Theaters, Performance Spaces, and Production Companies – Page 57 – Shows I've Seen

Wolf Play – Review – ACT Theatre

Elevator Thoughts (aka Tweet): Wolf Play at ACT Theatre by Hansol Jung directed by Rosa Joshi. Interesting story about a ~~lesbian~~ queer couple, unconventional adoption, parenting, betrayal, & boxing. Novel puppetry. #LGBT #LGBTQ

Synopsis from the Theatre: When an online adoption process goes sideways, the young boy caught in the middle launches himself into a lone wolf’s journey to find a pack he can call his own. From South Korean playwright Hansol Jung, one of the most imaginative story tellers in the field, comes a wild new play employing puppetry, boxing, and crackling dialogue to tell the affecting story of trust, love, identity, and the families we choose and unchoose.

Reviewed Performance: 5/11/23 Opening Night

Type: Play

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: Yes

Recommendation: See it, especially if you’re a(n) (aspiring) gay parent or if you like watching on-stage puppetry. This was not your typical furry Muppets or Avenue Q puppetry though! Read more below.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not, but it was good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 2

Total Number of Actors: 5

Length (Including Any Intermission): 2 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Puppetry: I usually don’t like puppetry on-stage (and thankfully only the main character was a puppet), but I’ll admit that the puppetry design/presentation in this play was unique. Throughout the show, Morgan Gwilym Tso portrayed a child (Wolf) as a life-sized non-furry puppet. A side benefit was that it let the theatre avoid casting a child actor, which can be problematic.
Courtroom Scene: They lowered poles from the ceiling to simulate a boxing ring in the courtroom.
~~Lesbian Moms~~LGBTQ Parents (Updated 5/21): This play showcases an LGBTQ couple with a lipstick female (Robin) and a more butch non-binary person (Ash) who was originally born a female. Ash was a boxer with a beard and hairy armpits! I originally described them as a “lesbian couple” since that’s how Concord Theatricals (the organization that licensed the play performing rights to ACT Theatre) described them. But a reader messaged me that “queer couple” is more accurate.

Rant(s)

Opening Monologe : The play started slow with a monologue but eventually hit its stride. I suggest cutting or shortening the monologue. You want to hook the audience at the very beginning.

Other Musing(s) and Observation(s)

eBay Adoptions: The premise is that a ~~lesbian~~ queer couple adopts a child online from a family who changed their mind about raising an adopted kid. It’s like a how one might adopt a dog at the shelter and later decide to give it away to another family because the dog pees on the carpet. I never really considered people might actually commit this atrocity in real life until this play. Sadly, it probably happens more than we realize.

Theatre Company: ACT Theatre

Venue: Allen Theatre at ACT Theatre

Venue Physical Address: 700 Union St, Seattle, WA 98101

Price: Medium

Ticket Affordability Options: You can self-select lower ticket prices on the ticketing website. Also, check out the the theatre’s official discounts page.

Dates: May 5 to 21, 2023 – Opening night was only 5/11 and they’re already ending the production 5/21! Have ACT Theatre runs always ended this early? I remember the same thing for History of Theatre.

Seating: Assigned Seating

Parking: Paid lot or paid street parking. If I don’t walk to this theatre, I park in the Convention Center garage with the entrance between Seneca and Pike. There is indoor access from the garage to the ACT Theatre going through the convention center.

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Other Video +/- Pictures: See pictures in video and under video by Jim Bennett

Cast and Production Team: See after pictures and video below

@showsiveseen "#Wolf #Play" at @ACT Theatre Seattle by Hansol Jung directed by Rosa Joshi. Interesting story about a #lesbian couple, unconventional #adoption, #parenting, betrayal, & #boxing. Novel #puppetry. Ends this weekend! Photos by Jim Bennett. Review: showsiveseen.com/5408 #theatre #LGBT ♬ Follow Through – Devin Kennedy

Puppet designed by Amanda Villalobos in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

S. Franco setting sights on their opponent in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

S. Franco throws a punch as Vahishta Vafadari and Morgan Gwilym Tso cheer in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Actor Morgan Gwilym Tso and puppet howl like wolves in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Vahishta Vafadari kicks Xander DeAngeles for being rude in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Vahishta Vafadari and Xander DeAngeles blow up balloons in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Aaron Blakely holds puppet in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Aaron Blakely, Morgan Gwilym Tso and puppet in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Vahishta Vafadari, Morgan Gwilym Tso, and puppet in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, puppet design by Amanda Villalobos, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Xander DeAngeles, S. Franco, Vahishta Vafadari, Morgan Gwilym Tso, Aaron Blakely in *Wolf Play*, by Hansol Jung and directed by Rosa Joshi, onstage May 5 – 21, 2023 at ACT Contemporary Theatre. Photo credit: Jim Bennett

Role	Name
Wolf	Morgan Gwilym Tso
Ash	S. Franco
Robin	Vahishta Vafadari
Ryan	Xander DenAngeles*
Peter	Aaron Blakely*
Wolf (Understudy)	Koo Park
Ash/Robin (Understudy)	Ayodele Ngozi Tushinde
Ryan (Understudy)	Darius Sakui
Peter (Understudy)	Christopher Clark
—	—
Director	Rosa Joshi
Playwright	Hansol Jung
Assistant Director	Dylan Tomas Nieves
Scenic Designer	Andrea Bush
Costume Designer	Christine Tschirgi
Lighting Designer	Connie Yun^
Sound Designer	Meghan Roche
Puppet Designer	Amanda Villalobos
Puppet Coach	Annett Mateo
Intimacy & Fight Choreographer	Helen Roundhill
Boxing Coach	Laura Wright
Assistant Lighting Designer	Thorn Michaels
Stage Manager	Tori Thompson
Production Assistant	Michelle Chesley

*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

Twelfth Night – Musical – Seattle Shakespeare Company

@showsiveseen “Twelfth Night” #musical adaptation of #Shakespeare‘s classic by Shaina Taub & Kwame Kwei-Armah at Seattle Shakespeare Company. Directed by Ruben Van Kempen & music directed by RJ Tancioco. If anything, see it for the Broadway quality score & the great voices! Seattle-ites will be sure eat up the gender themes. Review: showsiveseen.com/5330 #12thNight #TwelfthNight #theatre ♬ Play On – Shaina Taub & Ato Blankson-Wood & Nikki M. James & ‘Twelfth Night’ Company

Elevator Thoughts (aka Tweet): Twelfth Night musical adaptation of Shakespeare’s classic by Shaina Taub & Kwame Kwei-Armah at Seattle Shakespeare Company. Directed by Ruben Van Kempen and music directed by R.J. Tancioco. If anything, see it for the Broadway quality score and the great voices! Lots of gender themes Seattle-ites will be sure to eat up. #12thNight #TwelfthNight

Synopsis from the Theatre: Viola and her brother Sebastian are separated in a devastating shipwreck. Naturally, Viola decides to disguise herself as a man in this new land and, now as Cesario, get a job for Duke Orsino, with whom she instantly falls in love. Duke Orsino, however, loves the countess Olivia, and sends Viola-as-Cesario to woo her. Olivia, unaware of Viola’s disguise, falls in love with Cesario. Meanwhile, unbeknownst to Viola, Sebastian has been rescued and is about to add another angle to this love shape. Shakespeare’s romantic comedy of mistaken identity and self-discovery is given a rousing musical adaptation originally premiered at New York’s Public Theatre, featuring an onstage band and a score inspired by jazz, soul, and showtunes from critically acclaimed musician Shaina Taub.

Reviewed Performance: 5/13/23 Semi-opening Weekend – The company performed a couple of previews and I think even the opening night. But COVID prematurely closed opening weekend and the weekend after that. This was the first full weekend that they performed, which is unfortunate since that means COVID basically wiped-out half of their performances. The original run was scheduled for 4/26 to this weekend’s 5/21.

Type: Musical

World Premiere: No

Several or Few Scenes: Several

Several or Few Settings/Locations: Several

Prior Exposure/Knowledge Required: This is best enjoyed by those familiar with the original Twelfth Night Shakespeare play story.

Defined Plot/Storyline: Yes, but it’s difficult to follow if you can’t understand Shakespearean English like me. 🙁

Live Band/Orchestra: Yes, a 6-person band with the ensemble occasionally jumping in. James Shilling played the trombone. Karin Terry (Feste) played the accordion. If I’m not mistaken, I think another actor played the ukelele.

Recommendation: See it, especially if you can follow Shakesperean English or you’re familiar with the original Twelfth Night play story. Honestly, I’m not familiar with the play and I couldn’t follow the story (Shakespeare English is hard!), but the Broadway-quality score and great voices made this show worth attending! You’ll like this show if you enjoyed the Head Over Heels mashup between old English and modern musical elements.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it was very good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 5

Total Number of Actors: 14

Length (Including Any Intermission): 1.5 hours

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Broadway-quality Music: Since the set and graphic design was Seattle-themed with Pike Place Market and Rainier beer logos, I initially assumed this was a world premier written in Seattle. From the very first lively opening song hook “Play On” to the funky interludes like “Word on the Street” to the final gospel choir-like “Eyes of Another” song, I kept thinking that the music could be on a Broadway or West End original cast album recording. Later, I found out that this wasn’t a Seattle world premiere and there actually was a New York City production with a cast recording! Below are a couple of other song highlights:
- “Is This Not Love?” – Sung by Feste (Karin Terry). It sounded like a classic Broadway ballad.
- “What Kind of Man R U Gonna Be?” – This was in the style of 80s fitness training songs. Performers wore retro wrist/head bands. It reminded me of the Miss Step musical and Jane Fonda.
- “Count Malvolio” – Sung by Malvolio (Jon Lutyens). It reminded me of vintage golden age can-can showbiz energy. A tap dance number would have been a perfect addition!
- “You’re the Worst” – It sounded like a classic Broadway comic relief song.
- “Crazy in Love”: There was a brief wink to Beyonce’s smash hit song.
Voices: Obviously, Andi Alhadeef (Olivia) and Alexandria J Henderson (Viola) showcased their amazing diva-quality voices. They made sweet harmony together especially in “I Am She.” Their harmony was also exceptional in “If You Were My Beloved” when Hisam Goueli (Orsino) joined in. I was surprised when I heard Hisam sing since I’ve seen him so many times on-stage in Seattle in only non-singing roles. Honorable mentions to Danny Kam (Sir Toby Belch) and Jimmy Shields (Sir Andrew Aguecheek) for hitting the high notes.

Other Musing(s) and Observation(s)

Seattle Theme: As mentioned previously, the set and the graphics were Seattle-themed. Was this because of similarities between Seattle and Illyria? Or was it just chosen to indulge the Seattle audience? Let me know in my social media link comments below!
Gender Themes: Seattleites will be sure to eat up the gender bending, gender fluidity, non-binary, gender equality/empowerment themes in this show.

Theatre Company: Seattle Shakespeare Company

Venue: Center Theatre at Seattle Center Armory

Venue Physical Address: 305 Harrison St, Seattle, WA 98109

Price: Medium

Ticket Affordability Options: Surprisingly (for a Seattle theatre company) I could not find anything.

Dates: April 26 – May 21, 2023 with 2 weekends canceled because of COVID-19

Seating: Assigned Seating

Parking: Paid street parking or paid lot/garage parking. I usually park on the street near the skating park (313 Taylor Ave N, Seattle, WA 98109) East of the theatre. It’s more expensive on Climate Pledge Arena event days though. In that case, I might take the bus or park in South Lake Union around Dexter Avenue and Harrison Street.

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Other Video +/- Pictures: See pictures in video and under video

Cast and Production Team: See after pictures and video below

Role	Name
Illyrian	Simone Alene
Olivia	Andi Alhadeff*
Fabian, Illyrian	Ania Briggs
Illyrian	Natalya Czosnyka
Orsino	Hisam Goueli
Viola	Alexandria J. Henderson*
Sir Toby Belch	Danny Kam
Malvolio	Jon Lutyens*
Sebastian, Illyrian	Donovan Mahannah
Maria	Pilar O’Connell*
Backstage Illyrian Singer	James Schilling
Sir Andrew Aguecheek	Jimmy Shields*
Feste	Karin Terry
Antonio, Illyrian	Jarron A. Williams
—	—
Olivia (Understudy)	Simone Alene
Viola/Sebastian (Understudy)	Ania Briggs
Fabian/Maria (Understudy)	Natalya Czosnyka
Feste (Understudy)	Pilar O’Connell*
Orsino/MaIvoIio/Toby (Understudy)	James Schilling
—	—
Keyboard/Conductor	R.J. Tancioco or Ben Bentler
Trumpet	Pavel Spichak or Harlan Feinstein
Reed	Jay Easton or Nathaniel Schleimer
Guitar	Anthony Pooley
Bass	Olivia Hamilton or Ethan Sabotta
Drums	James Pingenot or James “Rif” Reif
Orchestration and Band Arranger	Mike Brun
—	—
Director	Ruben Van Kempen
Composer and Lyricist	Shaina Taub
Writers	Kwame Kwei-Armah, Shaina Taub
Music Director	R.J. Tancioco
Choreographer	Kathryn Van Meter**
Scenic Designer	Parmida Ziaei
Costume Designer	Jocelyne Fowler
Lighting Designer	Kristi Matthews
Sound Designer	Benjamin Radin
Properties Designer	Robin Macartney
Intimacy Director	Jasmine Lomax
Fight Choreographer	Harry Todd Jamieson
Assistant Music Director	Benjamin Bentler
Text Coach	Makaela Milburn
Stage Manager	Elizabeth Stasio*
Fight/lntimacy Captain	Pilar O’Connell*
Dance Captain	Jimmy Shields*
Assistant Stage Manager	Clair Kaminski*
COVID Safety Officer	Jocelyne Fowler
Technical Director	Benjamin Radin
Assistant Technical Director	Andrew Long
Master Audio Engineer	Conor Fortner
Master Electrician – Rehearsal/Tech	Danny Herter
Master Electrician – Performances	Clint Bull
Master Painter	Jessica Christensen
Wardrobe Master	Emily Kight

*The Actors and Stage Managers Are Members of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States.
**Members of the Stage Directors and Choreographers Society

Hometown Boy – Play – Seattle Public Theater

Elevator Thoughts (aka Tweet): Hometown Boy play by Keiko Green at Seattle Public Theater. A city boy visits his rural hometown and opens old wounds. Good acting and outburst scenes. Is it better to rectify past wrongs or just go on with your life?

Synopsis from the Theatre: James hasn’t been back to his rural Georgia hometown in over a decade, but reluctantly returns to check in on his father, whose behavior has become worryingly erratic. And since the South has a way of holding onto secrets, he soon stumbles into a life he thought he had left behind as a child. That stench in the air isn’t just his father’s decaying house, but the rotten core of long-buried secrets teeming just under the surface and ready to explode.

Reviewed Performance: 5/6/23 Opening Weekend

Type: Play

World Premiere: No, this is the play’s second production

Several or Few Scenes: Several

Several or Few Settings/Locations: Only around 3 locations

Prior Exposure/Knowledge Required: None

Defined Plot/Storyline: There was a storyline, but it wasn’t particularly extensive. Instead, the play was filled with dialogue and reminiscing.

Recommendation: See it if you like plays that are more dialogue than action

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it was good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 1

Total Number of Actors: 6

Length (Including Any Intermission): 2 hours

Intermission: Yes

Other Rave(s) Not Mentioned in Elevator Thoughts

Multitasking Dialogue: There were two scenes that reminded me of TikTok/Reel “sludge content” … in a good way! In one scene, bartender Collin (Tim Gouran) mixed a drink while reciting his lines. And in the other scene, Sam (Jennifer Ewing) decorated a cake also while reciting her lines. Just like “sludge content,” these bits were mesmerizing and strangely beneficial for my attention span. They were reminiscent of ACT Theatre’s production of Skylight when one of the characters sauteed onions/garlic and cooked Italian dish while reciting their lines.

Other Musing(s) and Observation(s)

First Act Ending (No Spoiler): The first act ended at a weird point in the story. It would have been better to end it at a cliffhanger when they revealed the unexpected twist at the beginning of the second act.
Motivations: It wasn’t clear why the main character’s dad stayed in the boondocks many years ago. Let me know your thoughts in the comments of my social media links below!

Theatre Company: Seattle Public Theater

Venue: Seattle Public Theatre (aka Bathhouse Theatre)

Venue Physical Address: 7312 West Green Lake Dr N, Seattle, WA 98103

Price: Cheap

Ticket Affordability Options: You can self-select ticket prices as low as $5 on the ticketing website if you find the higher options a financial barrier to enjoying great theatre. There is also no seat placement difference between ticket prices.

Dates: May 4 – 28, 2023

Seating: Assigned Seating

Parking: Free plentiful parking lot of Greenlake Park, which is adjacent to the theatre.

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Other Video +/- Pictures: See pictures in video and under video by John Ulman Photography

@showsiveseen "Hometown Boy" #play by Keiko Green directed by @annielareau1 at @seattlepublictheater. A city boy visits his rural Southern hometown & opens old wounds. Good acting & outburst scenes. Is it better to rectify past wrongs or just go on w/ your life? Photos by John Ulman. Review: showsiveseen.com/5285 #theatre ♬ HURT SO BAD – RØNIN

Michael Wu, Tim Hyland (Actors Equity Association Member), Stephen Sumida, Rachel Mae Guyer-Mafune. Photo by John Ulman Photography.

Tim Hyland (Actors Equity Association Member). Photo by John Ulman Photography.

Jennifer Ewing. Photo by John Ulman Photography.

Tim Gouran (background), Micheal Wu. Photo by John Ulman Photography.

Tim Gouran. Photo by John Ulman Photography.

Rachel Mae Guyer-Mafune. Photo by John Ulman Photography.

Stephen Sumida, Michael Wu. Photo by John Ulman Photography.

Zach – Play – ArtsWest

Elevator Thoughts (aka Tweet): Zach play by Christian St. Croix at ArtsWest directed by Sara Porkalob starring Amber Walker and Michael Nevárez. Reminiscent of Saved by the Bell and Funny or Die’s Zach Morris is Trash series through the eyes of minority sidekicks. Complete with a 90s sitcom laugh track!

Synopsis from the Theatre: A satirical comedy that lovingly skewers the popular tropes of the 90s teen sitcom, Zach introduces us to the lives and loves of Gina and P.J., a Black girl and a Latino boy at an affluent, majority-white Southern California high school. P.J., a lovesick surfer boy, and Gina, a budding fashionista, are overjoyed when they’re invited into the inner circle of Zach, the white, charismatic, prank-happy new kid at school. But when Zach plans a new prank that goes too far, P.J. and Gina must race to stop him before it’s too late – and along the way, learn to see their peers, and themselves, with fresh eyes.

Reviewed Performance: 5/5/23 Opening Weekend

Type: Play

World Premiere: Yes

Several or Few Scenes: Several

Several or Few Settings: Several

Prior Exposure/Knowledge Required: You’ll probably appreciate this piece more if you watched 90s teen sitcoms as a kid

Defined Plot/Storyline: Yes

Recommendation: See it especially if 1) you watched 90s teen sitcoms like Saved by the Bell 2) or you like discussing/exploring/dissecting/exposing straight white male privilege.

Was This the First Time I Attended a Production of this Show: Yes

Would I See It Again 3 Years from Now: Probably not but it was pretty good

Rating Compared to Other Shows with the Same Production Value:
4.5 stars (Out of 5 Stars)

Equity Actors: 0

Total Number of Actors: 2

Length (Including Any Intermission): 75 minutes

Intermission: No

Other Rave(s) Not Mentioned in Elevator Thoughts

Sitcom Theme: It was novel to see a play portrayed as a sitcom. I’ve never seen any play with this theme. It was like Saved by the Bell, Boy Meets World, Blossom, Clueless, Sabrina the Teenage Witch, or any one of the Disney formula sitcoms on-stage. There was even a laugh track and an opening scene similar to sitcom opening credits. The opening scene would have been perfect if it began with a projection of the TV show name “Zach” on the wall followed by character names while each character posed for the camera. Think of the Full House opening credits.
Cast Doubling/Size: Usually, I’m hesitant seeing a show that only contains two actors. But since I saw Sara Porkalob (who was amazing in her one-person self-written show Dragon Lady) was the director, I knew I should give this play a chance. It’s surprising how many 90s sitcom character tropes Amber Walker and Michael Nevárez played. I loved how their racial background contrasted with their portrayal of Zach (inspired by Saved by the Bell’s Zach Morris) poignantly revealed how problematic he was as a privileged white straight male who didn’t experience consequences. It’s so interesting how 90s sitcoms subconsciously indoctrinated this bias in American kids.

Other Musing(s) and Observation(s)

Ending (No Spoiler): I’m proud to have predicted the twist resolution at the end of the play. It was definitely a cliche oopsie that we see often in high school-themed shows and movies.
Mark-Paul Gosselaar: I recently learned a fun fact on TikTok that Mark-Paul Gosselaar (who played Zach Morris in Saved by the Bell) is half-Asian and his blond hair was dyed in the TV show. It’s funny that this play exposes Zach Morris’s white privilege but the original actor wasn’t even fully Caucasian!

Theatre Company: ArtsWest

Venue: ArtsWest

Venue Physical Address: 4711 California Ave SW, Seattle, WA 98116

Price: Cheap

Ticket Affordability Options: You can self-identify as needing the inclusion rate when purchasing a ticket online.

Dates: May 3 – 28, 2023

Seating: Assigned Seating

Parking: There are paid lots and free street parking. I usually park on 44th or 45th Ave behind the theatre.

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https://www.artswest.org/events/zach/

Other Video +/- Pictures: See my video below and pictures below video

@showsiveseen "Zach" #play by Christian St. Croix at #ArtsWest directed by @Sara P. starring Amber Walker & Michael Nevárez. Reminiscent of "Saved By the Bell" & @Funny Or Die "Zach Morris is Trash" series through the eyes of minority sidekicks. Complete with a 90s #sitcom laugh track! Review: showsiveseen.com/5227 #theatre ♬ Pronoia – Carly Pearl

Contest Winner – Sweeney Todd – 5th Avenue Theatre

Congrats Nathaniel Lee for winning a ticket from Shows I’ve Seen to the 5th Avenue Theatre Sweeney Todd Stephen Sondheim musical! Stay tuned for the next contest ticket giveaway soon.