The Thanksgiving Play – Tacoma Arts Live

Elevator Thoughts (aka Tweet): Larissa Fasthorse’s The Thanksgiving Play by Tacoma Arts Live. Funny portrayal of Americans navigating the minefield of PC culture, wokeness, & white guilt. Loved the juxtaposition between Valerie Miller’s vapid character & the enlightened liberals.

Recommendation
See it if either 1) you like commentaries on woke PC culture especially in regard to Native Americans 2) or you’re okay with plays that are more dialogue than action


Synopsis from the Theatre: MacArthur Genius Larissa FastHorse’s shocking satire flips the bird on one of America’s most prolific myths. When a troupe of well-meaning theater artists attempt to put on a culturally sensitive Thanksgiving school pageant, things get messy. Hilarious and poignant, this delicious play skewers everything right, wrong, and politically correct in America by exploring themes of privilege, historical accuracy of navigating these complexities. The Thanksgiving Play made its Broadway debut at the Hayes Theater in 2023, making Larissa FastHorse the first female Native American playwright to have a play produced on Broadway. FastHorse wrote the play in response to the difficulties she faced in finding Native American actors for her previous works. Through satire and humor, the play addresses the misrepresentation of Native Americans, the lack of indigenous casting, and the challenges of accurately representing indigenous people in American society.

Attended Performance Date: 10/21/23 – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Few

Several or Few Settings/Locations: Just one location, a rehearsal space in an elementary school

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: No, but it helps if you grew up learning about the traditional Thanksgiving stories involving Native Americans.

Defined Plot/Storyline: Not really. There’s only so much that can occur with few scenes/locations and mostly dialogue.

Equity Actors: 0

Total Number of Actors: 4

Perceived Pace of the Show: Medium Speed

Length (Including Any Intermission): 1.5 hours

Was there an intermission? No

Was This the First Time I Attended a Production of this Show? Yes

Would I See It Again 3 Years from Now?: No, but it wasn’t terrible

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Alica: I loved Valerie Miller’s character Alicia, a ditsy vapid actor/influencer LA valley girl. She reminded me of Kim Kardashian, Elle Woods (from the movie Legally Blonde), or Quinn/Brittany (from the TV show Daria). Her personality hilariously contrasted with the woke intellectuals Logan (played by Andrea Gordon) and Jaxton (played by Rodman Bolek). It was like putting a stereotypical superficial Los Angeleno and a deep Pacific Northwesterner in the same room. Alicia’s scene describing her lobotomized contentment and simplicity was reminiscent of when Chris Traeger took Ron Swanson meditating in the Parks and Recreation TV show. Alicia teaching Logan reminded me of Elle Woods teaching the “Bend and Snap” in the Legally Blonde movie.
  • Favorite Line:
    “Dramaturg? The holy grail of American theater titles.”
    “What is that?”
    “No one knows”

Theatre Company: Tacoma Arts Live’s Theatre Northwest

Venue: Tacoma Armory

Venue Physical Address: 1001 S Yakima Ave, Tacoma, WA 98405

Price: Cheap to Medium

Tickets: https://www.tacomaartslive.org/events/the-thanksgiving-play/

Dates: October 12 to November 5, 2023

Seating: General Admission

Parking: Plentiful free street parking

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Other Video +/- Pictures: See my TikTok reel below

Cast and Production Team: See after pictures and/or video below

@showsiveseen Larissa FastHorse's "The #Thanksgiving #Play" by @Tacoma Arts Live. Funny portrayal of Americans navigating the minefield of PC culture, wokeness, and white guilt. Loved the juxtaposition between Valerie Miller's vapid character & the enlightened liberals. Review: showsiveseen.com/6994 #theatre #showsiveseen #nativeAmerican ♬ This Land Is Your Land – Peter, Paul and Mary
NameRole
Andrea GordonLogan
Rodman BolekJaxton
Valerie MillerAlicia
Mikel MichenerCaden
Joshua KnudsonDirector & Chief Advancement Officer
Kay MeierStage Manager
Lilian OellerichProduction Manager
Monique Otter-JohnsonCo-Production Manager
Eric ClausellDEIA Liaison
Maria-Tania Bandes B. WeingardenDramaturg & Intimacy Choreographer
Andre BouchardCultural Consultant
Jeannie BeirneSet Designer
Brett CarrLighting Designer
Don LittrellSound Designer
Mary KelsayCostume Designer
Kelly Zeiler LynchProps Designer
Monique Otter-Johnson & Lilian OellerichSet Dressers
David FischerChief Executive Officer & Co-Producer
Brett CarrCo-Producer
Katie LappierChief Programs Officer

Bloodletting – Play – Pork Filled Productions & Theatre Off Jackson

Elevator Thoughts (aka Tweet): Bloodletting play by Pork Filled Productions at Theatre Off Jackson directed by Zenaida R. Smith. Filipino story about Aswangs with a queer spin. I felt like I was back in the Philippines! #Aswang #showsiveseen #theatre #palawan

Recommendation
See it if you want to reminisce about the Philippines


Synopsis from the Theatre: Under the watchful moon, estranged siblings Farrah and Bosley reunite in the Philippines to spread their father’s ashes in Palawan’s treasured underground river. They take shelter from a storm in a local café, where they open old family wounds and encounter an aswang, a Filipino vampire, who awakens in Farrah an ancient, terrifying, and innate power. Will she embrace her new-found power? Or let it destroy herself and her brother?

Attended Performance Date: 10/20/23 (Opening Weekend) – See my previous preview posts here.

Type: Play

World Premiere: No

Several or Few Scenes: Few

Several or Few Settings/Locations: Few

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: You should be familiar with Aswangs. The program contains a good explanation. People who don’t know what Aswangs are (sadly me) and who didn’t read the Aswangs article (me again) might struggle understanding what an Aswangs is when watching this play. The theatre’s synopsis touts them as “vampires,” but that word is too limiting. But I guess there isn’t a western term that encompasses this Filipino concept.

Defined Plot/Storyline: Mostly yes, but there’s only so much that can occur with few scenes/locations

Equity Actors: 0

Total Number of Actors: 4

Perceived Pace of the Show: Slow, especially with the large amount of dialogue. However, it did help to have fight scenes where the Aswang used their power.

Length (Including Any Intermission): 2 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Scenic Design: The stage accurately portrayed what a typical eatery might look like in the Philippines in the middle of nowhere. It had thatch-like bahay kubo flair.
  • LeeLee: I probably enjoyed Anna Mulia’s portrayal of LeeLee the most. She portrayed mystery, youthful energy, and a good impression of a Pinay born in the Philippines.
  • Audio: The sound effects were well-timed and well-chosen.

Other Musing(s) and Observation(s)

  • Blood: For a play called “Bloodletting,” I thought there would be more blood!

Theatre Company: Pork Filled Productions

Venue: Theatre Off Jackson

Venue Physical Address: 409 7th Ave S, Seattle, WA 98104

Price: Cheap

Regular Tickets: https://porkfilled.com/wp/pfp-presents-bloodletting/

Ticket Affordability Options: You can self-select “access pricing” on the ticketing website.

Dates: October 19 to November 4, 2023

Seating: General Admission

Parking: Paid street parking is usually available north of the theatre on the hill close to the park. You can also try free parking on Jackson Street closer to the I-5 bridge. As usual, there are paid parking lots nearby as well.

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Other Video +/- Pictures: See pictures in video and under video by Roger Tang

Cast and Production Team: See after pictures and/or video below

@showsiveseen "Bloodletting" #play by @Pork Filled Productions at Theatre Off Jackson directed by Zenaida R. Smith. #Filipino story about #Aswangs with a queer spin. I felt like I was back in the #Philippines! Photos: Roger Tang. Review: showsiveseen.com/6958 #Aswang #showsiveseen #theatre #palawan ♬ Monster – Riduan Richie
Farrah (Jen-Ai Clinton) forces Leelee (Anna Mulia) to her knees. Photo by Roger Tang.
Jenry (Sam Prudente) tends to an ailing Bosley (Matt Dela Cruz). Photo by Roger Tang.
Farrah (Jen-Ai Clinton) is struck by a realization sparked by Jenry (Sam Prudente). Photo by Roger Tang.
Chaos erupts as Farrah (Jen-Ai Clinton tends to Bosley (Matt Dela Cruz) and Leelee (Ann Mulia) sees to Jenry (Sam Prudente). Photo by Roger Tang.
Farrah (Jen-Ai Clinton) and Leelee (Anna Mulia) struggle over an urn of ashes. Photo by Roger Tang.
Bosley (Matt Dela Ctuz) and Farrah (Jen-Ai Clinton) suddenly notices it has mysteriously stopped raining. Photo by Roger Tang.
Leelee (Anna Mulia) and Farrah (Jen-Ai Clinton) engage in a supernatural battle. Photo by Roger Tang.
RoleName
Leelee Anna Mulia
Jenry Sam Prudente
Farrah Jen-Ai Clinton
Bosley Matt Dela Cruz
UnderstudiesAnamaria Guerzon
Kendall Uyeji
DirectorZenaida R. Smith
PlaywrightBoni B. Alvarez
Assistant DirectorDavid Le
Stage ManagerOmar Faust
Assistant Stage ManagerAlister James Stern
Cultural Consultant and DramaturgEloisa Cardona
Assistant DramaturgAnamaria Guerzon
ElectricianRobert Lucy
Outreach Sam Qiambo
Props DesignerJessamyn Bateman-Iino
Lighting DesignerEmily Leong
Intimacy & Fight ConsultantJasmine Lomax
Set Designer and BuilderRobin Macartnery
Costume DesignerCorinne Park-Buffelen
Sound DesignerJosh Valdez
Social Media CoordinatorLinda Rigor
Production ManagerP. Alyda Sorm
Graphic DesignerKwesi Phillips
ProducersOmar Faust
David Le
P. Alyda Sorm
Roger Tang
Kendall Uyeji
Josh Valdez

Preview Post – The Thanksgiving Play – Tacoma Arts Live

The Thanksgiving Play by Tacoma Arts Live at the Tacoma Armory. Performing until 11/5/23. Stay tuned for my full review! #showsiveseen #theatre #nativeAmerican

Tickets: https://www.tacomaartslive.org/events/the-thanksgiving-play/

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Preview Post – Bloodletting – Play – Pork Filled Productions & Theatre Off Jackson

Bloodletting play opening weekend by Pork Filled Productions at Theatre Off Jackson. Performing until 11/4/23. Stay tuned for my full review! #showsiveseen #theatre #palawan #Philippines #Aswang

Tickets: https://porkfilled.com/wp/pfp-presents-bloodletting/

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Last Drive to Dodge – Play – Taproot Theatre & The Hansberry Project

Elevator Thoughts (aka Tweet): Andrew Lee Creech’s Last Drive to Dodge world premire play at Taproot Theatre w/ The Hansberry Project. Well-written dialogue, cute repartee, dimensional characters, and lots of audience reactions. #showsiveseen #theatre

Synopsis from the Theatre: Prophet and Ro are chasing dreams faintly whispered on the wind that sweeps the dusty Texas plain, where ranching is brutal work and change is on the horizon. Set at the end of the Cowboy Golden Age, Last Drive to Dodge examines race, love, and legacy in a time when everyone is scrambling for their piece of the American Dream.

Attended Performance Date: 9/22/23 (Opening Night) – Preview Posts

Type: Play

World Premiere: Yes, but it was well-developed

Several or Few Scenes: A couple of scenes

Several or Few Settings/Locations: A couple of locations on a ranch

Static (Stationary) Set: Yes

Prior Exposure/Knowledge Required: No

Defined Plot/Storyline: Mostly yes, but there’s only so much that can occur on a ranch

Equity Actors: 2

Total Number of Actors: 4

Perceived Pace of the Show: Slow to medium speed

Length (Including Any Intermission): 2.25 hours

Was there an intermission?: Yes

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now?: Probably not, but it was good

Recommendation: See it, especially if you either like 1) plays about race in the USA 2) or plays that are heavier on the dialogue than action

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Audience Reaction: You know it’s a good play when you hear lots of reactions from the audience like laughter, gasps, groans, “humphs,” and “hmmms.” I noticed these audience reactions more in the second act. I won’t spoil anything, but I specifically remember audibly groaning when somebody took off their hat in the second act.
  • Dimensional Characters: The characters in this play were not simply good or bad and black or white (no pun intended). The playwright added some depth to their backstory that influenced their motivations. Ironically, I enjoyed the least complex character (Millie played by Jonelle Jordan) the most since she had the funniest lines.
  • Dialogue: The dialogue was well-written and there were some sly funny random quips. I loved the way Ro (played by Dedra D Woods) dressed down Millie regarding Millie’s ignorance of her own personal white privilege. The climactic scene towards the end of the play when Ro and Prophet (played by Yusef Seevers) debated the unfairness of black responsibility reminded me of when Michelle Obama said her family faced more scrutiny under the public eye than other presidential families because of race.
  • Twist: The reveal at the end of the first act was unexpected.

Rant(s)

  • Audience Hazard: One of the actors hammered a fence post on-stage and particulates flew everywhere. This was a potential eye injury hazard especially since the audience was so close to the stage.

Other Musing(s) and Observation(s)

  • Montage (Slight Spoiler): What did the “I am” video montage mean in the second act? And who were the people in it?
  • Prophet vs Profit: In the second act, I realized the name “Prophet” also sounds like “profit.” I wonder if the playwright intentionally considered this.
  • Hook: They were probably taking advantage of the fact that sex sells during the play’s first act hook with the post-coital scene.

Theatre Company: Taproot Theatre and The Hansberry Project

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Medium

Regular Tickets: https://taproottheatre.org/shows/2023/last-drive-to-dodge/

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix.

Dates: September 20 to October 21, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video by Robert Wade Photography

Cast and Production Team: See after pictures and/or video below

@showsiveseen @Andrew’s “Last Drive to Dodge” #worldPremire #play at @TaprootTheatre w/ The Hansberry Project directed by Valerie Curtis-Newton. Well-written dialogue, cute repartee, dimensional characters, & lots of audience reactions. Photos: Robert Wade. Review: showsiveseen.com/6768 #showsiveseen #theatre #cowboy #ranch #country ♬ It’s You – Tayler Holder
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Dedra D. Woods and Yusef Seevers in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Jonelle Jordan and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
Yusef Seevers and Tim Gouran in Last Drive to Dodge by Andrew Lee Creech at Taproot Theatre. Photos by Robert Wade Photography.
RoleName
ProphetYusef Seevers *
Ro Dedra D. Woods *
Millie Jonelle Jordan
Bennett Tim Gouran
Prophet (Understudy)Jarron A Williams
Ro (Understudy)Esther Okech
Millie (Understudy) Marianna de Fazio
Bennett (Understudy) Nik Doner
Director Valerie Curtis-Newton**
Assistant Director Bretteney Beverly
PlaywrightAndrew Lee Creech
Scenic Designer Matthew Smucker^^
Costume Designer Melanie Burgess ^^
Casting Director Bretteney Beverly
Lighting Designer Brian Engel
Sound Designer Evan Mosher
Projection Designer Mark Lund
Fight Choreographer Alyssa Kay
Stage Manager Kathryn Louise*
Dramaturg Sonja Lowe
Dialect Coach Gin Hammond
Props Designer Bella Rivera
Assistant Stage Manager Tiana Price
Property Master Bella Rivera
Casting Consultant Jessica Spencer
Dresser Tiana Price
Draper Martha Mitchell
Draping Mentor Connie Rinchiuso
Stitchers Veronica Dimoff, Scian Hayes
Wig Designer Joyce Degenfelder
Wig Specialist Kelly Schmidt
Scenic Carpenter Tim Samland^
Light Board Operator Clint Bull
Sound Board Operators Marty Sisk, Andi Villegas
Master ElectricianAiyana Stephens
Electricians Clint Bull, Jayde McCarrell, Kody Smith, Anna Van Vleet, Eric Wu
Scenic Strike/Load-In Michael Adler^, Seth Branum^, Thomas Moore^
*Member of Actors Equity Association
**Members of the Stage Directors and Choreographers Society
^Member of IATSE No. 15
^^Member of United Scenic Artists Local 829