The Taming – Play – Red Curtain Foundation for the Arts

Elevator Thoughts (aka Tweet): The Taming play at Red Curtain Foundation for the Arts. A lesbian republican, Miss #America, and a liberal social justice warrior are trapped together in a hotel room to debate USA politics/history. Pleasantly surprised that Girl Scouts sold cookies in the lobby. How American! #theatre

Synopsis from the Theatre: In this hilarious, raucous, all-female “power-play,” Miss America contestant Katherine has political aspirations to match her beauty pageant ambitions. All she needs to revolutionize the American government is the help of one ultra-conservative senator’s aide on the cusp of a career breakthrough, and one bleeding-heart liberal blogger who will do anything for her cause. Well, that and a semi-historically-accurate ether trip. Here’s lookin’ at you, America.

Reviewed Performance: 3/3/23 Evening – Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Few – Only 3

Defined Plot/Storyline: No

Recommendation: See it if either 1) you like supporting community theatre 2) you’re into American politics/history 3) you reveled in the educational parts of Hamilton 4) or if you enjoyed What the Constitution Means to Me

Was This the First Time I Attended a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4 Stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 3

Length (Including Any Intermission): 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Curtain Call: I liked that they let the stagehands take a bow. The stage crew is one of the many undercelebrated essential elements in live theatre.

Rant(s)

  • Lip Sync Segment: Needs to be removed or shortened. Lip synching on-stage is one of my pet peeves.
  • Scene Changes: The props and set furniture movement was distracting between scenes. However, I acknowledge the budget constraints of community theatre.

Other Musing(s) and Observation(s)

  • Comedic Props: The codpiece was a funny addition, but I was originally under the impression those were more popular in England during an earlier time period. I wonder if the codpiece and the shake weight were part of the script or if they were added by the theatre company.
  • Controlled Chaos: Props were falling and rolling everywhere! There were lots of over-the-top reactions and fight choreography.

Theatre Company: Red Curtain Foundation for the Arts

Venue: Red Curtain Foundation for the Arts

Venue Physical Address: 9315 State Ave #J, Marysville, WA 98270

Price: Cheap

Dates: March 3 to 19, 2023

Seating: General Admission

Parking: Free lot parking in the strip mall where this theatre is located.

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Other Video +/- Pictures: See pictures under video by Kenny Randall

Cast and Production Team: See after pictures and video below

@showsiveseen "The Taming" #play at @redcurtainarts by #LaurenGunderson. A lesbian ultra conservative, #MissAmerica, & a liberal social justice warrior are trapped together in a hotel room to debate #USA #politics/#history. How #American that Girl Scouts sold cookies in the lobby! Review: showsiveseen.com/4146. #theatre ♬ original sound – Shows I've Seen
Grace Helmcke as Bianca, Katie Wallace as Katherine, and Britta Grass as Patricia reluctantly agree to work together in “The Taming,” running March 3-19 at the Red Curtain Arts Center, 9315 State Ave. #J in Marysville.
Katherine (Katie Wallace) prepares for the Miss America pageant in “The Taming,” running March 3-19 at the Red Curtain Arts Center, 9315 State Ave. #J in Marysville.
RoleName
Katherine Katie Wallace
Patricia Britta Grass
Bianca Grace Helmcke
DirectorScott B. Randall
PlaywrightLauren Gunderson
Stage ManagerDavine Sholdez
Fight Choreographer Rowan Gallagher
DramaturgJeryn Pasha
Props & Set Dressing Courtney Calkins
Costumes/Dresser Laura Klein
Set Design Scott B Randall
Set Construction LeadWerner “Randy” Randall
Set Construction Scott Randall, Mike Pieckiel, Aiden Pieckiel, Spencer Greer
Lighting DesignScott Randall
Lighting Technician Layton Gaskins
Light Board OperatorAiden Pieckiel
Sound Design Daniel Hanlon
Sound Board Operator Mike Pieckiel
Spotlight OperatorsPaula Van Dalen, Sarah Tallman
Stage Crew Andy Wallington, Krista Patt, Layton Gaskins, Krishan Aggarwal, Paul Grass
Promotional PhotosKenny Randall
Marketing & Publicity Beckye Randall
Bar ManagerMichele Beito
Concessions ManagerKim Shumway

On the Market – Play – Burien Actors Theatre

Elevator Thoughts (aka Tweet): On the Market play w/ Burien Actors Theatre. Light modern romantic comedy w/ funny caricatures. Second chances are possible during middle age with love and life! #comedy #theatre

Synopsis from the Theatre: A former singer, now realtor, struggles with the modern dating scene after becoming a widow two years ago. Her life is turned upside down when she finds a mysterious note from her dead husband telling her it’s okay to “move on.” A touching modern, romantic comedy for grown-ups about love, loss, and finding your Forever Home.

Reviewed Performance: 2/25/23 Evening

Type: Play

World Premiere: No but almost. This play was first produced in Fall 2022. I looked it up since I was surpised how many modern references were in the show. For example, I’ve never seen a show that mentioned steaming services like Hulu Plus.

Defined Plot/Storyline: Yes

Recommendation: See it if you like supporting community theatre

Was This the First Time I Saw a Production of this Show: Yes

Would I See It Again 3 Years from Now: Maybe if it was produced by an Equity theatre

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: None

Total Number of Actors: 4

Length (Including Any Intermission): 90 mins

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Cutting Insults: The “mean girl” in me loves to watch tense scenes where someone figuratively cuts a friend to the knees with insults. It was very “you’re a virgin who can’t drive.” But not to worry, this negative energy was only in a brief scene and was not the focus of the play.

Rant(s)

  • Transitions: The scene transitions sometimes felt a little awkward. It may have something to do with the frequent lack of transition sounds or weird light queuing.
  • On-stage Costume Changes: There was one scene where the actors hastily distractingly changed costumes several times on-stage in the background. I was a confused why they didn’t change costumes off-stage like in all the other scenes. UPDATE 3/4/23: A reader let me know that this “circusy” montage was actually written into the script to feel messy and improvised. I’m curious if the scene execution in this production was what the playwright envisioned.

Other Musing(s) and Observation(s)

  • Mid-life Inspiration: I worry my dreams and ambitions are less realistic the more I age. This play inspired me to believe that middle age isn’t too late for dreams that will bring major life changes.

Theatre Company: Burien Actors Theatre

Venue: Kennedy Catholic High School

Venue Physical Address: 140 S 140th St, Burien, WA 98168

Price: Cheap

Dates: February 10 to March 5, 2023

Seating: General Admission

Parking: Huge free parking lot adjacent to the high school

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Other Video +/- Pictures: See pictures in video and under video by Michael Brunk

Cast and Production Team: See after pictures and video below

@showsiveseen “On the Market” #play w/ Burien Actors Theatre. Light modern #romanticComedy w/ #funny caricatures. 2nd chances are possible during middle age w/ love & life! Review: showsiveseen.com/4048 #comedy #theatre ♬ Til There Was You (as made famous by The Beatles) – Abbey Road Players
From left to right, Excited Girlfriend (Amy Anderson) and Excited Boyfriend (Jalyn Green) discuss the loft space realtor Charlotte (Karin Rogers) is showing, with actor John Dugaw changing into another character in the background.
From left to right, Charlotte (Karin Rogers) doesn’t believe her Grief Counselor (Jalyn Green).
From left to right, Charlotte (Karin Rogers) listens as Frank (John Dugaw) opens his heart.
From left to right, James (Jalyn Green) reads his letter to Charlotte (Karin Rogers), with Nice Husband (John Dugaw) and Nice Wife (Amy Anderson) seated in background.
From left to right, a young James (Jalyn Green) takes a photo of a young Charlotte (Karin Rogers) on their first date.
From left to right, Eccentric Wife (Amy Anderson) and Eccentric Husband (John Dugaw) arrive early, before the scheduled start time for a real estate open house run by realtor Charlotte (Karin Rogers).
RoleName
Diane, Eccentric Wife, Rustic Wife, Excited Girlfriend, Nice Wife Amy Anderson
Frank, Date #2, Date #4, Eccentric Husband, Chatty Husband 1, Rustic Husband, Nice HusbandJohn Dugaw
CharlotteKarin Rogers
James, Grief Counselor, Date #1, Date Mark, Chatty Husband 2, Excited Boyfriend, Delivery GuyJalyn Green
Stage DirectorsRochelle Flynn, Maggie Larrick
PlaywrightJason Odell Williams
Production ManagersEric Dickman, Maggie Larrick
Stage ManagerHeather Bernadette
Fight ChoreographerJohn Lynch
Set DesignerMaggie Larrick
Properties DesignerCyndi Baumgardner
Lighting DesignerDave Baldwin
Sound DesignerEric Dickman
Costume DesignerMaggie Larrick
Set Dresser Cyndi Baumgardner
Vocal CoachAimee Hong
Head Builder Scott Barker
Set Builders/Painters Eric Dickman, Luise Frishholz, Paul Gould, Maggie Larrick, Devin Rodger
Light & Sound Operator Heather Bernadette
Poster/Marketing Art DesignStevie VanBronkhorst
PhotographyMichael Brunk
ProgramMaggie Larrick
WebmasterLance Bowman
Box OfficeEric Dickman, Jessica Lester
Usher Managers Maggie Larrick, Elaine Puderbaugh
Concessions ManagersBarbara Reamer, Maggie Larrick

The Murder of Roger Ackroyd – Play – Book-It Repertory Theatre

Elevator Thoughts (aka Tweet): The Murder of Roger Ackroyd play by Agatha Christie at Book-It Repertory Theatre w/ opening night cheesecake/wine reception. Diverse/blind casting. I’m proud to have finally correctly guessed the murderer in this whodunnit! #AgathaChristie #HerculePoirot #Poirot

Synopsis from the Theatre: “Always Bear in Mind That the Person Who Speaks May Be Lying” Gossip, blackmail, deception and betrayal unsettle the peaceful English village of King’s Abbot. After a pair of mysterious deaths — including one from inside a locked room – the famous detective Hercule Poirot is pulled out of retirement to solve the case. Despite his desire to relax and grow vegetable marrows, the ingenious sleuth is compelled to snoop around this quaint hamlet and its surrounding countryside. Will this sleepy 1930s village ever feel quite so cozy again? Will Poirot be able to unravel the knots of this mystery? It’s a mystery! Book-It and local playwright Danielle Mohlman (author of Nexus and a renowned theatrical adaptation of Frankenstein) are crafting this brand-new script based on one of Dame Agatha Christie’s most innovative, clever, and mind-bending mysteries. The original book has been lauded as the best crime novel of all time by the Crime Writers’ Association. This play will be directed by Seattle-based director Jasmine Joshua (director of Irma Vep at Intiman in 2022, and has also directed at Reboot Theatre, Cafe Nordo, 5th Avenue, and Village Theatre). The creative team is taking a modern approach to staging of this show, include modern music remixed and re-recorded in vintage styles, and nontraditional gender casting. We love a good whodunnit! This classic murder mystery was revolutionary for its time, and it still hits all the right notes today. It’s sinister but also fun; fast-paced but still detailed; and thrilling without being frightening. Agatha Christie is one of the best-selling authors of all time, a master of her genre, and this story shows us why. Her subtle skewering of society and her delectable characters keep her work feeling fresh almost a century on. We want you to share time with us this winter, having some good ol’ fashioned fun!

Reviewed Performance: 2/11/23 on a packed opening night

Type: Play

World Premiere: Yes

Film/Book: Based on the popular book by Agatha Christie

Defined Plot/Storyline: Yes, but like many “whodunnit” plays, it is not linear.

Recommendation: See it especially if you like mystery or “whodunnit” plays

Was This the First Time I Saw a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not since I now know the ending. Half the fun in watching a whodunnit is guessing who the killer is!

Rating Compared to Other Shows with the Same Production Value:
4.5 Stars (Out of 5 Stars)

Equity Actors: 1 but they were all good

Total Number of Actors: 7

Length (Including Any Intermission): 2.5 hours – The second act felt slightly long

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Intermission Voting: It was a nice touch that the audience could vote for the murderer’s identity at intermission. As the audience exited the theatre after the second act, they could read a sign which showed the character who “won” from the intermission vote tally. It’s the first time I’ve seen this audience involvement game at a whodunnit play and I’m surprised more productions don’t implement it as well.
  • Diction: There was something about the way that Brandon J. Simmons (Dr. James Sheppard), Lisa Viertel (Roger Ackroyd), and Megan Ahiers (Cecil Ackroyd) delivered their lines that was very pleasant and made me think of good breeding.

Rant(s)

  • Corpse: After the killer murdered Roger Ackroyd in a chair, the actors draped the chair under a white sheet instead of leaving the actor under the sheet or replacing the actor with a stuffed dummy. A stuffed dummy would have been a cheap prop to make the scene more realistic.
  • Motivation: When the murderer was revealed, the motivation wasn’t adequately explained.

Other Musing(s) and Observation(s)

  • Cecil Ackroyd: Why wasn’t the sister (or sister-in-law?) interrogated?
  • Killer Identity: I’m proud to have finally guessed the murderer correctly. If I’ve learned anything about whodunnit plays and Agatha Christie, the murderer is always who you least expect!

Theatre Company: Book-It Repertory Theatre

Venue: Center Theatre at Seattle Center Armory

Venue Physical Address: 305 Harrison St, Seattle, WA 98109

Price: Medium

Ticket Affordability Options: Check out the discount section of their ticketing page. Goldstar usually offer good options too.

Dates: February 11 to March 5, 2023

Seating: Assigned Seating

Parking: Paid street parking or paid lot/garage parking. I usually like to park on the street near the skating park (313 Taylor Ave N, Seattle, WA 98109) East of the theatre. It’s more expensive on Climate Pledge Arena event days though so I ended up parking in South Lake Union since I’m cheap!

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Other Video +/- Pictures: Pictures in video and under video by Anthony Floyd Photography.

Cast and Production Team: See after pictures and video below

@showsiveseen "The Murder of Roger Ackroyd" #play by #AgathaChristie & @daniellemohlman at Book-It Theatre w/ opening night cheesecake/wine reception. Diverse/blind casting. I'm proud to have finally correctly guessed the murderer in this #whodunnit! Review: showsiveseen.com/3930. Photos by Anthony Floyd. #theatre #HerculePoirot #Poirot ♬ Freak – Moliy
Riley Gene photographed by Anthony Floyd
Brandon J. Simmons and Aaron Pitre photographed by Anthony Floyd
Brandon J. Simmons, Sydney Maltese, and Lisa Viertel photographed by Anthony Floyd
Brandon J. Simmons and Aaron Pitre photographed by Anthony Floyd
Aaron Pitre and Brandon J. Simmons photographed by Anthony Floyd
RoleName
Hercule Poirot Aaron Pitre*
Dr. James SheppardBrandon J. Simmons
Roger Ackroyd Lisa Viertel
Mrs. Cecil Ackroyd, Inspector Raglan, and Miss RussellMegan Ahiers
Captain Ralph Paton and Major Hector BluntRhys Daly
John Parker and Ursula BourneSydney Maltese
Miss Flora Ackroyd, Geoffrey Raymond, and Charles KentRiley Gene
UnderstudiesBenjamin Elias Nickols, Jessica Robins, Jordan-Michael Whidbey
Director Jasmine Joshua
AuthorAgatha Christie
PlaywrightDanielle Mohlman
Stage Manager Nicola Krause
Assistant Stage Manager / Covid Safety OfficerSelina Senn
Assistant Director & Assistant DramaturgAdrian Prendergast
DramaturgSara Keats
Scenic Designer & Props Designer Robin Macartney
Costume DesignerJocelyne Fowler
Lighting DesignerRichard Schaefer
Sound DesignerJohanna Melamed
Dialect Coach Marena Kleinpeter
Production ManagerDan Schuy
Assistant Production & Company ManagerMax Koh
Technical DirectorBenjamin Radin
Poster Design Tyrell Waiters
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in USA

Sense and Sensibility – Play – Village Theatre

Giveaway: I’m giving away a free ticket to this show. See more details here. Congrats to Annabel!

Elevator Thoughts (aka Tweet): Sense and Sensibility play by Kate Hamill at Village Theatre. Jane Austen meets Gossip Girl. Cute, basic (in a good way), & girly romantic comedy. Loved it! Clips by Nyhuis Creative. #theatre

Synopsis from the Theatre: A playful new adaptation of Jane Austen’s beloved novel follows the fortunes (and misfortunes) of the Dashwood sisters—sensible Elinor and hypersensitive Marianne—after their father’s sudden death leaves them financially destitute and socially vulnerable. In a classic-modern mashup of the beloved Jane Austen novel, Sense and Sensibility revisits the 18th-century England of the iconic characters through a contemporary lens. Layered with smart comedy and zany antics, this playful new adaption comes to life in a delightfully indulgent production directed by Jes Spencer. Sensible Elinor and sensitive Marianne’s fortunes become misfortunes after their father’s sudden death leaves them financially destitute and socially vulnerable. Navigating societal pressures and relatable modern gossip, the two sisters learn to love while expressing their own sensibilities. Cheekily underscored by a contemporary mix of your favorite pop songs, Sense and Sensibility’s simple beauty and timelessness is a breath of fresh countryside air.

Reviewed Performance: 2/10/23 on Opening Weekend

Type: Play

World Premiere: No

Awards: 2016 Off-Broadway Alliance Award

Defined Plot/Storyline: Yes

Recommendation: See it especially if you like Jane Austen or romantic comedies

Was This the First Time I Saw a Production of this Show: Yes

Would I See It Again 3 Years from Now: Yes if it was another Equity production

Rating Compared to Other Shows with the Same Production Value:
4.75 Stars (Out of 5 Stars)

Equity Actors: 3 but they were all good

Total Number of Actors: 10

Length (Including Any Intermission): 2.75 hours – The second act felt slightly long

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Ball: Once again, Village Theatre triumphantly put on a dazzling ball as they did in Cinderella, their previous production. The chandelier-like disco balls were a nice touch.
  • Drag: Nick DeSantis was a hoot as Mrs. Ferrars in drag. I looked forward to each of his over-the-top campy costumes like the stuffy “Michelin Man” dress and the crocodile boa.
  • Personified Animals: Village Theatre must have heard good feedback from their last show, Cinderella, when ensemble actors occasionally portrayed animals since they did the same thing in Sense and Sensibility. The barking dogs surprised me at first!
  • Stuffed Animals: Speaking of animals, I also looked forward to seeing each new stuffed animal that the youngest daughter Margaret Dashwood (portrayed by Sophia Franzella) played with in each of her scene.
  • Town Gossips: The town gossips were a clever way to narrate the story.
  • London Transition: The transition from simpleton country to glamourous city reminded me of scenes where midwestern country bumpkins arrive in Manhattan.
  • Understudies: Kudos to Nik Doner and Michael Wu for seamlessly filling in the roles of Calder Shilling and Richard Nguyen Sloniker respectively the day after opening night.
  • Cliffhanger: The end of the first act was executed dramatically. I liked how they resumed the second act at the exact same scene.
  • Design: The lighting design, scenic design, and costume design were well-coordinated in the same beautiful feminine motif of pastel watercolors w/ warm lighting. The giant papier-mâché flowers conveyed a wholesome countryside cottage feel.
  • Drawing: The reveal of what Edward (or was it Elinor?) drew at the beginning of the play was funny. I doubt audience members in the back could see it though…
  • Cast Doubling: I’m usually not a fan of extensive cast doubling especially when it’s difficult to discern between characters. But when done successfully, I think it showcases the actors’ range of abilities. In particular, the understudies’ switched well from the awkward stiff personalities of Colonel Brandon and Edward Ferrars.
  • Modern References: It was fun seeing the actors wear or use modern props and costumes in this regency era production. I saw headphones, martini glasses, airport luggage, sneakers, capris, cowgirl frills, a hoodie, a Gucci logo, a steering wheel, leopard print, a letterman jacket, and a windbreaker. Modern songs were also integrated throughout the show like Celine Dion. Most of the songs were in the style of Postmodern Jukebox.

Rant(s)

  • Phones: While I enjoyed seeing modern props in this regency era play, the cell phones were over showcased. Too many theatre productions use cell phones as an easy crutch to add a modern flair to shows that take place in a pre-modern era. However, it was clever for the horse carriage driver to text while driving.

Theatre Company: Village Theatre

Venue: Village Theatre

Venue Physical Address: 303 Front St N, Issaquah, WA 98027 or 2710 Wetmore Ave, Everett, WA 98201 depending on your performance date

Price: Medium-Expensive

Ticket Affordability Options: Check out their discount tickets page. TodayTix and Goldstar usually offer good options too.

Dates: February 1 to April 9, 2023

Seating: Assigned Seating

Parking: Free street parking and some free parking lot. Lot parking is pretty difficult to find though. I’ve basically given up on that. I usually end up parking on Rainier Boulevard North. As a last resort, I think you can always find parking at the library but it’s a little far. Remember, there’s a bottom floor parking lot under the library’s main parking lot that most non-locals don’t know about.

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Other Video +/- Pictures: Performance clips in TikTok video are by Nyhuis Creative. Pictures under video are by Angela Sterling Photography.

Cast and Production Team: See after pictures

@showsiveseen “Sense & Sensibility” #play by @katehamill4sure at Village Theatre. #JaneAusten meets @xoxogossipgirl. #Cute, #basic (in a good way), & #girly #romanticComedy. Loved it! Review: showsiveseen.com/3773 Clips by Nyhuis Creative. #theatre ♬ Piano Concerto No. 22 3rd Movement Mozart(1003495) – takai
Sophia Franzella, Alegra Batara, and Sunam Ellis in Village Theatre’s Sense and Sensibility (2023). Photo by Angela Sterling.
Sophia Franzella, Calder Shilling, Alegra Batara, Suzy Hunt, Lindsay Welliver, Nick DeSantis, and Richard Nguyen Sloniker in Village Theatre’s Sense and Sensibility (2023). Photo by Angela Sterling.
Alegra Batara, Sunam Ellis, Josh Kenji, and Lindsay Welliver in Village Theatre’s Sense and Sensibility (2023). Photo by Angela Sterling.
Lindsay Welliver and Calder Shilling in Village Theatre’s Sense and Sensibility (2023). Photo by Angela Sterling.
Lindsay Welliver and Alegra Batara in Village Theatre’s Sense and Sensibility (2023). Photo by Angela Sterling.
RoleName
Marianne DashwoodAlegra Batara
Sir John Middleton / Mrs. Ferrars / Thomas / Gossip Nick DeSantis*
Mrs. Dashwood / Anne Steele / Gossip Sunam Ellis
Margaret Dashwood / Lucy Steele / Gossip Sophia Franzella
Mrs. Jennings / GossipSuzy Hunt*
Fanny Dashwood / Lady Middleton / Doctor / Gossip Jonelle Jordan
John Willoughby / Lady Middleton / Gossip Josh Kenji
Colonel Brandon / John Dashwood / GossipRichard Nguyen Sloniker*
Edward Ferrars / Robert Ferrars / Lady Middleton / GossipCalder Shilling
Elinor Dashwood Lindsay Welliver
Undeerstudies
Elinor Dashwood / Fanny Dashwood / Lady Middleton / Doctor / Gossip Shanna Allman
Marianne Dashwood / Margaret Dashwood / Lucy Steele / Gossip Cheyenne Barton
Colonel Brandon / John Dashwood / Sir John Middleton / Mrs. Ferrars / Thomas / Gossip Nik Doner
Edward Ferrars / John Willoughby / Lady Middleton / Robert Ferrars / GossipMichael Wu
Mrs. Dashwood / Anne Steele / Mrs. Jennings / GossipAnnie Yim
Stage ManagerShay Trusty*
Assistant Stage Manager Annika Evens
Production Assistant Ana Sepehri
DirectorJes Spencer
PlaywrightKate Hamill
Scenic Designer Parmida Ziaei
Sound Designer Tosin Olufolabi
Lighting DesignerAmiya Brown
Wig Designer Kaleena Jordan
ChoreographerKathryn Van Meter
Costume DesignerDanielle Nieves
Assistant DirectorBretteney Beverly
Associate Lighting DesignerCasey Price
DramaturgMarquicia Dominquez
Fight ChoreographerAlyssa Kay
Assistant Scenic DesignerLex Marcos
Dialect CoachGin Hammond
Intimacy DirectorKathryn Van Meter
Costume StitchersMeagan Kirby
Kali Pohle
* The Actors and Stage Managers are members of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The Sign in Sidney Brustein’s Window – Play – Intiman Theatre and The William’s Project

Elevator Thoughts (aka Tweet): The Sign in Sidney Brustein’s Window play at Erickson Theatre w/ Intiman Theatre and The William’s Project. Well-written dialogue & strong acting. Intellectual, artsy, & bohemian in an NYC way.

Synopsis from the Theatre: It’s Greenwich Village in 1964, and Sidney Brustein’s living room is the place to be. The neighborhood bohemians gather here to drink, listen to records, and argue about politics, art, and sex. Soon, Sidney stumbles into owning a local newspaper and the arguments become more heated. With a marriage on the rocks, no money, and friends advocating for different causes, this aging idealist is forced to decide what he truly believes. Brimming with humor and pulling no punches, The Sign in Sidney Brustein’s Window asks us all: how much are you willing to sacrifice to live your ideals?

Reviewed Performance: 2/9/23 on opening night

Type: Play

World Premiere: No

Defined Plot/Storyline: No – It was a lot of talking, which I usually don’t like but I still enjoyed the play because of the good scenes, writing, and acting.

Recommendation: See it if you don’t hate plays with a lot of talking and little action.

Was This the First Time I Saw a Production of this Show: Yes

Rating Compared to Other Shows with the Same Production Value:
4.25 Stars (Out of 5 Stars)

Equity Actors: 6

Total Number of Actors: 7

Length (Including Any Intermission): A whopping 3 hours!

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

  • Scenes: There were countless powerful scenes in this production partly because of brilliant writing and partly because of good execution. Many of the scenes were monologue-like breaks. My favorite was probably Alton’s (Chip Sherman’s) tense commentary about how African Americans have been accepting the scraps from white people for years. Iris’s (Caitlin Duffy’s) description of the actor’s audtion process was also memorable with her strangely vivid storytelling.
  • Waterfall: There was a neat waterfall at the beginning of the second act that added artistic value to the production.
  • Costumes: The sparkly dresses that Iris and Gloria wore were stunning.

Rant(s)

  • Press Ticket/Media: I contacted Intiman Theatre twice for a possible press review ticket and for production photos but I did not receive any response. UPDATE 3/4/23: After I posted this review, the Intiman Instagram account messaged me how to get added to the press list.

Other Musing(s) and Observation(s)

  • Message: The playwright Lorraine Hansberry left a rich fodder for analysis with quotable lines and powerful scenes. But I couldn’t grasp any cohesive central moral of the play. Was it a nihilistic commentary about the futility of idealism and altruism?
  • Sign: If the sign was important enough to mention in the play’s title, what did the sign symbolize? Failed idealism?
  • Cutting Remarks: While I love watching cutting insults on-stage, why was Sidney such a dick to Iris?
  • Intellectuals: Was it just me or were the characters (Sydney in particular) reminiscent of pretentious highbrow hipsters who only listen to records, only drink single malt whisky, and are blissfully unaware of their privilege?

Theatre Company: Intiman Theatre and The William’s Project

Venue: Erickson Theatre

Venue Physical Address: 1524 Harvard Ave, Seattle, WA 98122

Price: Cheap to Medium-Expensive

Ticket Affordability Options: The ticketing website offers honor code discount options for students, military, industry, … or anybody. There are also 20 free rush tickets 1 hour before each performance.

Dates: February 7 to 25, 2023

Seating: Assigned Seating

Parking: It’s Capitol Hill … so good luck. Try to take the bus. The cheapest parking I could find was $10 on Harvard Avenue west of Seattle Central College.

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Other Video +/- Pictures: See TikTok video below

Cast and Production Team: See after video

@showsiveseen “The Sign in Sidney Brustein’s Window” #play at Erickson Theatre w/ #Intiman Theatre & The William’s Project. Well-written dialogue & strong acting. #Intellectual, artsy, & #bohemian in an NYC way. “I just want something to happen in my life.” Review: showsiveseen.com/3891 #theatre ♬ Conspiracy Theory – Cali Rodi
RoleName
Sidney BrusteinMax Rosenak*
Alton ScalesChip Sherman
Iris Parodus Brustein Caitlin Duffy*
Wally O’Hara / MaxHoliday*
Mavis Parodus BrysonAlexandra Tavares*
David Ragin Lee Lebreton*
Gloria ParodusFrancesca Root-Dodson*
DirectorRyan Guzzo Purcell
PlaywrightLorraine Hansberry
Scenic and Costume DesignerAn-Iin Dauber
Lighting DesignerGeoff Korf^
Sound DesignerM.L. Dogg ^
Production Stage ManagerLaurel Nichols*
Assistant Stage Manager / Covid-19 Safety ManagerNik Nolen
* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in USA
^Member of United Scenic Artists, Local USA 829, IATSE