All New Cells – Play – The Shattered Glass Project

Elevator Thoughts (aka Tweet): All New Cells play at The Shattered Glass Project & Theatre Off Jackson directed by Alison Kozar. Starring Kasper Cergol, Kay Taylor Yelinek, Jasmine Lomax, & Zenaida Rose Smith. Neat prop/lighting design. Only 2 more performances! Wish I could rewatch to the first scene with my new perspective.

Synopsis from the Theatre: When Nils’s ex-girlfriend dies suddenly, he is dragged back into a toxic online roleplay scene he swore he’d never return to. He’d been doing okay sticking to his seven-year plan for getting over their breakup – but now, everyone either blames him or expects him to have answers, and he’s getting nasty anonymous messages that might be coming from beyond the grave. A nuanced examination of identity, trauma, assault, grief, and mental health through an online world.

Reviewed Performance: 6/15/23

Type: Play

World Premiere: Yes

Several or Few Scenes: A couple

Several or Few Settings/Locations: A couple

Prior Exposure/Knowledge Required: You should be familiar with online message boards

Defined Plot/Storyline: Somewhat yes. There were also many flashbacks.

Recommendation: See it if you’re familiar with online bulletin boards, especially if you live in a matrix-like existence where you met all your friends online and you primarily communicate with them online. Definitely see this if you’re into fanfic culture.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not

Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 4

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 1.75 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Lighting/Scenic Design: There’s something I love about simple rectangular frames with LED light trim that changes color. It reminded me Seattle Repertory Theatre’s recent Lydia and The Troll. The spotlights dedicated to each character only extenuated the design.
  • Prop Design: The laptop/monitor screens and cell phones were thick plexiglass. It doesn’t sound like much on paper but it conveyed a more futuristic feel. Plus, the transparency unobstructed the actors. An opaque monitor prop would have significantly blocked Moody’s face.
  • End of First Act (No Spoilers): The end of the first act revealed a juicy unexpected twist. Good last line before the lights cut out … although I wonder how many people would know the reference.
  • Obsession: I was facinated with Moody’s (played by Kay Taylor Yelinek) stalker-like fixation. Well-written and well-executed.

Rant(s)

  • Prop Movement: Props and furniture were moved during scenes, which was a little distracting. It would have been better to cut the lights and quickly move things around.
  • Blocking: The characters at stage center need better blocking when speaking to Nils, who was at upper center stage. It’s usually not a good idea to turn your back to the audience unless the seating is arena theatre style or surrounding a thrust stage.

Other Musing(s) and Observation(s)

  • Costume Design: The characters looked sooo Seattle, which fit well with the story themes.

Theatre Company: The Shattered Glass Project

Venue: Theatre Off Jackson

Venue Physical Address: 409 7th Ave S, Seattle, WA 98104

Price: Cheap

Ticket Affordability Options: Self-select ticket prices as low as zero dollars depending on your financial situation

Dates: June 2 to 18, 2023 – Sorry, I didn’t have time to see an earlier show!

Seating: General Admission

Parking: Paid street parking is usually available north of the theatre on the hill close to the park. You can also try parking on Jackson Street closer to the I-5 bridge. As usual, there are paid parking lots nearby as well.

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Other Video +/- Pictures: See pictures in video and under video by Kirk Hostetter.

Cast and Production Team: See after pictures and video below

@showsiveseen "All New Cells" #play at The Shattered Glass Project + Theatre Off Jackson directed by Alison Kozar. Starring Kasper Cergol, Kay Taylor Yelinek, @jasmineissublime and Zenaida Rose Smith. Neat props & lighting design. Only 2 more performances! Wish I could rewatch the 1st scene w/ my new perspective. Photos by Kirk Hostetter. Review: showsiveseen.com/5843 #theatre ♬ LOVER AND PSYCHOPATH – Casey Baer
Jasmine Lomax, Kasper Cergol, and Kay Taylor Yelinek
Kasper Cergol and Zenaida Rose Smith
Kasper Cergol and Kay Taylor Yelinek
Jasmine Lomax, Kasper Cergol, and Kay Taylor Yelinek
Kay Taylor Yelinek
Kasper Cergol and Zenaida Rose Smith
Kay Taylor Yelinek and Jasmine Lomax
RoleName
LuxZenaida Rose Smith
NilsKasper Cergol
MoodyKay Taylor Yelinek
AeonJasmine Lomax
PlaywrightAliza Goldstein
DirectorAlison Kozar
Intimacy ConsultantFrancesca Betancourt
Properties & Set-Dressing DesignerJessamyn Bateman-Iino
Sound DesignerMadelyn Zandt
Producer/Scenic DesignerRebecca O’Neil
Social Media ManagerCarolynne Wilcox
Calling Stage ManagerBrandon Ellis
Lighting DesignerChih-Hung Shao
Graphic DesignerLara Kratz
PhotographyKirk Hostetter
Casting DirectorBuddy Todd
Deck Stage ManagerHana Oh
Costume DesignFawn Bartlett
Production AssistantErin Lammie
Scenic PainterGwen Gothe

The Shawshank Redemption – Play – Tacoma Little Theatre

Elevator Thoughts (aka Tweet): The Shawshank Redemption play based on the Stephen King novel. Starring Mason Quinn & Mark Peterson. Directed by Blake R York. Must be awful at the mercy of fellow inmates & the prison system. So much potential for abuse of power!

Synopsis from the Theatre: Based on the novella by Stephen King, this adaptation of The Shawshank Redemption hearkens to the 1994 critically acclaimed film, bringing audiences to the edge of their seats. Andy Dufresne is convicted of the murder of his wife and her lover and sentenced to life imprisonment at Shawshank prison. While at Shawshank, Andy befriends some of the other inmates, namely a character known as Red. Over time Andy finds a way to live out life with as much relative ease as one can find in prison, leaving a message for all that while the body may be locked away in a cell, the spirit can never be truly imprisoned.

Reviewed Performance: 6/3/23 – Opening Weekend

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several locations at a prison facility

Prior Exposure/Knowledge Required: No, but I assume you’d appreciate it more if read the book or watched the movie. I saw neither but I was still able to enjoy it.

Defined Plot/Storyline: Mostly yes, but there’s only so much plot that can occur in a single penitentiary

Recommendation: See it if you like prison dramas or dystopian stories

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not

Rating Compared to Other Shows with the Same Production Value:
4 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 15

Perceived Pace of the Show: Medium speed

Length (Including Any Intermission): 2.25 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Scenic Design: Nice harsh utilitarian design of an austere prison. I’m glad Tacoma Little Theatre didn’t rely heavily on the projections during this production. While Tacoma Little Theatre usually produces decent-quality projections, the previous shows this season seemed to start leaning a little too generously on the stage technology.

Other Musing(s) and Observation(s)

  • Male Nudity: For a play with a warning about “some adult male nudity,” I was surprised how little nudity was shown … at least for a PNW show. Coming from Texas, I noticed y’all love nudity here in the PNW! I was promised full wang! 😛

Theatre Company: Tacoma Little Theatre

Venue: Tacoma Little Theatre

Venue Physical Address: 210 N I St, Tacoma, WA 98403

Price: Cheap

Dates: June 2 to 18, 2023

Seating: Assigned Seating

Parking: Mostly street parking. I usually like to park one block away on North Yakima Ave. Season ticket holders and donors can access a free parking lot.

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Other Video +/- Pictures: See pictures in video and under video by Dennis K Photography.

@showsiveseen “The #Shawshank Redemption” #play based on the #StephenKing novel. Directed by Blake R York. Relying on the mercy of fellow inmates & the prison system must be awful. So much potential for abuse of power! Photos by Dennis K Photography. Review: showsiveseen.com/5782 #theatre ♬ Great Escape
The inmates of The Shawshank Redemption.
Andy (Mason Quinn) & Red (Mark Peterson)
Tommy (Darius Sakui) & Andy (Mason Quinn)
Brooksie (Roger Iverson) & Andy (Mason Quinn)
Tommy (Darius Sakui) and the inmates of The Shawshank Redemption
Dawkins (Beau Prichard), Pinky (Jeffrey K. York), Rooster (Paul Richter) Bogs Diamond (Joshua Olver), Rico (Ton Williams), Red (Mark Peterson), Prisoner #5271 (Russ Coffey), Prisoner #7159 (Nathan Lovitt) & Prisoner #3861 (Glenn Fischer)
Entwistle (Alex Vowles), Hadley (Joshua Johnson) & the inmates
Rooster (Paul Richter), Red (Mark Peterson), Dawkins (Beau Prichard) & Andy (Mason Quinn)
Hadley (Joshua Johnson) & Andy (Mason Quinn)
Red (Mark Peterson), Warden Stammas (Joseph Grant) & Andy (Mason Quinn)

Jeeves Takes a Bow – Play – Taproot Theatre

Elevator Thoughts (aka Tweet): Jeeves Takes a Bow play at Taproot Theatre directed by Scott Nolte adapted by Margaret Raether based on PG Wodehouse stories. Fast-moving light play … just how I like it! Chaotic comedy! Great job Jeeves understudy Mark Waldstein. It must be nice to have a butler to cushion your falls in life!

Synopsis from the Theatre: Bertie’s back! And this time his talent for trouble trails him to the Big Apple. When childhood chum Binkey Binkersteth knocks, one knacky notion leads to masterful mayhem and soon the notorious Knuckles McCann is fitting Bertie for a Chicago overcoat. Fortunately, the unflappable Jeeves is close at hand with a stiff cuppa joe and a penchant for putting things right!

Reviewed Performance: 5/19/23 – Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Few

Several or Few Settings/Locations: One, the living room of a luxurious New York City apartment

Prior Exposure/Knowledge Required: No, but I suspect you’d probably appreciate the play more if you’re familiar with PG Wodehouse’s Jeeves character. I only knew about Ask Jeeves from the 1990s prior to this performance.

Defined Plot/Storyline: Not particularly extensive. There’s only so much story that can unfold in a single room. It was more about comedic antics than unfolding complex plot.

Recommendation: See it, especially if you like chaotic comedies that Taproot Theatre tends to produce like The Nerd and See How They Run. Usually, I don’t prefer shows with focused on hijinks and antics but this one was actually pretty good.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not, but it was good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 6

Perceived Pace of Show: Fast

Length (Including Any Intermission): 2 hours that flew by. Time flies when you’re having fun!

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Delightful Characters: Many amusing personalities filled this play with funny 1930s dialogue. The prude Vivienne Duckworth was probably my favorite since I grew up with her repressive moralistic mentality. Kelly Karcher’s energetic portrayal of Vivienne reminded me of her previous Taproot Theatre role where she shined as Lydia in The Wickhams: Christmas at Pemberley. The flapper-like NYC stardom-obsessed Ruby LeRoy (played by Claire Marx) was a wonderful contrast to prim British Vivienne. Speaking of contrasts, there was an “opposites attract” storyline, which I always eat up. It’s also worth mentioning Calder Shilling’s (Bertram Wilberforce Wooster) and Miguel Castellano’s (Nigel Bingham-Binkersteth, aka “Binkey”) lively portrayals of their British characters.
  • Scenic Design: While the design didn’t feel like 1910s-1920s era (seemed more 1980s-1990s), it was still visually pleasing. I was particularly drawn to the way high rise windows and the fire escape was designed.
  • Song: I was pleasantly surprised when Claire Marx sang a number in the second act. When I saw her name in the program, I remarked to myself that I usually see her in more music-related roles instead of pure acting parts. I’m glad she still briefly showcased her great musicality in her Ruby character.

Other Musing(s) and Observation(s)

  • Opening Remarks: The mundane opening remarks (like acknowledging the show sponsors) we hear before live theatre was pre-recorded like an old timey on-era NPR-like radio broadcast. Nice attention to detail.
  • Twist: Good unexpected twist with the gangster at the end of the first act!
  • Western Play Segment: Where did this chaotic scene come from? Very left field in my opinion.

Theatre Company: Taproot Theatre

Venue: Jewell Mainstage at Taproot Theatre

Venue Physical Address: 204 N 85th St, Seattle, WA 98103

Price: Cheap

Ticket Affordability Options: Pay what you can days, GoldStar, and TodayTix

Dates: May 17 to June 17, 2023

Seating: Assigned Seating

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video

@showsiveseen "Jeeves Takes a Bow" #play at @TaprootTheatre directed by Scott Nolte adapted by Margaret Raether based on PG Wodehouse stories. Opening night starring understudy Mark Waldstein & Calder Shilling w/ food from @Zylberschtein’s. Fast-moving light show – just how I like it. Chaotic #comedy! Photos by Robert Wade & @Giao Nguyen. Review: showsiveseen.com/5611 #theatre ♬ original sound – Shows I've Seen
Left to right: Calder Shilling and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade.
Left to right: Calder Shilling, Richard Nguyen Sloniker, and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.
Left to Right: Claire Marx and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.
Left to Right: Richard Nguyen Sloniker and Calder Shilling in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.
Left to Right: Calder Shilling and Richard Nguyen Sloniker in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.
Clockwise from left: Calder Shilling, Claire Marx, Miguel Castellano, and Richard Nguyen Sloniker in Jeeves Takes a Bow at Taproot Theatre. Photo by Giao Nguyen.
Calder Shilling and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade. Left to right: Calder Shilling and Miguel Castellano in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade.
Calder Shilling in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade.
Left to right: Tyler Matthew Campbell and Kelly Karcher in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade.
Miguel Castellano on the floor, then left to right: Calder Shilling, Claire Marx, Kelly Karcher, and Tyler Matthew Campbell in Jeeves Takes a Bow at Taproot Theatre. Photo by Robert Wade.

Monstrous Regiment – Play – Latitude Theatre

Elevator Thoughts (aka Tweet): Monstrous Regiment play adaptation (by Christopher Hainsworth) of Terry Pratchett’s Discworld novel. Directed by Christopher Kidder-Mostrom. Latitude Theatre’s historic first show ever! A group of monstrous/misfit army underdogs defy traditional gender roles. Unexpected reveal at the end. #girlPower #igor #vampire #troll #Discworld

Synopsis from the Theatre: From the pages of the Discworld(TM) novels, comes a story filled with loyalty, love, monsters, and mayhem. Borogravia is at war. Again. When Polly Perks’ brother goes missing in action, she disguises herself as a young man, enlists in the army and heads to the front lines in search of her sibling. But all is not as it seems, and Polly soon learns that she isn’t the only one in this band of “brothers” protecting secrets. Making their way to the front, this misfit company might just overcome insurmountable odds to become unlikely victors. ​A wickedly funny look at the absurdities of war and ambiguities of identity.

Reviewed Performance: 5/18/23 – Opening night and debut show of Latitude Theatre’s inception!

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: No, but you’d probably appreciate it more if you read the book. I haven’t read the book and I was still able to follow the story.

Defined Plot/Storyline: Yes

Was This the First Time I Attended a Production of this Show: Yes

Equity Actors: 0

Total Number of Actors: 11

Length (Including Any Intermission): 3 hours-ish , which was a bit too long

Intermission: Yes

Theatre Company: Latitude Theatre

Venue: Isaac Studio at Taproot Theatre

Venue Physical Address: 212 N 85th St, Seattle, WA 98103

Price: Cheap

Dates: May 18 to June 4, 2023

Seating: General Admission

Parking: Paid lot or usually-free street parking. I always find free street parking on Greenwood Ave just South of the theatre.

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Other Video +/- Pictures: See pictures in video and under video by James Murphy of Trainman Photography

Cast and Production Team: See after pictures and video below

@showsiveseen "Monstrous Regiment" #play adaptation (by Christopher Hainsworth) of Terry Pratchett's #Discworld novel. Directed by Christopher Kidder-Mostrom. Latitude Theatre's historic first show ever! A group of monstrous/misfit army underdogs defy traditional #gender roles. Unexpected reveal at the end. Photos by James Murphy. Review: showsiveseen.com/5577 #girlPower #igor #vampire #troll #theatre ♬ original sound – Shows I've Seen
The evil Prince Heinrich (Rowan Gallagher, center) is captured by members of the Monstrous Regiment (Jacq Babb, Ali Kidder-Mostrom, Steven Sterne, L-R) in the stage adaptation of Terry Pratchett’s Monstrous Regiment adapted by Christopher Hainsworth, directed by Christopher Kidder-Mostrom No playing at the Isaac Studio Theatre, produced by Latitude Theatre.
Sergeant Jackrum (Steven Sterne, right) prepares the members of the Monstrous Regiment for the realities of war in Latitude Theatre’s production of Terry Pratchett’s Monstrous Regiment adapted by Christopher Hainsworth.
Polly (Lola Rei Fukushima, center) holds her own sparring against Corporal Strappi (David Elwyn, right) under the watchful eye of Sergeant Jackrum (Steven Sterne, left) in Latitude Theatre’s production of Terry Pratchett’s Monstrous Regiment adapted by Christopher Hainsworth, directed by Christopher Kidder-Mostrom.
RoleName
Polly PerksLola Rei Fukushima
IgorAli Kidder-Mostrom
MaladictJacq Babb
CarborundumKirsten Traylor-Thorson
TonkerLeah Sainz-Jones
LoftyAnnabel Klein
WazzerEmily Fortuna
Sgt JackrumSteven Sterne
Lt Blouse, BarmanJonathan Swindle
Cpl Strappi, Sgt Towering, Gen FrocDavid Elwyn
Handsome Young Man, Death, Lord RustRowan Gallagher
Polly (Understudy)Annabel Klein
Maladict/Lt Blouse (Understudy)Skye Farrell
Igor/Carborundum/Tonker/Lofty/Wazzer (Understudy)Jacqueline Alves
Strappi, et al/Death, et al (Understudy)Alex Hogue
DirectorChristopher Kidder-Mostrom *
Assistant DirectorHannah Lund
PlaywrightTerry Pratchett
Set DesignerRhys Strohmayer
Set BuilderBenji Strohmayer, Niclas Brown, Alex Hogue
Costume DesignerAli Kidder-Mostrom
Costume AssistantsJane Ryan, Jennifer Nielsen
Lighting DesignerGwyn Skone
Sound DesignerAmber Granger
ComposerCharlie Sandford
Props DesignerJennifer Nielsen
Stage ManagerSam Williamson
Assistant Stage ManagerAlex Hogue
Fight ChoreographerStacey Bush
Fight CaptainKirsten Traylor-Thorson
Dialect CoachRowan Gallagher
*Member of the Stage Directors and Choreographers Society, a national theatrical labor union

Wolf Play – Review – ACT Theatre

Elevator Thoughts (aka Tweet): Wolf Play at ACT Theatre by Hansol Jung directed by Rosa Joshi. Interesting story about a lesbian queer couple, unconventional adoption, parenting, betrayal, & boxing. Novel puppetry. #LGBT #LGBTQ

Synopsis from the Theatre: When an online adoption process goes sideways, the young boy caught in the middle launches himself into a lone wolf’s journey to find a pack he can call his own. From South Korean playwright Hansol Jung, one of the most imaginative story tellers in the field, comes a wild new play employing puppetry, boxing, and crackling dialogue to tell the affecting story of trust, love, identity, and the families we choose and unchoose.

Reviewed Performance: 5/11/23 Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Yes

Recommendation: See it, especially if you’re a(n) (aspiring) gay parent or if you like watching on-stage puppetry. This was not your typical furry Muppets or Avenue Q puppetry though! Read more below.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not, but it was good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 5

Length (Including Any Intermission): 2 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Puppetry: I usually don’t like puppetry on-stage (and thankfully only the main character was a puppet), but I’ll admit that the puppetry design/presentation in this play was unique. Throughout the show, Morgan Gwilym Tso portrayed a child (Wolf) as a life-sized non-furry puppet. A side benefit was that it let the theatre avoid casting a child actor, which can be problematic.
  • Courtroom Scene: They lowered poles from the ceiling to simulate a boxing ring in the courtroom.
  • Lesbian MomsLGBTQ Parents (Updated 5/21): This play showcases an LGBTQ couple with a lipstick female (Robin) and a more butch non-binary person (Ash) who was originally born a female. Ash was a boxer with a beard and hairy armpits! I originally described them as a “lesbian couple” since that’s how Concord Theatricals (the organization that licensed the play performing rights to ACT Theatre) described them. But a reader messaged me that “queer couple” is more accurate.

Rant(s)

  • Opening Monologe : The play started slow with a monologue but eventually hit its stride. I suggest cutting or shortening the monologue. You want to hook the audience at the very beginning.

Other Musing(s) and Observation(s)

  • eBay Adoptions: The premise is that a lesbian queer couple adopts a child online from a family who changed their mind about raising an adopted kid. It’s like a how one might adopt a dog at the shelter and later decide to give it away to another family because the dog pees on the carpet. I never really considered people might actually commit this atrocity in real life until this play. Sadly, it probably happens more than we realize.

Theatre Company: ACT Theatre

Venue: Allen Theatre at ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium

Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.

Dates: May 5 to 21, 2023 – Opening night was only 5/11 and they’re already ending the production 5/21! Have ACT Theatre runs always ended this early? I remember the same thing for History of Theatre.

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

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Other Video +/- Pictures: See pictures in video and under video by Jim Bennett

Cast and Production Team: See after pictures and video below

@showsiveseen "#Wolf #Play" at @ACT Theatre Seattle by Hansol Jung directed by Rosa Joshi. Interesting story about a #lesbian couple, unconventional #adoption, #parenting, betrayal, & #boxing. Novel #puppetry. Ends this weekend! Photos by Jim Bennett. Review: showsiveseen.com/5408 #theatre #LGBT ♬ Follow Through – Devin Kennedy
Puppet designed by Amanda Villalobos in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
S. Franco setting sights on their opponent in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
S. Franco throws a punch as Vahishta Vafadari and Morgan Gwilym Tso cheer in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Actor Morgan Gwilym Tso and puppet howl like wolves in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Vahishta Vafadari kicks Xander DeAngeles for being rude in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Vahishta Vafadari and Xander DeAngeles blow up balloons in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Aaron Blakely holds puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Aaron Blakely, Morgan Gwilym Tso and puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Vahishta Vafadari, Morgan Gwilym Tso, and puppet in Wolf Play, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
Puppet designed by Amanda Villalobos in Wolf Play, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett
RoleName
WolfMorgan Gwilym Tso
AshS. Franco
RobinVahishta Vafadari
RyanXander DenAngeles*
PeterAaron Blakely*
Wolf (Understudy)Koo Park
Ash/Robin (Understudy)Ayodele Ngozi Tushinde
Ryan (Understudy)Darius Sakui
Peter (Understudy)Christopher Clark
DirectorRosa Joshi
PlaywrightHansol Jung
Assistant DirectorDylan Tomas Nieves
Scenic DesignerAndrea Bush
Costume DesignerChristine Tschirgi
Lighting DesignerConnie Yun^
Sound DesignerMeghan Roche
Puppet DesignerAmanda Villalobos
Puppet CoachAnnett Mateo
Intimacy & Fight ChoreographerHelen Roundhill
Boxing CoachLaura Wright
Assistant Lighting DesignerThorn Michaels
Stage ManagerTori Thompson
Production AssistantMichelle Chesley
*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States