Set: Mostly no
Prior Exposure/Knowledge Required: You’d probably appreciate this play more if you read the original classic novel. I did not, but I constantly wondered during the performance how the book and the play differed.
Defined Plot/Storyline: Yes
Equity Actors: 9
Total Number of Actors: 9
Perceived Pace of the Show: Medium speed
Length (Including Any Intermission): 2.5 hours
Was there an intermission? Yes
Was This the First Time I Attended a Production of this Show? Yes
Would I See It Again 3 Years from Now? Probably not but it was good
Other Rave(s) Not Mentioned in Elevator Thoughts
Scenic Design: The dollhouse-like motif was well-chosen in light of the script’s “defy gender norms” message.
Christmas Theme: I’m typically not a fan of Christmas shows since they typically lack depth and seem more of a way for theatres to milk audiences for extra holiday revenue. But I appreciated how the playwright/author included Christmas themes while not making the story solely about Christmas. The theatre synopsis didn’t even tout this as a holiday show! The first act was heavy on the feel-good old-timey movie-like Christmas theme. To quote the script, it was like the “sentimental lady stories” Jo was instructed to write. On the other hand, I don’t think the second act mentioned Christmas much at all and it was less sentimental (aka better than the first act).
Favorite Quote: “Can’t you play something gayer?”
Rant(s)
Microphones: As I mentioned in my previous review of Seattle Rep’s I Am Not Your Perfect Mexican Daughter, I’m baffled that the theatre doesn’t use microphones for such a big space. You get accustomed to the low volume as the show progresses though. But, I’m curious to know how the theatre accommodates hearing impaired audience members.
Other Musing(s) and Observation(s)
Battle Hymn of the Republic: What’s the deal with the sisters singing “Glory, glory, halleluiah!” occasionally throughout the show?
Atrocity: A character committed a grave atrocity in the middle of the second act, but I don’t think they portrayed it to the audience (unless I missed it). I would have loved to see the drama of the scene occur, especially since it preceded a delicious argument scene.
Friends Episode: I kept thinking about the Friends TV show episode “The One Where Monica and Richard are Friends” where Joey was too emotionally invested in the characters when he read the book, especially when somebody (who honestly lived an insignificant life in my opinion) died. I kind of wish I didn’t know the book spoilers from that episode so I’d feel more surprised.
End of 1st Act: The first act uniquely didn’t end in a cliffhanger. It felt similar to when the first act of Into the Woods ended. I literally thought there wasn’t a second act in both shows!
Theatre Company: Seattle Rep
Venue: Bagley Wright Theater at Seattle Rep
Venue Physical Address: 155 Mercer St, Seattle, WA 98109
Parking: There are paid lots and paid street parking. I usually park on Mercer to the West of 1st Ave. There’s usually also plentiful street parking around Safeway. If there’s an event in Seattle Center or Climate Pledge Arena, street parking is usually limited and much more expensive.
Other Video +/- Pictures: See pictures under video by Bronwen Houck
Cast and Production Team: See after pictures and/or video below
@showsiveseen @Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on t@Kate Hamill's "Little Women" #play w/ @seattlerep & Milwaukee Repertory Theater starring Amelio Garcia, directed by Marti Lyons. Based on the original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy#ComingOfAge#LittleWomen#xmas#theatre#showsiveseen he original classic by Louisa May Alcott. Modern commentary on gender roles & growing up. Pleasantly surprised to find a Christmas theme in this winter show. Review: showsiveseen.com/7261 #tomboy#ComingOfAge#LittleWomen#xmas#theatre#showsiveseen♬ Reasons – STAR SEED
Katie Peabody, Amelio García, Cy Paolantonio, and Rebecca Cort in Little Women. Photo by Bronwen Houck. Katie Peabody, Rebecca Cort, Cy Paolantonio, and Amelio García in Little Women. Photo by Bronwen Houck. Chiké Johnson and Katie Peabody in Little Women. Photo by Bronwen Houck. Rebecca Cort, Katie Peabody, Colleen Madden, Amelio García, and Cy Paolantonio in Little Women. Photo by Bronwen Houck. Amelio García and Austin Winter in Little Women. Photo by Bronwen Houck. Rebecca Cort, Cy Paolantonio, Katie Peabody, and Amelio García in Little Women. Photo by Bronwen Houck. Richard Nguyen Sloniker, Colleen Madden, Amelio García, and Rebecca Cort in Little Women. Photo by Bronwen Houck.
Role
Name
Amy March
Rebecca Cort
Jo March
Amelio Garcia
Hannah/Mrs. Mingott/Messenger
Macall Gordon
Mr. Laurence/Robert March/Doctor
Chiké Johnson
Marmee March/Aunt March
Colleen Madden
Meg March
Cy Paolantonio
Beth March
Katie Peabody
John Brooks/Parrot/Mr. Dashwood
Richard Nguyen Sloniker
Laurie
Austin Winter
Understudy for Beth/Meg/Hannah/Mrs. Mingott/Messenger
Cheyenne Barton
Understudy for Laurie/Brooks/Parrot/Mr. Dashwood
Miguel Castellano
Understudy for Marmee March/Aunt March
Macall Gordon
Understudy for Mr. Laurence/Robert March/Doctor
Vincent “VJ” Orduna
Understudy for Jo/Amy
Leah Sainz-Jones
—
—
Playwright
Kate Hamill adapted from the novel by Louisa May Alcott